SKU: CY.CC3034
ISBN 9790530110096. 8.5 x 11 in inches.
Hodie Christus natus est (Today Christ is Born) is an a cappella double-choir choral motet from Gabrieli's famous Sacrae symphoniae of 1597. Mr. Chasanov has arranged this music beautifully for a eight-part Trombone Choir/Ensemble of two four-part choirs. The music is full of remarkable rhythmic counterpoint demanding full concentration from the performers. The four-minute arrangement is appropriate for moderately advanced performers. This is an ideal choice to be used for general recitals or as a jubilant work for the Christmas period. Instrumentation: 6 Tenor Trombones and 2 Bass Trombones.
SKU: CY.CC3084
ISBN 9790530110614. 8.5 x 11 in inches.
The dramatic Allegro con brio from Beethoven's Symphony No. 5 in C minor has been arranged in its entirety for 16-part Trombone Choir with optional Timpani by Tom Senff. The ensemble is comprised of 4 choirs, two of which have the highest part scored for alto trombone. This work is suitable for advanced performers.
SKU: CY.CC2861
The Adagio from Mozart's Clarinet Concerto is one of the most exquisite pieces in the classical repertoire. Sonny Ausman has beautifully arranged this music of about 2 1/2 minutes in length for a moderately advanced 4-part Trombone Choir.
SKU: CY.CC3139
ISBN 9790530111079. 8.5 x 11 in inches.
Hymnus, Op 57 is a piece first composed for 12 cellos by Julius Klengel and first published in 1920. Klengel was one of the most important German cellists and pedagogues of the German Romantic period. Hymnus is a lush, chordal and spiritual work composed in memory of the great conductor Artur Nikisch. It has been beautifully arranged for 12-part Trombone Choir by Brian Conklin. This 6 minute work is appropriate for advanced performers.
SKU: CY.CC2580
Stephansdom is a new composition, descriptive of the iconic St. Stephan's Cathedral in central Vienna. Ryan Diefendorfer wrote this work for the Indiana University Trombone Ensemble for Bass Trombone solo and Trombone Choir (6-part) to be performed by Carl Lenthe at the 2012 Eastern Music Festival. Ryan's work was awarded the winner of the 2012 Eastern Trombone Workshop National Composition Competition.St. Stephen's Cathedral, also known as Stephansdom, is one of Vienna's most remarkable city icons. Dating back to 1137, Stephandsom towers above the rest of Vienna's skyline and has been a constant presence in the lives of the Viennese for nearly one thousand years. Among the buildings that the Viennese find closest to their hearts, Stephansdom is certainly one of themI. GroundbreakingThe first movement depicts the troubles that St. Stephen's Cathedral had in getting its groundbreaking as a church. The opening of the piece marks the celebration of the Viennese when St. Stephen's was first constructed in 1137, during the Romanesque era. However, the church faced many issues—from being destroyed by the Babenberg Empire to being decimated by a fire—before the church began its construction in the Gothic style in 1307. The first movement depicts these struggles before resolving to an open chord.II. StefflSteffl, the nickname for Stephansdom's soaring north tower, is one of the characteristics of the cathedral that the Viennese find so endearing. This movement is very upbeat and is meant to portray the excitement shared by the Viennese for this beautiful addition to Stephansdom, which was completed in 1433. Stephansdom's north tower is the tallest structure in Vienna, and distinctly stands out within Vienna's skyline.III. 1945As World War II was coming to a close in 1945, Stephansdom's roof caught fire from a neighboring building, destroying large portions of the church. One climax occurs at m.30, which depicts Stephansdom's great bell, the Pummerin, crashing down to the ground. This movement depicts the chaotic nature of the raging fire of 1945.IV. Anton PilgrimAnton Pilgrim was the last, and perhaps most beloved, architect who worked on St. Stephen's Cathedral in the Gothic style. One of his most famous projects was the St. Stephen's organ loft, which is depicted by an opening organ-like canon. The final movement to the piece ends in a chorale-like fashion, demonstrating the Viennese's love for Anton Pilgrim, as well as Stephansdom, one of Vienna's most iconic sights.This work of 12 minutes in length is appropriate for advanced performers.
SKU: CY.CC2933
ISBN 9790530057520.
Jeremy Kempton has arranged selections from the 1st movement of Mahler's Symphony No. 3 for 8-part Trombone Choir, featuring the dramatic opening and the iconic 1st Trombone solo.This 10-minute work is appropriate for advanced performers.
SKU: CY.CC3040
ISBN 9790530110157. 8.5 x 11 in inches.
Ecce Sacerdos Magnus (Behold the Great Priest) comes from the early European tradition of plainchant. Bruckner's setting of the responsory, originally scored for eight-part mixed choir, organ and three trombones, brings certain medieval qualities to an otherwise Romantic-era composition. This transcription for 10-part brass choir is appropriate for intermediate level and above and attempts to retain the majesty, power, and beauty of the original piece. It should be approached as a choral piece: connected and fluid. The harmonic language is essentially triadic; great care should be taken in the tuning of each chord throughout the piece. Instrumentation is for: 3 Trumpets in B-flat, 2 Horns, 3 Trombones, Euphonium and Tuba. Listen to the live performance by a young group of musicians conducted by Dr. Paul Stevens, Professor of Horn at KU.
