SKU: HL.49003875
ISBN 9790001038874. 7.75x11.0x0.008 inches.
SKU: HL.49001490
ISBN 9790001116787. UPC: 884088019419. 9.0x12.0x0.092 inches.
SKU: CA.2705312
ISBN 9790007199579. Key: A major. Language: Latin.
Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.
SKU: HL.49003120
ISBN 9790220115271. UPC: 073999871548. 9.0x12.0x0.052 inches.
SKU: HL.49001471
ISBN 9790001017213. UPC: 073999355666. 9.0x12.0x0.081 inches.
SKU: HL.49003070
ISBN 9790220114441. UPC: 073999546668. 9.25x12.0x0.073 inches.
SKU: HL.49011871
ISBN 9790200216462. 8.25x11.75x0.035 inches.
SKU: HL.50506520
UPC: 073999574579. 8.0x10.5x0.113 inches. Italian.
Cantata for Soprano and Basso Continuo.
SKU: HL.48188350
UPC: 888680859749. 9.0x12.0x0.401 inches.
“Concerto No.4 - for clarinet solo, 2 oboes, 2 horns and strings; Concerto No.6 - for clarinet solo, 2 oboes, 2 bassoons, 2 horns and stringsâ€.
SKU: HL.50484167
6.75x10.5 inches.
SKU: HL.49007084
ISBN 9790001075923. UPC: 884088073114. 9.0x12.0x0.314 inches.
Flute, Oboe, Clarinet, Bassoon and Orchestra.
SKU: HL.14008426
ISBN 9780711942042.
The solo flute here is kept in high profile by the absence from the orchestra not only of other flutes, but also of violins and oboes; in addition, the trumpets are used sparingly (they do not, for instance, play in the slow movement), so that for much of the time the flute is playing against a mellow ensemble of clarinets, horns, bassoons and low strings. If this is, nevertheless, one of Davies's most open-spirited pieces, that comes partly from the ready flights of the soloist, partly from its glockenspiel accompaniments in the outer movements (replaced by ticking claves in the Adagio), partly from the dancing character of so much of the music, and partly from the harmonic clarity, in a light region not far from C minor. Flute part with piano reduction of the orchestral score.
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