SKU: CA.306780
ISBN 9790007174705. Key: B flat major. Language: German. Text: Crasselius, Bartholomaus. Text: Bartholomaus Crasselius.
SKU: BT.DHP-1064223-070
ISBN 9789043126731. 9x12 inches. English-German-French-Dutch.
Also known as Prosa in Nativitáte Dómini or the Portugese Hymn, Adeste, Fideles has been used at Benediction at Christmastide in France and England since the end of the eighteenth century. It invites all the faithful to come to Bethlehem to worship the newborn Savious. Although more than forty different English translations were made, Oakeley's translation O Come, All Ye Faithful was the most preferred, with additional verses translated by W.T. Brooke. All in all, the hymn has been translated into at least 125 languages and is one of the most popular of all Christmas hymns.Adeste, Fideles, das hier in einer festlichen Bearbeitung fu?r Blechbläserquintett und Orgel ad lib. vorliegt, wird schon seit dem Ende des 18. Jahrhunderts in Frankreich und England zur Segnung in der Weihnachtszeit verwendet. Das im deutschen Sprachraum als Herbei, o ihr Gläubigen bekannte Lied wurde auÃ?erdem in u?ber 100 weitere Sprachen u?bersetzt und ist damit eines der beliebtesten Weihnachtslieder weltweit. Lâ??hymne chrétienne Adeste Fideles [Adeste Fidelis] est également connue sous le nom de Prosa In Nativitáte Dómini ou encore Cantique portugais (parce quâ??il fut chanté dans la chapelle de l'ambassade du Portugal Londres). Depuis la fin du XVIIIe siècle, Adeste Fideles est chanté après la bénédiction de Noël dans de nombreuses églises françaises et anglaises. Le texte invite tous les croyants se rendre Bethléem pour adorer le Sauveur nouveau-né.Lâ??origine du cantique reste un mystère. On mentionne divers noms de poètes. Dâ??aucuns soutiennent quâ??il sâ??agit dâ??un noël ancien inspiré dâ??une danse autour de la crèche. On pense également que SaintFrançois dâ??Assise sâ??en serait servi pour sa crèche vivante. Dâ??autres attribuent son origine Saint Bonaventure, un prêtre franciscain, contemporain de Saint François, qui en aurait composé le texte original, en latin, au XIIIe siècle. Enfin, certains historiens affirment quâ??Adeste Fideles aurait été écrit par un poète anonyme français sous le règne de Louis XIV.Quoiquâ??il en soit, il est communément reconnu que les strophes ont été écrites ou découvertes par lâ??Anglais John Francis Wade (vers 1710-1786) alors quâ??il travaillait en tant que chercheur et copiste Douai en France. La première version imprimée du cantique date des années 1740. Elle fut ensuite intégrée au recueil Cantus Diversipublié en 1751.Catholique la c, John Francis Wade fuit lâ??Angleterre en proie des persécutions religieuses. Vers 1731, il copiait des manuscrits de plain-chant au Collège dominicain de Borhem en Flandre. Plus tard, il sâ??installa Douai dans le Nord de la France, forteresse de la foi catholique, où le roi d'Espagne Philippe II avait fondé une université, en 1559. Wade gagnait sa vie « en copiant et vendant des manuscrits de plain-chant et dâ??autres ?uvres ». Il fut également professeur de latin et de musique sacrée. La notice nécrologique mentionnait lâ??excellence de son travail de copiste, quâ??il réalisa pour des chapelles locales ou des.
SKU: AP.36675S
UPC: 038081417479. English.
This energetic overture opens strongly with the low brass presenting a melodic arpeggio motive that recurs throughout the A section of the piece. The B section provides an excellent contrast with an expressive presentation by the woodwinds leading to a sensitive chorale setting. With shifting minor and major modes, the section builds with the brass before ending in a tranquil manner. A repeat of the opening section leads to a dynamic coda, bringing the piece to an exciting conclusion. This is well written educational material that plays at the more technical end of this grade level. -The Instrumentalist.
SKU: CA.9203105
ISBN 9790007118174. Language: German.
Score available separately - see item CA.9203100.
SKU: CA.303290
ISBN 9790007174088. Key: B flat major. Text language: German.
A simple arrangement in A major from Bruckner's early years.
SKU: BR.OB-4618-11
The new edition of BWV 118 presents the work in the two different instrumental settings that are authenticated through the autograph scores: the earlier version with solely brass instruments, and the later one with mixed instruments.
Have a look. Motet; Baroque. Part. 4 pages. Duration 8'. Breitkopf and Haertel #OB 4618-11. Published by Breitkopf and Haertel (BR.OB-4618-11).
ISBN 9790004341520. 12 x 9 inches.
The new edition of BWV 118 presents the work in the two different instrumental settings that are authenticated through the autograph scores: the earlier version with solely brass instruments, and the later one with mixed instruments. Both versions are printed consecutively. Of particular interest for an authentic performance are two Litui, which are called for in both versions. To this day it has been impossible to determine what instruments are meant here: high horns in B flat? Or trumpets? The work has more unanswered questions for us for example, the occasion for which the first version was written in ca. 1736/37, and the reason why the work was newly orchestrated after 1740.