SKU: CY.CC3171
ISBN 9790530111413. 8.5 x 11 in inches.
Mahler composed his 3rd Symphony in the summers of 1893 and 1894 in Steinbach on the Attersee near Salzburg. He spent most of his days those two summers composing in a tiny hut built to his specifications where he could compose in the meadow on the shore of the lake - undisturbed. Movement 5, What The Morning Bell Tells Me includes the voices of women's chorus, children and alto soloist and is a relatively short 4-minute bright rowdy episode, full of laughing voices, bells and angels. Ohad Wand arranged this great music for 12-part Trombone Choir while studying at the Eastman School and it was subsequently beautifully recorded by the Eastman Trombone Choir, directed by Dr. John Marcellus.
SKU: HL.49018774
ISBN 9790001169851. 7.5x11.0x0.035 inches. German.
Eine aparte impressionistische Klangfarbenstudie nach einem wenig bekannten Liebesgedicht von Rainer Maria Rilke. Beeindruckende Konzertliteratur fur leistungsfahige Mannerchore.
SKU: HL.49017921
ISBN 9790220131509. UPC: 884088567590. 8.25x11.75x0.062 inches. English.
Composed for the Alwinton and Holystone Church Choir near the composer's home in Northumberland, John Casken sets Christina Rossetti's In the bleak mid-winter - a poem popularised by Gustav Holts' setting of the same name for SATB choir and organ. A traditional carol based on the nativity it paints a vivid picture of the chill of winter and is ideal for choirs wishing to move away from the well-known whilst retaining an element of tradition. Constantly flowing organ lines create a sense of unease but this is uplifting music with subtle crescendos and powerful homophonic writing for the voices.
SKU: WD.080689588174
UPC: 080689588174.
WordKidz presents 10 top worship songs and hymns, fully orchestrated and adapted for your KIDZ BLENDED WORSHIP CHOIR. Kids choirs are often limited to singing fun, lighthearted, clever, kid-appropriate songs… and there's nothing wrong with that. But at WordKidz we believe kids can, and should, be able to sing songs that are more advanced, both musically and theologically. Nothing demonstrates that belief more than the songs and arrangements included in this new KIDZ BLENDED WORSHIP CHOIR project. Striking the right balance between challenging and accessible, these are serious songs designed for serious ministry opportunities for your children's choir.
SKU: PE.EP11425
ISBN 9790014119355. 198 x 272 inches. English.
For choirs who want to bring the music of Latin America to their concerts, the La Voz Latina series is the perfect resource. The second volume in the series, La Voz Latina 2, brings together a collection of 17 vibrant choral pieces from Bolivia, Peru, Chile, Uruguay and Argentina. From traditional styles like Festejo and Candombe, to world-famous hits like Te recuerdo Amanda or Alfonsina y el mar and arrangements of tangos by Piazzolla, this collection captures the unique variety of Latin America.
SKU: HL.48187229
UPC: 888680990145. 9x12 inches.
“Having been considered as a 'fashionable' and 'cliché' composer of his day, Hahn's compositions are possibly not as well-known as they ought to be. Rondels for SATB choir and Piano however, shatter these prejudices held, representing the engaging diversity of the composer's music. Venezuelan born Reynaldo Hahn (1875-1947) entered the Paris Conservatoire at 10 years old. He received a high standard of musical education from Decombes, Lavignac, Dubois and Massenet before becoming a prolific and versatile composer himself, writing works for all genres. For Hahn, music was a magical art and his compositions often contain expressions of his otherwise hidden emotions and moods. Rondels is made up of twelve movements, depicting different aspects of nature. Hahn's Rondels contains a variety of different features, making for a pleasant and evocative work for advanced choirs.&rdquo.
SKU: HL.48187787
14.0x0.227 inches. French.
French composer, Pierre Boulez (b. 1925) is best known for his serialist, experimental and electronic compositions. However, his work for Soprano, Mixed Choir and Piano Reduction, The Water Sun also remains regularly performed. Having studied at the Paris Conservatoire under Olivier Messiaen, Boulez soon began his own creative experiments. Amongst his earlier works was his cantata, The Water Sun, composed in the late 1940s. The work has since been revised many times. Based on poems by Rene Char, The Water Sun is atonal, exploiting many techniques. For advanced choirs and Soprano soloists, Boulez's The Water Sun provides a challenging yet riveting performance work..
SKU: HL.48185427
UPC: 888680833954. 9x12 inches.
“French composer, Jean-Louis Florentz (1947-2004) was a prolific student of Olivier Messiaen. Asmara, composed in 1992, is an exciting addition to the choral repertoire. Florentz's music is described as having ”“a strong, evocative power which keeps the clarity of the French style.”“ Asmara, named after the capital of Eritrea, was commissioned by the Culture Minister and is composed for a mixed voice choir. The text is written in the native Ethiopian and a helpful pronunciation glossary is provided, preceding the score. For all advanced choirs seeking to vary their repertoire, Florentz's Asmara makes for an exciting performance.&rdquo.
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