SKU: NR.41534
ISBN 9790001088985.
Palaschko, Johannes, ed.
SKU: TM.07175SC
SKU: TM.12494SET
SKU: BR.PB-15106
In Cooperation with G. Henle VerlagEB 10766 is printed in score form; two copies are needed for performance.Our edition EB 8578 contains Ferrucci Busoni's cadenzas for the Piano Concerto in C m. Solo concerto; Classical. Full score. 72 pages. Duration 30'. Breitkopf and Haertel #PB 15106. Published by Breitkopf and Haertel (BR.PB-15106).
ISBN 9790004211892. 10 x 12.5 inches.
The editorial quality of the new edition is guaranteed not only by Schiff's sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Norbert Gertsch to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozart's handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozart's own manuscripts, early copies in parts and prints also contain important information regarding the musical text.Die Editionen werden den Intentionen des Komponisten so weit wie moglich gerecht. Gemass Mozarts Anweisungen in den Autographen ist beispielsweise im unteren Klaviersolosystem sowohl der Partituren als auch der Klavierauszuge durchgangig die Bassstimme des Orchesters wiedergegeben. (Andreas Friesenhagen, FonoForum)L'interet particulier de cette nouvelle edition reside dans les notations complementaires des parties de violon ayant pour source la premiere execution de l'oeuvre par Joseph Joachim et Robert Hausmann avec, tres probablement, l'autorisation du compositeur, ces notes de jeu refletant les pratiques de l'epoque. (Crescendo).
SKU: BR.OB-16104-19
ISBN 9790004339435. 10 x 12.5 inches.
The publishers Henle and Breitkopf & Hartel are continuing their collaboration, now with Brahms, by publishing the performance material of the double concerto. Brahms's last work with orchestra was published in the new Brahms Complete Edition in 2002, whereby the editor was able to base himself on newly accessible sources. Of particular interest are the additional performance instructions for the solo violin and solo cello, which were gathered from the first edition of the solo parts. These indications were supplied by the soloists of the first performance, Joseph Joachim and Robert Hausmann. No doubt authorized by Brahms, they communicate valuable insights into the performance practice of the time. The new material also contains a part in which the solo violin and cello are notated one above the other. The trio edition for violin, violoncello and piano (EB 6040), which was made by Brahms himself, has proven itself for chamber performances; it continues to be available.The full score is a conductor's dream: big, bold, and beautifully laid out on glare-free bluff paper. (Strings).
SKU: BR.OB-15106-26
ISBN 9790004339213. 10 x 12.5 inches.
SKU: BR.MR-1820
ISBN 9790004484043. 9 x 12 inches.
SKU: BR.OB-5302-19
ISBN 9790004340035. 10 x 12.5 inches.
Between Beethoven and Brahms, a long neglected workSchumann's last work for solo instrument and orchestra was not given its premiere until 1937, at which time it was also released in an editorially inadequate version. A re-evaluation of Schumann's late oeuvre began in the 1980s, in the wake of which the missing link between the concertos of Beethoven and Brahms (Yehudi Menuhin) also drew increasing attention. Since then, those in the know have come to appreciate the work, whose unique musical and technical demands challenge for both interpreter and listener.This new edition of what is perhaps the most underestimated masterpiece of the Romantic era is the first meticulously prepared Urtext edition of the score. Nothing short of incredible is the fact that the composer's own piano reduction from which Clara Schumann and Joseph Joachim played the piece is being published here for the first time! Thomas Zehetmair, who has significantly contributed to the re-assessment of the concerto, assumed the task of providing a sound technical basis to his revision of the solo part.Perhaps this edition will help stimulate awareness and appreciation of this unjustly forgotten romantic violin concerto described by Menuhin as the missing link between the concertos by Beethoven to Brahms. (John Thomson, Stringendo)Schumann's last work for solo instrument and orchestra was not given its premiere until 1937. This new edition is the first meticulously prepared Urtext edition of the score and the composer's own piano reduction - from which Clara played the piece!
SKU: TM.00427SET
Solo/piano.
SKU: BR.OB-16104-27
ISBN 9790004339459. 10 x 12.5 inches.
SKU: HL.50573177
SKU: M7.DOHR-27581
ISBN 9790202015810.
SKU: BR.OB-16104-30
ISBN 9790004339466. 10 x 12.5 inches.
SKU: CA.9120049
ISBN 9790007233594. Key: C major. Language: German/Latin.
Score available separately - see item CA.9120000.
SKU: C4.9790902257114
ISBN 9790902257114. 8.27 x 11.7 inches.
Sir George Henschel's setting of the Pater noster (Our Father), was first published in 1913. The dedicatee, Sophie Weisse (1852-1945), was founder of Northlands, an all-girls school in Surrey, England. As well as George Henschel, Weisse counted many people of note among her circle of friends, including violinist Joseph Joachim, flautist Louis Fleury, and 'cellist Pablo Casals. She was the first to observe Donald Tovey's aptitude for music and took it upon herself to manage his education, all the way to Balliol College, Oxford.
SKU: BR.OB-16104-16
ISBN 9790004339428. 10 x 12.5 inches.
SKU: HL.48018651
UPC: 073999997965. 9.0x12.0x0.033 inches.
SKU: BT.SCHEE3006-11
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