SKU: MB.30780M
ISBN 9781513462714. 8.75 x 11.75 inches. Transcribed by Stefan Grossman.
This collection presents six legendary blues guitarists from the 1920s to early 1940s. Each has his own unique approach, style and techniques for playing. Some like Rev. Gary Davis favored regular tuning while Josh White was equally at home playing in Open D tuning as well as standard tuning. Lonnie Johnson is unique in his playing techniques as well as use of a D G D G B E tuning. Buddy Mossâ??s recordings influenced generations of Piedmont guitarists, especially Blind Boy Fuller. Bo Carter had one of the most unusual tonal approaches for playing blues, ragtime and novelty songs. And lastly there is Tommy McClennan. His recordings sound â??rough and tumbleâ? but once you explore the intricacies of his playing you will discover a powerful blues guitarist.
REV. GARY DAVIS: Cincinnati Flow â?¢ Piece without Words â?¢ Children of Zion â?¢ Twelve Gates to The City
BO CARTER: Letâ??s Get Drunk Again â?¢ Nobodyâ??s Business â?¢ Honey â?¢ What You Want Your Daddy to Do
BUDDY MOSS: Oh Lordy Mama â?¢ Sleepless Night â?¢ Someday Baby (Iâ??ll Have Mine)
JOSH WHITE Crying Blues â?¢ Bad Depression Blues â?¢ High Brown Cheater â?¢ My Soul Is Gonna Live With God â?¢ Pure Religion Hallilu
LONNIE JOHNSON: Away Down In the Alley Blues â?¢ Stomping â??Em Along Slow â?¢ Blue Ghost Blues There Is No Justice â?¢ Helena Blues â?¢ Sittinâ?? On A Log â?¢ Corn Bread Blues
TOMMY McCLENNAN: Blues as I Can Be â?¢ Iâ??m Goinâ??, Donâ??t You Know â?¢ Love With a Feeling â?¢Â New Highway No.51 â?¢ Drop Down Mama
HOW TO USE THIS BOOK: 1) Listen over and over to the original recordings available via the download link for this collection. 2) Get a program that can control digital audio files. Use this with the transcriptions and the recordings. 3) Be patient!! Practice, practice and practice some more!!
SKU: HL.14026905
ISBN 9788759857588. English-French.
Completed in 1977, Le Tombeau de Pere Igor or The Tomb of Father Igor is a fabulous Chamber work for Cello, Clarinet and Piano by Karl Aage Rasmussen, one of the most important post-war Danish composers. This set for his terrific piece includes both the Cello and the B flat Clarinet parts. The full score is also available (KP00193).
SKU: BT.MUSM570208593
English.
Tombeau which takes its title from the central elegy of the work was composed 1966-69. Its form is a series of fairly specific technical studies interspersed with variations. The introduction provides a sort of ‘trailer’, in which each phrase of the theme is punctuated by a brief quote from the ensuing studies (heard in reverse order). This scheme is balanced by that of the finale, which is also punctuated by short ‘flashbacks’. Tombeau was written as a tribute to certain composers for the piano, notably Schumann and Szymanovsky, and to a style of playing that has now become almost ‘historic’. It is also a tribute to our beloved masters, many of them obscure, who made usmusicians. It is therefore, in many senses, a retrospective work, the last of a phase, undertaken just before a fairly drastic re-evaluation of techniques, ideas, and intentions. It is dedicated to Stephen Kovacevich, who commissioned it and gave its first performance on the BBC Third Programme and subsequently at Dartington Hall Summer School.
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