SKU: CL.012-1694-01

A brilliant fanfare for full band leads to an interesting melody in the British folksong style. Constantly shifting harmonies add color and interest. Solos for trumpet and flute are brief and not technically demanding. Very nice!

SKU: CL.012-3237-01

An exciting programatic composition that depicts the mytholigiocal story of Merlyn, Excalabur and the Lady of the Lake in a quest for the powers of the Sword. Solo spots for Baritone, Trumpet, Flute, Oboe, and Horn. Numerous percussion parts include optional part for piano. Enduring melodies punctuated by dynamic percussion writing makes this piece a worthy choice for any concert or contest performance by better bands. OUTSTANDING!

SKU: BT.DHP-1084447-010

9x12 inches. English-German-French-Dutch.

The Butterfly that Stamped is a story from the anthology Just So Stories, written by Rudyard Kipling for his daughter who suffered constant bad health. The book inspired composer Maxim Aulio to compose this work which is in a French impressionistic style. The piece opens with a beautiful palace surrounded by the impressive gardens of King Solomon. It is in these gardens that the baritone saxophone makes its appearance representing King Solomon himself, the flute representing the butterfly couple, the clarinet representing Queen Balkis and the trumpet the djin.

The Butterfly that Stamped - Der Schmetterling, der aufstampfte“ - ist eine von zwölf Erzählungen aus dem Band Just So Stories, den Rudyard Kipling, der berühmte Autor des Dschungelbuchs, Ende des 19. Jahrhunderts für seine kranke Tochter schrieb. Der französische Komponist Maxime Aulio ließ sich von dieser bezaubernden Geschichte zu einer Komposition im Stil des französischen Impressionismus inspirieren. Vor der wundervoll orchestrierten musikalischen Kulisse des Palastes und der Gärten König Salomons treten das Baritonsaxophon als König Salomon, die Flöten als Schmetterlingspärchen, eine Klarinette als Königin Balkis und die Trompeten als Dschinnsauf. Vorhang auf!

Rudyard Kipling (1865-1936) est l’un des plus célèbres écrivains de langue anglaise. Né Bombay en Inde, ce journaliste, poète et romancier reçoit le prix Nobel de littérature en 1907. On lui doit notamment les célèbres ouvrages Le Livre de la Jungle (1894), Histoires comme ça (1902) et Kim (1901), entre autres. Rudyard Kipling a sillonné le monde, glanant de-ci de-l des mots et des merveilles raconter aux petits et aux grands. Aujourd’hui encore ses Histoires comme ça enchantent par leur drôlerie et leur poésie ; de délicieux récits d’animaux entre l’Inde et l’Afrique initialement écrits pour sa fille, Joséphine, qui mourut en 1899 des suites d’unegrippe.Le Papillon qui tapait du pied est un des douze contes du recueil Histoires comme ça. Maxime Aulio s’en est inspiré pour créer une œuvre qui s’inscrit dans la tradition de l’impressionnisme musical français. Le saxophone baryton solo incarne le Roi Salomon, fils de David ; les fl tes jouent le couple de papillons ; une clarinette est la Reine Balkis - la Sage Balkis de Saba - tandis que les trompettes et les cornets représentent les Djinns. Les personnages évoluent dans un décor orchestral merveilleux l’image des jardins et du palais du Roi Salomon. / The Butterfly That Stamped (Le Papillon qui tapait du pied) est une œuvre de commande pour la Fédération Musicale d’Auvergne (France) avec le soutien du Conseil Régional d’Auvergne, l’occasion du 10e anniversaire de l’Orchestre Régional d’Harmonie École. L’œuvre a été donnée en création le 30 avril 2006 au Thé tre Municipal d’Aurillac. L’Orchestre Régional d’Harmonie École d’Auvergne était placé sous la direction de Claude Kesmaecker, avec en soliste, Alexandre Doisy, saxophone baryton.

