| Fake Book Of The World's Favorite Songs - C Instruments - 4th Edition
C Instruments [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Traditional pop and vocal standards. Series: Hal Leonard Fake Books. 424 pages. 9x12 inches. Published by Hal Leonard.
(14)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Ryan's Mammoth Collection of Fiddle Tunes Violin [Sheet music] Mel Bay
Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Son...(+)
Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Songbook. Size 8.75x11.75. 176 pages. Published by Mel Bay Pub., Inc.
$29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Blues Fake Book
Fake Book [Fake Book] Hal Leonard
Fakebook (spiral bound) for voice and C instrument. With vocal melody, lyrics, c...(+)
Fakebook (spiral bound) for voice and C instrument. With vocal melody, lyrics, chord names and leadsheet notation. Series: Hal Leonard Fake Books. 407 pages. Published by Hal Leonard.
(3)$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| America's All-Time Favorite Songs for God and Country Piano, Vocal and Guitar [Sheet music] Music Sales
(P/V/G). By Various. Songbooks and Methods. Music Sales America. Patriotic, Sacr...(+)
(P/V/G). By Various. Songbooks and Methods. Music Sales America. Patriotic, Sacred. Softcover. 320 pages
$19.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Hammered Dulcimer Treasury of Tunes Dulcimer [Sheet music] - Easy Mel Bay
Arrangements by Sally Hawley. For Hammered Dulcimer. Songbook. Acoustic Music. L...(+)
Arrangements by Sally Hawley. For Hammered Dulcimer. Songbook. Acoustic Music. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 256 pages. Published by Mel Bay Publications, Inc.
(1)$29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Americas All-Time Favorite Songs for God and Country Piano, Vocal and Guitar [Sheet music] Music Sales
America's All-Time Favorite Songs for God and Country (Library of Series). Arran...(+)
America's All-Time Favorite Songs for God and Country (Library of Series). Arranged by Amy Appleby. Music Sales America. Gospel, Sacred, Sacred. Softcover. 320 pages. Music Sales #AM985314. Published by Music Sales
(1)$24.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Élégie Guitar Classical guitar [Score] - Intermediate Doberman
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522). ISBN 9782897963026. Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France. Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis. Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO. Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique. Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même. Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après. Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme. Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français ! Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas. Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.
Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France. We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA. After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department. In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music. Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself. He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter. Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French! Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas. His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Redeeming Love (Has Been My Theme) - Bulletins (100-pak) Choral SATB - Easy Word Music
SATB choir - Easy SKU: WD.080689444777 An Easter Musical for Senior Ad...(+)
SATB choir - Easy SKU: WD.080689444777 An Easter Musical for Senior Adult Choir. Composed by Marty Parks. Choral, cantatas. Simply Word. Eastertide. Bulletins (100-pak). Duration 30 minutes. Word Music #080689444777. Published by Word Music (WD.080689444777). UPC: 080689444777. Themes are an important part of our lives. They give us connectivity and consistency. They provide focus. They offer common ground with like-minded people. Good themes are recurring themes...especially in regard to redeeming love! Word Music Church Resources is proud to be a part of a theme which we share with many of you...Senior Adult Choirs! And as a theme-within-a-theme, Senior Adult Choirs are synonymous with veteran church musician and arranger Marty Parks! On the heels of his best-selling Christmas release, When Earth Received Her King, Marty brings us another well-crafted, heartfelt, joy-filled musical for Easter Redeeming Love Has Been My Theme. In addition to the Large-Print-No-Repeats format, Marty Parks has thoughtfully crafted this newest inspired gem that begs to be sung and is guaranteed to make your Senior Adults eager to minister at your next Easter service! Filled with great songs, Redeeming Love Has Been My Theme features singable arrangements easily mastered by your volunteer choir. Not only will you meet your group's easy accessibility requirements, this work will make your volunteer choir sound bigger than life! It will leave them with a feeling of great accomplishment at having delivered an inspired performance while being a part of such an important ministry opportunity. And while created for Senior Adult Choirs, Redeeming Love Has Been My Theme is perfect for any SATB choir with limited rehearsal time or ease-of-performance needs. New with this release are Stem Mixes and a dynamic DVD Accompaniment Track, designed to revolutionize your performance and take your presentation to new heights. Your Senior Adult Choir will stand out from the rest with the use of this high definition, specialized asset - a visually-engaging new product enhancement! $25.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| We'll Sail Away - Easy Kjos Music Company
TB choir (or TBB choir) - Grade 3 SKU: KJ.5588 Composed by Nancy Telfer. ...(+)
TB choir (or TBB choir) - Grade 3 SKU: KJ.5588 Composed by Nancy Telfer. Arranged by Nancy Telfer. Collection. Choral. Octavo. Neil A. Kjos Music Company #5588. Published by Neil A. Kjos Music Company (KJ.5588). UPC: 8402703008. Available in four different voicings - SSA #6362, SATB #9124, SAB #5778, TTBB Item#5588) to meet any choral programming need, Let's Sail Away was written by Nancy Telfer for the 2011 Singapore International Youth Choir Festival. Let's Sail Away depicts a wandering journey on an imaginary boat, leaving the cares of the world behind in the wonder of the water and waves, sky, stars, and wind. The experience and skill of master choral musician Nancy Telfer shine through in the carefully crafted vocal lines, sensitivity to vocal ranges, and the lilting accompaniment. A great addition to any concert program!
