Violin and Piano - early intermediate

SKU: BT.DHP-1043625-404

Composed by Alexei Janschinow. De Haske Study and Play. Educational Tool. Book with Part and Audio-Online. Composed 2021. 16 pages. De Haske Publications #DHP 1043625-404. Published by De Haske Publications (BT.DHP-1043625-404).

ISBN 9789043161763. 9x12 inches. English-German-French-Dutch.

Study and Play is ideal for developing your playing in an enjoyable and musically sound way. Each edition within this concept features audio recordings to add something extra to your study routine.When you play thisConcertino you will be able to practise at a slower study tempo, as well as the normal tempo, so that you can work on your violin playing in a more concentrated way whilst improving your insight into the music. You cancontinue to study in this goal-orientated way until you have achieved the desired result.

The title of this piece suggests a concert situation: playing a solo partwith accompaniment. There are thousands of such works for theviolin but many of these cannot be tackled until you have been playing for a considerable time. Concertino in Russian Style Opus 35 enables you to gain necessary experience for this type of playing: namely having sufficientmusical and technical control over your instrument whilst having the support of an accompanist during performance. This carefully chosen concertino will enrich your repertoire.

Dit fraaie concertino in Russische stijl van Alexei Janschinow is leerzaam én prachtig om te spelen. Kortom, een fraaie aanvulling op uw repertoire. Deze boeken zijn gemaakt binnen het Study and Play-concept, dat de leerlinghelpt om zijn/haar spel op een plezierige en verantwoorde manier te ontwikkelen. Bij elke uitgave onder deze noemer worden begeleidingsopnames meegeleverd die iets extra’s toevoegen aan de studie-methode. Deze opnames bieden demogelijkheid om te studeren in zowel het gewone tempo als een rustig oefentempo. De verzorgde set bestaat verder steeds uit een vioolpartij en pianopartij.

Study and Play ist das ideale Konzept, um auf vergnügliche und sinnvolle Weise ein gutes Spiel zu entwickeln. Jedem Buch mit diesem Konzept sind Begleitaufnahmen beigefügt, welche die tägliche Übungsroutine individuellergänzen. Mit Hilfe dieser Aufnahmen kann das Concertino im langsameren Übetempo sowie auch im normalen Tempo gespielt werden, sodass man sich zunächst ganz auf das Violinspiel konzentrieren kann und dabei die Musik kennenlernt. So kann zielgerichtet geübt werden, bis das gewünschte Ergebnis erreicht wird.

Der Titel dieses Stückes beschreibt die Situation in einem Konzert: Es wird ein Solo mit Begleitung gespielt. Solche Werke gibt es zutausenden für Violine, viele können jedoch erst nach vielen Jahren Spielerfahrung gemeistert werden. Mit Concertino in Russian Style Opus 35 kann man wichtige Erfahrungen mit genau dieser Art des Spiels sammeln, nämlichausreichend musikalische und technische Beherrschung über das Instrument zu erlangen und gleichzeitig mit der Unterstützung eines Pianisten spielen zu können. Dieses sorgfältig ausgewählte Concertino ist auf jeden Fall eineBereicherung Ihres Repertoires.

Study and Play est le concept idéal pour développer votre jeu dans un environnement plaisant et solidement structuré. Chaque recueil basé sur ce concept est accompagné des enregistrements audio qui apportent un plus votreroutine de travail. Ces enregistrements vous permettent de jouer ce Concertino tant dans le tempo normal que dans un tempo d’étude plus lent afin que vous puissiez vous concentrer plus amplement sur votre technique de jeutout en ayant un meilleur aperçu de la structure de la pièce. Vous pouvez continuer travailler dans cette optique jusqu’ ce que vous ayez atteint le résultat souhaité.

Le titre de la pièce évoque le contexte d’unconcert : l’interprétation d’une partie soliste avec accompagnement. On compte des milliers d’oeuvres similaires pour violon mais un grand nombre d’entre elles ne peuvent être abordées sans expérience et pratique musicalesconsidérables. Concertino in Russian Style Opus 35 vous permet d’acquérir l’expérience nécessaire l’interprétation de ce genre de pièces, c’est- -dire être capable de dominer les aspects techniques et musicaux propres votre instrument tout en ayant le soutien d’un accompagnateur lors de l’interprétation. Choisi avec soin, ce Concertino enrichira votre répertoire.

