SKU: CL.012-4468-00
This Victor López work evokes images of excitement, bravery and sorrow as Erebus and Terror: The Lost Ships retells the story of the Sir John Franklin expedition in search of the Northwest Passage. Beginning with anticipation as the explorers depart their homeland, the rousing melodic theme is written for clarinet, horn and alto saxophone. The excitement of the journey turns melancholic for a few moments, as the gravity of their journey sinks in, but their courage is again renewed as the trumpets tell the story. A haunting flute and oboe duet foreshadows the inevitable crash portrayed with strong chromatic dissonances, into the ice and the loss of both ships and their crews. The journey has ended for these men, but their story lives on and Sir John Franklin is remembered as a hero due to his valuable contributions to the development of Canada’s north. Highly recommended!
SKU: CL.012-4468-75
This Victor Lopez work evokes images of excitement, bravery and sorrow as Erebus and Terror: The Lost Ships retells the story of the Sir John Franklin expedition in search of the Northwest Passage. Beginning with anticipation as the explorers depart their homeland, the rousing melodic theme is written for clarinet, horn and alto saxophone. The excitement of the journey turns melancholic for a few moments, as the gravity of their journey sinks in, but their courage is again renewed as the trumpets tell the story. A haunting flute and oboe duet foreshadows the inevitable crash portrayed with strong chromatic dissonances, into the ice and the loss of both ships and their crews. The journey has ended for these men, but their story lives on and Sir John Franklin is remembered as a hero due to his valuable contributions to the development of Canada's north. Highly recommended!
SKU: CL.012-2224-00
The opening allegro section of this imaginative work contains marvelous rhythmic vitality before moving through two lovely slow sections featuring solos for Trumpet, Flute, and Alto Sax. Niehaus’ use of mixed meters adds color and interest, which makes this number fun to rehearse and a definite pick’’ for contest.
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
SKU: CL.012-4185-75
An exciting journey through the old west, The Great Land Run paints an exhilarating picture of 1889 Oklahoma. A fanfare-like main theme at the beginning is followed by the night around the campfire. As the settlers rest, a gentle storm washes over them bringing forth the questions of what tomorrow may bring. As morning rises, they head back on their way to stake their plot of land and new life. A powerful recap of the main theme drives this piece to an exciting end. With multiple opportunities for solos in the flute, clarinet, oboe, and trumpet, this piece will offer a fun, yet challenging experience for any concert band!
SKU: CL.012-1491-00
A spirited, lighthearted piece featuring four flutes with band accompaniment. The flute parts are challenging but well within the abilities of most high school musicians.
SKU: CL.012-4119-01
Sands of the Sahara paints a breathtaking and dramatic picture of the desolation, intrigue, culture, and storied history of the north Africa landscape. At the start, special percussion effects mimic the sounds of the wind, while a mysterious, faraway flute melody calls to mind an oasis in the desert. Abruptly, a bold theme is introduced by the full band, and leads to the driving rhythms and exotic themes that further propel and sustain the rest of the piece. Concluding, the introduction is briefly restated, and the piece ends in a stunning tour-de-force of color and intensity. Perfect for concert or contest, Sands of the Sahara will showcase your entire band with excitement and enthusiasm.
SKU: CL.012-4897-00
Opening with a lush flute soli, Into Heaven’s Hands explodes with power, emotion and jubilation in celebration of a beautiful life. The powerful opening gives way to a lyrical and whimsical faster section. David Shaffer’s mastery of intricate harmonic progression is on full display throughout this work. A slower, lyrical middle section compliments the entire piece with a balance of pure musical emotion. The percussion writing is simple but very effective in producing an exciting and musical experience for both the players and the listeners. An excellent choice for contest or festival!
SKU: CL.012-1749-00
Here’s a delightful program piece for young bands highlighting the flute and clarinet sections. An effective rhythmic background enhances the melodic material which is definitely the ``Sound of Today.’’ This music is simple, straightforward and fun to play with some nice touches added by the writer. No preparation problems.
About Heritage of the March
Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style
SKU: CF.YPS208
ISBN 9781491152287. UPC: 680160909780. Key: D minor.