Item #9124 SATB Item #5778 SAB Item #6362 SSA. $2.05 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| We'll Sail Away Choral 3-part SAB - Easy Kjos Music Company
SAB choir - Grade 3 SKU: KJ.5778 Composed by Nancy Telfer. Arranged by Na...(+)
SAB choir - Grade 3 SKU: KJ.5778 Composed by Nancy Telfer. Arranged by Nancy Telfer. Collection. Choral. Octavo. Neil A. Kjos Music Company #5778. Published by Neil A. Kjos Music Company (KJ.5778). UPC: 8402703010. Available in four different voicings - SSA #6362, SATB #9124, SAB #5778, TTBB Item#5588) to meet any choral programming need, Let's Sail Away was written by Nancy Telfer for the 2011 Singapore International Youth Choir Festival. Let's Sail Away depicts a wandering journey on an imaginary boat, leaving the cares of the world behind in the wonder of the water and waves, sky, stars, and wind. The experience and skill of master choral musician Nancy Telfer shine through in the carefully crafted vocal lines, sensitivity to vocal ranges, and the lilting accompaniment. A great addition to any concert program!
Item #9124 SATB Item #5588 TTBB Item #6362 SSA. $2.05 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| We'll Sail Away Choral 3-part SSA - Easy Kjos Music Company
SSA choir - Grade 3 SKU: KJ.6362 Composed by Nancy Telfer. Arranged by Na...(+)
SSA choir - Grade 3 SKU: KJ.6362 Composed by Nancy Telfer. Arranged by Nancy Telfer. Collection. Choral. Octavo. Neil A. Kjos Music Company #6362. Published by Neil A. Kjos Music Company (KJ.6362). UPC: 8402703009. Available in four different voicings - SSA #6362, SATB #9124, SAB #5778, TTBB Item#5588) to meet any choral programming need, Let's Sail Away was written by Nancy Telfer for the 2011 Singapore International Youth Choir Festival. Let's Sail Away depicts a wandering journey on an imaginary boat, leaving the cares of the world behind in the wonder of the water and waves, sky, stars, and wind. The experience and skill of master choral musician Nancy Telfer shine through in the carefully crafted vocal lines, sensitivity to vocal ranges, and the lilting accompaniment. A great addition to any concert program!
Item #9124 SATB Item #5778 SAB Item #5588 TTBB. $2.05 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Scherzo Brilliante Marimba or Xylophone [Score and Parts] Innovative Percussion
Scherzo Brilliante by Unknown Russian Composer. Edited by Harold Jones. Keyboard...(+)
Scherzo Brilliante by Unknown Russian Composer. Edited by Harold Jones. Keyboard Solo with Piano. For marimba or xylophone solo with piano accompaniment (marimba or xylophone and piano). Level 4. Score and set of parts. Published by Innovative Percussion
$13.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Veneziana for chamber ensemble and piano - Study score Fennica Gehrman
Chamber ensemble and piano SKU: FG.55011-828-7 Composed by Iiro Rantala. ...(+)
Chamber ensemble and piano SKU: FG.55011-828-7 Composed by Iiro Rantala. Classical, jazz. Study score. Fennica Gehrman #55011-828-7. Published by Fennica Gehrman (FG.55011-828-7). Iiro Rantala's Veneziana for chamber ensemble and piano (2021-2022) is a 50 minute long program about all things Venice; how famous composers were affected by the city, how they affected the city and became part of the Venetian Story – told with an Iiro twist. The meeting of Prokofiev and Diaghilev turns into a real nutcracker ballet Romeo and Steve, whilst Mozart loses his mojo when visiting Venice. Monteverdi starts and Verdi completes the waltz boom - and Sibelius finds his national romantic melancholy again.
Veneziana is scored for wind and string quintets and a pianist. This product is a study score (A4 sized, spiral bounding). The performance material is available for hire from the publisher.
Contents: 1. Gondol Ride to St. Mark’s Square 2. Romeo and Steve 3. Monteverdi and His Ideas 4. Vivaldi’s ADHD 5. Sibelius in Venice 6. Mozart Loses His Mojo 7. Casanova and Lorenzo 8. Morte a Venezia
Iiro Rantala (b. 1970) is a pianist, a composer, and most likely Finland's best known jazz musician internationally. Rantala is also known for his compositions for musicals and the tv-shows he has hosted. In addition Rantala has composed music for films, television and more recently, for the stage. Rantala’s second opera, Die Zaubermelodika was a commission by the Komische Oper Berlin. His double concerto Joy of Life has been programmed by numerous orchestras. The fast-and-furious Seven o’clock Overture has been dubbed as Finnish Candide Overture. $46.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Creative Variations Volume 1
This collection of tuneful and engaging pieces ranges from Grades 1-5 in stan...(+)
This collection of tuneful and engaging pieces ranges from Grades 1-5 in standard and is an ideal introduction to developing improvisation. Designed espeically to help the classically trained musician who is nervous abouttrying to improvise jazz. This great book should help to allay those fears. This book also includes a CD which features short and fairly simple performances, allowing you to copy and learn whilst you play
$28.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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