Trombone and Piano

SKU: IS.TRP4208EM

Composed by Jef Schampaert. Brass - Trombone. Metropolis Music Publishers #TRP4208EM. Published by Metropolis Music Publishers (IS.TRP4208EM).

ISBN 9790365042081.

Jozef (Jef) Schampaert's 1952 Dramatische Fantaisie (Fantaisie Dramatique) for trombone and piano, dedicated to trombone professor Peter Roupcinsky, was written as a concours piece for the Royal Conservatoire Antwerp in Belgium. While the rest of the Belgian school was experimenting with a return to lush romanticism (Alpaerts, Maes, and the musical progeny of Benoit), or beginning to prod the tonal bounds of listenable 12-tone and serialism (Constant and Verbesselt), Schampaert took towards a different sound: that of the Impressionists, transmuted through his distinctly Flemish touch.

4 trombones or brass instruments ((Tenorhorner, Baritone oder 2 Tenorhorner und 2 Posaunen)) - intermediate

SKU: HL.49013434

Composed by Waldram Hollfelder. Arranged by Willy Schneider. Sheet music. Blaserkreis. Classical. Individual part. 4 pages. Schott Music #BLK 317-21. Published by Schott Music (HL.49013434).

ISBN 9790001119733.

Trombone

SKU: FG.55011-487-6

Composed by Kalevi Aho. Fennica Gehrman #55011-487-6. Published by Fennica Gehrman (FG.55011-487-6).

ISBN 9790550114876.

One of the big projects of Kalevi Aho (b. 1949) has been to create a virtuoso solo piece for every central instrument of the symphony orchestra. When the Italian Risuonanza Festival asked for a solo trombone piece, the composer was glad, because the trombone solo was still lacking from the Solo series. Kalevi Aho tells: I like the trombone as an instrument, and I had before the Solo XIII composed already two big trombone works. In my Symphony No. 9 (1994) I have used the trombone as a solo instrument - in the premiere the Swedish trombonist Christian Lindberg played its demanding solo part - and 2010 I composed also a big trombone concerto for the Dutch trombonist Jorgen van Rijen. In Solo XIII (2017) I could utilize my knowledge about the possibilities of the instrument. The piece is in one movement, but it includes several slower and faster sections. It is a virtuoso piece, but the virtuosity comes from the psychological contents of the work and its form is dramaturgically quite clear. Rocco Rescigno played the premiere at the Risuonanze Festival in Pasian di Prato, on 31 May 2019. The duration of the piece is c. 9 minutes.

4 trombones or brass instruments ((Tenorhorner, Baritone oder 2 Tenorhorner und 2 Posaunen)) - intermediate

SKU: HL.49013437

Composed by Waldram Hollfelder. Arranged by Willy Schneider. Sheet music. Blaserkreis. Classical. Individual part. 4 pages. Schott Music #BLK 317-24. Published by Schott Music (HL.49013437).

ISBN 9790001119764.

4 trombones or brass instruments ((Tenorhorner, Baritone oder 2 Tenorhorner und 2 Posaunen)) - intermediate

SKU: HL.49013429

Composed by Waldram Hollfelder. Arranged by Willy Schneider. This edition: Saddle stitching. Sheet music. Blaserkreis. Classical. Score. 20 pages. Schott Music #BLK 317. Published by Schott Music (HL.49013429).

ISBN 9790001119689.

Trombone & Piano

SKU: SU.50021630

For Trombone & Piano. Composed by Lawrence Moss. Brass, Trombone. Performance Score. Seesaw Music Corp #50021630. Published by Seesaw Music Corp (SU.50021630).

Copyright 1979. Published by: Seesaw Music.

Trombone

SKU: BT.YE0061

Composed by Alan Ridout. Book Only. Yorke Edition #YE0061. Published by Yorke Edition (BT.YE0061).

Composed jointly. A melodrama for double bass and narrator, or speaking double bass player. 'Peter and the Wolf in miniature'. Neue Musikzeitung. Delightful little ten minute piece... for audiences of young children'. TheStrad.

Grade: Medium.

Brass Quintet

SKU: ST.Y290

Composed by Timothy Wilson. Wind & brass music. Score and Parts. Score and parts. Stainer & Bell Ltd. #Y290. Published by Stainer & Bell Ltd. (ST.Y290).

ISBN 9790220223228.

Winner of the 2011 Stainer & Bell Award for Brass Composition held at the Royal Welsh College of Music and Drama, Timothy Wilson's Avidity is a dynamic endorsement of the competition's aim to provide exciting new brass music for schools, conservatoires and professional ensembles. Generated by the composer's skilful invention and purposeful structure, its fast-moving six-minute sonata form for brass quintet delivers the musical counterpart of the eagerness and expectancy implied by its title.

In the outer sections of Avidity strongly accented rhythms command the attention, with arresting unisono phrases balanced by effervescent staccato passages. The level of energy is sustained through unexpected rhythmic twists and turns distorting the pulse of the music, with striking crescendi and strong dynamic contrasts that are a particular strength of the brass idiom. There is respite however, with two episodes of solemn, chorale-like material whose arched lines sound no less well on the five instruments. But the last word is with the opening theme, returning with unstoppable momentum and concluding Avidity with a decisive cadence of abrupt repeated chords.