The Butterfly That Stamped è una delle dodici novelle della raccolta Just So Stories, del celebre scrittore britannico Rudyard Kipling (1865-1936). Maxime Aulio se ne è ispirato per creare un brano che di iscrive nella tradizione dell’impressionismo musicale francese. Il sax baritono solo rappresenta il Re Salomone, figlio di David. I personaggi si muovono in uno sfondo orchestrale meraviglioso e incantano per la loro poesia.

SKU: CF.CPS225F

ISBN 9781491153192. UPC: 680160910694.

Tartan Tapestries is an original piece that sets out to emulate Scottish folk music. Composer Larry Clark has created a concert overture in triple meter to capture the essence of music from Scotland. After a lilting first section,  lush and beautiful moments weave a tapestry of sounds with the lyrical, middle section of the piece. There is an optional part for bagpipes, and an optional ending should you chose to use this instrument as part of the piece. Alert your contest music committee about this strong new piece for advancing groups.
Tartan Tapestries was commissioned by Friends of the Arts for the Saint Andrew's School Band in Boca Raton, Florida. The band program at Saint Andrew’s School is under the direction of Andrea Wolgin. The premiere took place on November 29, 2017.When I was asked by their conductor Ms. Wolgin to write a piece for the Saint Andrew’s School, I asked her what kind of involvement she wanted the students to have in the process. We discussed several options for having the students involved in the process of creating with the type of piece they wanted.  We set up a “Skype” meeting with members of the band to discuss the piece. During this discussion, the consensus of the students was that they wanted a piece depicting the Scottish influence to the school. They also wanted a piece that would challenge all sections of the band and to include bagpipes if possible. I asked that the students be involved in helping to name the piece once it was completed, for which they agreed and were very helpful. Armed with this information, I set out to compose a piece for them, and Tartan Tapestries is the result.The piece begins with a fanfare gesture based upon rhythms and harmonies that appear throughout the piece. I chose the lilting triple feel to the piece, to bring about the Scottish flavor. I wanted the fanfare to be bardic sounding, to depict the strength of the Scottish people and for the piece to have a dynamic opening. The fanfare contains material that alludes to the main theme and with a bit of dissonance and tension that is resolved in the main body of the piece.The main theme is a lilting original melody, but one that I hope with have the essence of Scottish folk songs. The main idea is followed by a more modal and dark sounding secondary theme, first stated in the horns. This material is later used in the development section of the piece. The main theme returns several times, with different and varied orchestrations and harmonic treatments. This is followed by a short transition leading to the more lyrical and slower second section of the piece. A transparent presentation of the lyrical theme, which is based on aspects of the main theme, is presented first by a solo flute. This section is a nod to famous composer Malcom Arnold’s wonderful works for orchestra in its style and orchestration. After a transition or bridge section with a solo euphonium, the piece builds to a dramatic climax of the lyrical theme by the full band. This subsides to a return of the solo flute to end this second section of the piece, followed by a transition back the main theme.The solo bagpipes play a central role in the return of the main theme and take center stage after being heard in the distance earlier in the work. The piece brings back a shortened version of the darker secondary theme, followed by a hint of the fanfare material that builds to one last statement of the main theme by the full band, before leading to a dramatic coda to complete the work.It has been my pleasure to have been given the opportunity to compose this piece for the Saint Andrew’s School Band! I thank Andrea Wolgin for making it happen, and I hope that you enjoy it as much as I have enjoyed bringing the piece to life.–Larry ClarkLakeland, Florida 2017.

SKU: CL.012-4379-01

Energetic and uplifting, this compelling work will captivate your audience on the edge of their seats! Quest to the Summit is an overture for wind band that is inspired by the composer's friend's arduous journey to the peak of Indonesian volcano, Mount Semeru. Ample cross-cueing of parts have been carefully considered to allow your band to exploit the music to its fullest. Known for his distinctive lyrical writing, Benjamin Yeo's slow and heart-warming middle section offers excellent opportunities for your flute soloist and the band to showcase their best in tone, balance and phrasing. This masterfully crafted work is unbelievable at this grade level and will definitely take the spotlight in your next band concert, contest or festival performances. Very outstanding!