Study and Play è il concetto ideale per sviluppare il vostro modo di suonare in un contesto piacevole e solidamente strutturato. Le registrazione di accompagnamento vi permettono di suonare sia a tempo normale che più lento,al fine di migliorare la concentrazione sullo studio della tecnica e avere un migliore approccio con le varie parti del brano. Le parti dell’accompagnamento al pianoforte incluse nelle pubblicazioni (versione cartacea) vipermettono di suonare con un pianista accompagnatore.

Chamber Music High voice, Piano

SKU: PR.111402890

Composed by Ricky Ian Gordon. Full score. 44 pages. Duration 20 minutes. Theodore Presser Company #111-40289. Published by Theodore Presser Company (PR.111402890).

ISBN 9781491134672. UPC: 680160685264.

Whatâ??s in a name? While the title is French for â??Eight Flower Songs,â? the texts are all in English. The poemsâ?? flowers metaphorically evoke fragrance, love and loss, life and death, rebirth and regrowth. Perhaps the texture and beauty of Gordonâ??s music are themselves French. The 20-minute song cycle draws on poems from Wordsworth to Dorothy Parker, as well as from contemporary poets including the composer himself.
When So-Chung Shinn came to me with the idea of commissioning a song cycle with her spectacular husband Tony Lee, she had in mind something having to do with flowers. Tony had asked her what she wanted for her birthday, and she said she wanted to be behind the creating of a new work. Lucky me, I was the recipient of the commission. So-Chung sent me a little description of all the flowers she loves, but I had to take the idea and create a narrative in my head.It is always a matter of pleasing the commissioner, yet coming up with something you can get behind and hear music for as well. I already knew I wanted to use my â??Tulipsâ? poem which is really about the arc of a relationship as represented through the life span of the Tulips, and, in many ways, disappointment; and Dorothy Parkerâ??s â??One Perfect Rose,â? which is wry, bitter, cynical, and funny, in a way only Dorothy Parker can so pithily express.I thought of Jane Kenyonâ??s exquisite â??Peonies at Dusk,â? because knowing she died so young (46) of leukemia, the poem has such a particular resonance, almost humanizing the Peonies, casting the moon as a sentient being, illustrating so beautifully how connected everything is, alive here, and revolving around these exquisite blossoms. Then, I remembered her husband Donald Hallâ??s poem â??Her Garden,â? which he wrote after Jane died, his grief intermingled with his inability to care for what she had created, to keep alive what so represented her aliveness, broken as he was, and I felt I already had a story.I found the Wordsworth, because it felt like pure joy to me, but also, if each of the songs has a color in my head, â??The Daffodilsâ? is pure yellow and a good place to start. My partner Kevin and I live on a lake, and every year, the first Daffodils, the shock of yellows, the oranges, the blinding whites, after the long snowy winters, sing of the newness that is about to enfold us in its green miraculousness.At first, the cycle ended with the Langston Hughes poem â??Cycle,â? or â??New Flowers,â? because it was lovely, and about rebirth, which is obviously optimistic, and apt, but then, my friend Telmo Dos Santos, a wonderful Canadian poet whom I met at Banff, sent me his poem â??Afterlife With Lilacs,â? having no idea what I was working on. I felt I had to add it because it is so dazzling, and it immediately felt like the missing link. Finally, there were unfortunately rights issues, namely, we could not, no how, get in touch with the Langston Hughes Estate, after so many happy collaborations.After almost a yearâ??s frustration, I wrote my own text, â??Play, Orpheus,â? which ended up being fortuitous, because the first time I met So-Chung, she entered the room and the most exquisite scent of Lillies of the Valley, Muguet de Bois, filled the room. I went right over to her and rudely put my nose to her neck, for the intoxication of the scent. So â??Play, Orpheusâ? is for So-Chung, to remind us of the precious treasures of this world flowers remind us of. Everything and everyone lives and dies, lives and dies. Death and resurrection.And of course, this is music, this is song, so the inclusion of the God of music, Orpheus, seems apt. Huit Chansons de Fleurs is really about what flowers represent, their radiance, their flickering impermanence, the way they are used to celebrate, as well as to mourn...... and of course, their fragrance. Their fragrance.Ricky Ian GordonJuly 28, 2021.