A stunning and heart-wrenching composition based on the Jewish folk son Shlof, Mayn Kind. You can hear the emotional content pour out of this piece written in memory of an outstanding orchestra director. The piece beginnings with original material to set the tone, followed by a clarinet solo on the song. It then develops through a variety of different harmonic presentation before building to a nice key change and climatic moment. The piece ends as it began, but with a more hopeful tone. An amazing piece.Sleep, My Child was commissioned by the Madison Middle School Band and Orchestra in Tampa, Florida, and is dedicated to the memory of their Director of Orchestras Kevin Frye. Director of Bands Chris Shultz championed the commissioning of this piece to honor Kevin after he passed away in December 2016. Mr. Frye was a beloved member of the staff at Madison Middle as well as the music community of Tampa and the state of Florida. I was a personal friend of Kevin’s. We were in several musical groups together when we were young that were formative to both of our musical careers. I also guest conducted his Madison Middle School Orchestra several times over the past four years. His musicianship, teaching skills and love for his students were exemplary.When taking on the challenge of writing a piece to honor Kevin’s legacy, Mr. Shultz and I decided to try and include several important aspects of Kevin’s life into the piece. Kevin was proudly Jewish, a fantastic trumpet player and loved Jazz. With that in mind, and after a lot of research, a Jewish folk song Shlof, Mayn Kind was selected as the basis for the piece, not to be religious, but to honor his faith and heritage. Plus it is a beautiful song, and I felt the title reflected the sentiment I was looking to express, which is of someone taking rest after a long battle with illness. Thus, a lullaby seemed appropriate.I also wanted to incorporate Jazz into the piece, but in a concert setting, so you will hear as the piece develops, the harmonies of the folk song expand into ones found more commonly in Jazz compositions. Not in a far out way, but in a subtle way to again honor this part of his life. For example the climactic moment of the piece at the fermata in m. 57 is a Dbmaj9#11 chord. It appropriately give the piece the angst that I was looking for at this moment in the piece, while honoring the importance of Jazz in Kevin’s musical life.The piece was also conceived to include both the Madison band and orchestra in the performance at the premiere. I wanted the pieces to work separately by the band and separately by the orchestra, but I also wanted them to be able to play the piece together to honor Kevin.The piece begins with original material designed to set the mood of the piece with a tempo/style marking of pensive, but also as material that I used as connective musical tissue between statements of the folk song. After this introduction, the folk song is presented by a solo violin (or clarinet) with orchestral accompaniment in a simple straight forward presentation of the song. This is followed by a woodwind section statement of the folk song accompanied by muted trumpets. During this presentation the harmony starts to expand with more color notes in the chords. The low brass are added half way through this statement to add depth and lushness.The introductory material returns, but with some angry hits in the lower voices. This leads to a full ensemble state of new material that is used to transition to the climax of the piece, and to build tension. After the build, the piece modulates to a shortened statement of the folk song with more advanced harmonies and an active counter line in the violas, horns, saxes and first clarinets to further build the tension. This tension is released at the fermata in m. 57, as mentioned above. After a thoughtful pause, the piece concludes with a completion of the folk song again with a solo violin (or clarinet) followed by a return of the introductory material to tie the piece together. The piece ends hopeful, with a solo trumpet (Kevin’s instrument) that is dissonant at first, but then resolves as if to say - everything will be OK! It has been my distinct honor to have been asked to write this piece in Kevin’s memory! I hope that in some small way the piece helps to bring comfort to his family, students, colleagues and to all those that knew him!–Larry ClarkLakeland, FL 2017.
SKU: CF.YPS208F
ISBN 9781491152966. UPC: 680160910465.
SKU: CL.012-4897-01
SKU: CL.012-4468-01
SKU: CL.012-1749-01
SKU: CL.012-3351-75
Unique! This new and fresh Ed Huckeby composition is an interpretive piece based on the Lewis and Clark Expedition of the early 19th century. Incorporating creative melodic ideas as well as experimental rhythmic concepts and instrumentation, this piece opens the door to new opportunities for creative performance. Includes flute (or recorder), oboe and tympani solos. A bold and exciting selection which your more advanced ensemble and audiences will love! Outstanding choice for concert or contest performance.
About C.L. Barnhouse Spotlight Series
The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments
SKU: IS.WE7090EM
ISBN 9790365070909.
Nico Schoeters took his first percussion lessons with Eric Buyle in the Academy for Music and Word in Boom, near Antwerp, after getting the hang of it through private lessons by Jozef Vervliet. Afterwards he continued his music studies at the Royal Conservatory of Antwerp, where he was taught by Leo Ouderits, Carlo Willems and Koen Wilmaers. In 1998 he graduated there with great distinction as Master in percussion. After cooperating on various projects in Belgium and abroad as a freelance percussionist, Nico took up a position as a percussionist in the National Orchestra of Belgium. However, despite of all his achievements as a percussionist, Nico Schoeters didn’t take his first musical steps by playing percussion, but by playing the piano. His love for the piano remained a common thread in his musical career. For example, he played numerous gigs as a pianist with his jazz quartet ‘Just Friends, consisting of a number of top musicians who are his friends. In addition he started composing piano works in 2012. Cosmopolydian is my first composition for symphonic windband. It's a solo piece for flute and vibraphone which is dedicated to Inge Smedts, principal piccolo at the Royal Wind Band of the Belgian Guides. It is written in the context of a musical project ‘Cocktail Maison'. This project includes a concert on May 25th, 2017 in De Singel in Antwerp where this work will be premiered, a CD recording and a concert tour. All the pieces for this project are new compositions by Piet Swerts, Jef Neve, Klaas Coulembier, Etienne Houben, Bart Watté, Jan Huylebroeck, Francois Glorieux and myself. All the compositions are inspired by a cocktail. My choice is the Cosmopolitan, but the non-alcoholic version, the mocktail actually. The title Cosmopolydian is a nod to the lydian scale which I used as a base for the majority of the piece. The idea behind the music is an image of children enjoying themselves, worry-free, during the holidays. Tired but satisfied, they go to sleep and have wonderful dreams. The next day they wake up to start a beautiful new day.The work is constructed in a typical ABA form. A quick first part: ‘sparkling allegro', which of course should sound very light and playful. A slow middle part warm adagio, in which the beautiful dreams become audible. The last part is a re-exposition of the first part in which eventually all the themes merge into the final.
SKU: CL.012-4156-01
A rip-snortin' galop that's as much fun to play as it is to listen to! This modern edition includes full score, F horn, and C flute and piccolo parts. A great circus favorite, this will show off your band like nothing else!
SKU: CL.012-2626-75
Based on a beautiful ancient Welsh lullaby, Suo Gan. Fresh themes that are skillfully woven together produce a piece that is both musically fulfilling and refreshingly playable. Expressive solo opportunities for flute and trumpet.
About C.L. Barnhouse Classics Series
Under the editorial supervision of Dr. Alfred Reed, these classics from master composers have been adapted and arranged for concert band. A perfect way to acquaint concert band performers and audiences with some of the greatest classical music of all time!
SKU: RM.LUYP02919-BA
ISBN 9790231029192.
SKU: RM.LUYP02919-CO
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