SKU: CL.012-3786-75

An inferno of excitement, Torrents of Fire will light-up your next concert program. Driving rhythms and aggressive percussion, balanced with bold, lyrical themes, provide a stunning variety of color and intensity. The contrasting middle section, with its optional flute solo and mallet percussion background, provides a hypnotic and sonorous contrast to the hard-driving nature of the rest of the piece. Perfect for concert or contest, Torrents of Fire will showcase your entire band with intensity and enthusiasm.

SKU: CL.012-3349-01

A vibrant new composition by a fresh young writer. An exciting piece that makes full use of all three instrument families and each gets several chances to shine. The Brass starts things off at an exciting Allegro Vivo tempo. An eloquent lyrical section includes short solos for Flute, Oboe, Clarinet and Alto Sax and all solos are amply cued to insure playability. Brilliantly scored to demonstrate a wide variety of tonal colors and there's lots of tasty percussion writing to challenge your entire section. An exceptional programming choice for any festival or concert performance. IMPRESSIVE!

About Heritage of the March

Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

SKU: CL.012-4156-00

A rip-snortin' galop that's as much fun to play as it is to listen to! This modern edition includes full score, F horn, and C flute and piccolo parts. A great circus favorite, this will show off your band like nothing else!

About Heritage of the March

Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style

SKU: CL.012-4668-00

Quintescent Journey is an outstanding work honoring a life well-lived. The rhythmic ostinato and interesting time signatures provide challenging opportunities across the developing ensemble, and the peaceful and serene middle section will give your students a chance to display their musical maturity. Featuring expressive solos for flute, trumpet and horn, the tranquility of the middle section provides an emotional and lyrical contrast to the opposing rhythmic themes. A celebratory finish makes a definitive statement, and Lisa Galvin’s exciting work is sure to inspire students and listeners alike! This energetic work will be the perfect addition to any performance!

SKU: CL.012-4668-01

Quintescent Journey is an outstanding work honoring a life well-lived. The rhythmic ostinato and interesting time signatures provide challenging opportunities across the developing ensemble, and the peaceful and serene middle section will give your students a chance to display their musical maturity. Featuring expressive solos for flute, trumpet and horn, the tranquility of the middle section provides an emotional and lyrical contrast to the opposing rhythmic themes. A celebratory finish makes a definitive statement, and Lisa Galvin’s exciting work is sure to inspire students and listeners alike! This energetic work will be the perfect addition to any performance!

SKU: CL.012-4934-01

From the pen of Rob Romeyn comes this powerful and dramatic programmatic work that sounds straight out of a blockbuster movie soundtrack! The music begins with a delicate statement presented by a solo flute, answered by a solo clarinet soaring above transparent harmonies, leading to a beautiful expressive section. From here, the music takes off with an aggressive display of emotion and power, captivating the audience with high intensity. Multiple sections of the ensemble are featured melodically and harmonically as we continue our journey. Many changes in dynamics, harmonic structure, textures, and varied scoring techniques not only enhance the excitement, but make this an outstanding teaching piece. After a breathtaking climax, the expressive section returns, more developed this time. The piece then ends aggressively, sure to have your audience on the edge of their seat until the last note. Don't miss this significant addition to the concert band repertoire!

SKU: CL.012-4976-01

The Wexford Carol is a traditional Irish carol dating back to the 12th century. This wonderful arrangement begins with a solo piccolo (or flute) amidst a transparent harmonic setting. Melody is then presented by various sections of the band amid lush harmonies as the music develops. Changing styles and textures keep the interest level high, before building to a powerful full climax. From here, the music ends as it began, with the solo piccolo leading to a sensitive and heartfelt conclusion. This is the perfect lyrical selection for holiday programs, or for concert use anytime.