Brass Band - Grade 2

SKU: BT.GOB-000762-030

Composed by William Vean. Set (Score & Parts). 52 pages. Gobelin Music Publications #GOB 000762-030. Published by Gobelin Music Publications (BT.GOB-000762-030).

Many people when asked the question 'Do you have any hobbies?' will answer 'Shopping' (even though the female part of the population may be more interested in this than the male one).
Of course it is great fun to walk about in a Shopping Mall, browsing in various small shops, looking for things you have always wanted to possess.

This was what William Vean was doing one day when he came across the idea to write a composition in which several shops could try to sell their wares (and this idea didn't cost him a penny).
First, the audience are taken to a 'Jeans store', then a 'Phone shop' is visited, after which a visit is made to a 'Perfumery'.
Thefourth part depicts a profession which is practised in several premises, namely that of shoplifter.
In the fifth part there is room for a bite to eat at a Chinese restaurant, and finally after a visit to the hairdresser's it's time to go home.

Veel mensen die de vraag krijgen wat voor hobby's ze hebben, zullen als antwoord geven: winkelen (waarschijnlijk zal er een verschil zijn tussen mannen en vrouwen).
Natuurlijk is het altijd leuk om door een winkelcentrum te slenteren,allerlei etalages te bekijken, en te dromen van dingen die je graag in je bezit zou willen hebben!

Dit overkwam William Vean ook. Hij wilde een compositie maken waarin verschillende winkels reclame konden maken (zonderdat het hemzelf een cent zou gaan kosten!).

Eerst gaan we naar een jeans store en daarna bezoeken we een telefoonwinkel. Als derde gaan we naar een parfumerie om een lekker geurtje uit te zoeken.
In het vierde deelverschijnt een persoon die we niet graag tegenkomen: een dief. Zal hij gepakt worden door de sterke arm?
Van al dat winkelen krijgen we trek en we besluiten tot een Chinese maaltijd. Na een bezoek aan de kapper wordt het tijdhuiswaarts te keren!

De componist laat ruimte, vooral voor de slagwerkers, verschillende beroepen uit te beelden door middel van diverse solo-instrumenten en handelingen, in aanvulling op de al zeer creatief geschreven muiek.

Choral (highlights)

SKU: HL.48186487

Composed by Isabelle Aboulker. Leduc. Softcover. 14 pages. Alphonse Leduc #AL30754. Published by Alphonse Leduc (HL.48186487).

UPC: 888680829094. 9x12 inches.

“AL 30 754 - MILA AND THE SHIP TREE - Choral Partitur For decades the French composer Isabelle Aboulker has been very successful with vocal works for children and young people, in whom well-known fairy tales are processed. Now she has once again met with Mila and the Schiffbaum, a work commissioned by the Académie musicale by Villecroze in the course of the project ”“3 composers write for the school”“, and by the French music publishers with the music prize 2015 in the category ”“ Works for young performers ”“. With this composition, Isabelle Aboulker has created a musical story for narrator, children's choir and instrumental accompaniment, which helps children between five and eight years in educational and valuable ways to gain first experiences with music theater and choral singing. Thanks to an excellent German translation, the successful work can now also be found in the German-speaking world. With the deep sensitivity and subtlety that is the secret of her art, Isabelle Aboulker tells of a little girl who succeeds in getting over the loss of a loved one, namely, his grandfather. The highly charming melodies of this piece, written for unanimous children's choir, are joined by an instrumental accompaniment in which tender melancholy and subtle humor alternate - this musical language comes directly from the heart. AL 30 753 - version for speaker, children's choir and piano (German and French text) The work is also available in English translation: AL 30 732 - version for speaker, children's choir and piano (French and English text) AL 30 743 - Choral Partitur (French and English text) As well as with other instrumental accompaniments: AL 30 733 - version for speaker, children's choir and trio (clarinet in B, cello and piano) (French and English text) AL 30 734 - version for spokesman, children's choir and instrumental ensemble (French, English, German, French, Italian, Italianandrdquo.