SKU: GI.G-9912
UPC: 785147991205. English. Text Source: Jordanis oras praevia, Charles Coffin, 1676&ndash,1749, tr. John Chandler, 1806&ndash,1876, alt.; Translation: John Chandler. Text by Charles Coffin.
Listen to the recording and see the score in the video below:.
SKU: MN.CH-1113
Handel composed the spirited chorus for his oragorio Samson, in 1742, just after he finished writing Messiah. Optional Trumjpet part included in the score. Duration 2:30.
SKU: CA.306770
ISBN 9790007174699. Key: B flat major. Language: German. Text: Gerhardt, Paul. Text: Paul Gerhardt.
SKU: DB.01-00027
ISBN 9790012404262.
Band I/B und Band II wurden im Rahmen der Osterr. Schulbuchaktion zum Unterrichtsgebrauch approbiert (Schulbuch-Nr. 1757, 1743).
SKU: HL.49004132
ISBN 9790001042901. UPC: 884088017484. 6.0x9.0x0.287 inches.
SKU: BA.BA05938-01
ISBN 9790006556335. 33 x 26.2 cm inches. Language: German. Preface: Barwald, Manuel.
The St. John Passion, Bach's first passion oratorio, can hardly be understood asonework. Between 1724 and 1750 the work was performed at least four times in various Leipzig churches under the composer's direction and for every one of these occasions it was revised - sometimes quite substantially.This edition presents the St. John Passion in its second version of 1725, of which only excerpts were rendered in the New Bach Edition volume II/4 (1973). This version as well as the last one of 1749 constitute the two versions that have come down to us almost in their entirety.Most recently found sources - in particular the libretto print of the passion rediscovered in 2015 - are taken into consideration in this edition for the first time.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: AP.36675
UPC: 038081417462. English.
SKU: CA.311570
ISBN 9790007151744. Key: B flat major. Language: Latin.
SKU: BR.EB-7118
ISBN 9790004172728. 7.5 x 10.5 inches. German / English.
The new edition of BWV 118 presents the work in the two different instrumental settings that are authenticated through the autograph scores: the earlier version with solely brass instruments, and the later one with mixed instruments. Both versions are printed consecutively. Of particular interest for an authentic performance are two Litui, which are called for in both versions. To this day it has been impossible to determine what instruments are meant here: high horns in B flat? Or trumpets? The work has more unanswered questions for us for example, the occasion for which the first version was written in ca. 1736/37, and the reason why the work was newly orchestrated after 1740.The new edition of BWV 118 presents the work in the two different instrumental settings that are authenticated through the autograph scores: the earlier version with solely brass instruments, and the later one with mixed instruments.
SKU: BR.EB-8041
World premiere: Dusseldorf, May 20, 1978
ISBN 9790004174401. 9 x 12 inches.
During the intensive study of Johann Sebastian Bach's Musical Offering for the creation of a commissioned composition for wind trio, I had the idea of writing a larger organ work on the Royal Theme at the same time. This is how the Three Ricercare came into being. They are multi-part fantasies for organ, which - connected by the frequently transformed thematic material of the Musical Offering and the manifoldly reshaped B-A-C-H motif - alternate between free, rapsodic parts on the one hand and strictly structured parts on the other. For my 60th birthday, W. E. v. Lewinski wrote an appreciation under the title: Music in the span between constraint and freedom. This formulation aptly characterizes the new organ work. (Jurg Baur) CD: Martin Herchenroder CD Koch 3-1846-3 H1 Bibliography: Semrau , Arno: Polpyhone Orgelmusik von Johann Sebastian Bach bis Jurg Baur, Augsburg: Wissner 2001, darin besonders pp. 259-304 und 510-532. Richter , Reinhold: Zwischen Tradition und Avantgarde zwischen Zweifel und Hoffnung. Einige Notizen zur Chor- und Orgelmusik von Jurg Baur anlasslich des 85. Geburtstages im vergangenen November, in: Forum Kirchenmusik 54 (2003), Heft 6, pp. 23-31.World premiere: Dusseldorf, May 20, 1978.
SKU: GI.G-10436
English. Text Source: Isaac Watts, 1674-1748, alt. Text by Isaac Watts. Scripture: Psalm 98.
SKU: BR.OB-4794-19
ISBN 9790004321744. 10 x 12.5 inches.
SKU: BT.DHP-0991839-401
ISBN 9789043107174. International.
This volume contains 8 melodic studies designed to improve the intermediate guitarists technical ability. Die Ausgaben der ANNETTE KRUISBRINK LIBRARY sind die Empfehlung für alle, die stets auf der Suche nach guter, abwechslungsreicher Spiel- und Übungsliteratur für Konzertgitarre im mittleren bis gehobenen Schwierigkeitsgrad sind. In dieser speziellen Reihe gibt die studierte (und mehrfach preisgekrönte) Gitarristin, Komponistin und Dozentin Annette Kruisbrink ihre Erfahrungen und ihr Können in eigenen Kompositionen an andere Gitarristen weiter.Dropshots ist ein Begriff aus der Tenniswelt und bedeutet Stoppbälle - Bälle, die kurz und präzise hinter dem Netz aufkommen. In diesem Fall handelt es sich um acht kurze, prägnante Etüden für Gitarre.
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