(Jamaican Folk Song for Two-Part Treble Voices A Cappella with Optional Keyboard (or Synthesizer) and Optional Percussion: Maracas, Claves, Vibraslap and Congas or Bongos). By Anonymous. Arranged by Steven Burnett. Mixed chorus. For Treble Voices, Keyboard, Synthesizer, Maracas, Claves, Vibraslap, Conga, Bongos. Carl Fischer Performance Series for Chorus. Choral. Piano reduction/vocal score. Standard notation. 11 pages. Published by Carl Fischer

(Music for Synthesizer). Composed by Ralph Lundsten (1936-). Arranged by Par-Ake Stockberg. For keyboard/synthesizer solo. Educational. Published by Gehrmans Musikforlag

SATB choir, voice solos, keyboard accompaniment, flute, alto flute, oboe, english horn, B-flat clarinet, violin 1, violin 2, viola, cello, keyboard, guitar, bass, percussion - Early intermediate

SKU: GI.G-6614FS

Musical Stories from the Gospel of John. Composed by Marty Haugen. Lent. Sacred. Full score. With guitar chord names. 208 pages. GIA Publications #6614FS. Published by GIA Publications (GI.G-6614FS).

UPC: 785147661429. English. Text Source: Marty Haugen, except 'The Passion' by Susan Briehl. Text by Marty Haugen.

Marty Haugen’s musical, That You May Have Life, proclaims the Gospel of John through song. An eclectic array of musical styles sets the stage for each chapter, bringing the emotion of the characters to life. Musical selections range from beautiful melodic ballads to lush choral harmonies. Haugen incorporates narration, sung dialogue, and song in a way that conveys more than just the biblical texts. This musical includes such familiar narratives as the woman at the well, the raising of Lazarus, and the washing of the feet at the Last Supper. The depth and breadth of each tale blooms forth, enticing us into a personal relationship with these familiar biblical figures. That You May Have Life sings these stories “that you may believe that Jesus is the Messiah and that through believing you may have life in his name.” Alto Flute, English Horn and B-flat Clarinet parts are optional Guitar part is for both acoustic and electric Keyboard is for both piano and synthesizer A portion of the prologue is in Greek. A pronunciation guide is available in this edition.

Keyboard/Synthesizer. Performed by The Canadian Brass. By Various. Arranged by Luther Henderson. Brass Ensemble. Size 9x12 inches. 32 pages. Published by G. Schirmer, Inc.

Based on a Traditional Glouchester Carol, words and music by Douglas E. Wagner. For Choir. (SSA). Choral Octavo. Choral Designs. Madrigal; Multicultural. Choral Octavo. 12 pages. Published by Alfred Publishing.

By Chris Brooks. For concert percussion ensemble (8-9 players: Xylophone, Vibes, Bells (Optional), Drum Set, Electric Bass, Keyboard/Synthesizer, Cowbell, Tambourine, Vibraslap, Finger Cymbals, (2) Congas). Georgia State Solo and Ensemble List, Virginia State Solo and Ensemble List. Grade 1. Score and parts. Duration 2:20. Published by Row-Loff Publications

SSA choir, piano accompaniment

SKU: KJ.6287

Composed by John Ferguson. Collection. Bradley Ellingboe Music for Women's Choir. Sacred, Choral, Christmas. Octavo. Neil A. Kjos Music Company #6287. Published by Neil A. Kjos Music Company (KJ.6287).

SSA Flute, Synthesizer (Or Keyboard).

Piano and symphony orchestra (3 fl (+picc./+alto),3 ob (eh), 3 bassoon - 3 trumpets, 4 horns, 3 trombones, tuba - timpani, percussions, e-guitare, harp, cembalo, synthesizer, strings) - Grade 6

SKU: ET.PNO3B

Composed by Georgi Mintchev. Contemporary. Orchestra score. Duration 27'. Editions BIM #PNO3B. Published by Editions BIM (ET.PNO3B).

ISBN 9790207014498.

“...In Georgi Mintchev’s Concerto for Piano the history of the whole genre is present: Grieg, Rachmaninov, Ravel, Prokofiev, Bartok. Yet Minchev’s work does not consist of quotations or stylistic borrowing, but rather of respective musical and technical expressive “gestures, provided by a solid language. The whole work is constructed with great vigor, with conviction in the effect, with sense to the listener’s conscious and subconscious expectations and is brilliant not only in terms of keyboard virtuosity but also in terms of a concert work. It is not surprising that this piece won the first prize at the International Composer’s Tribune in Paris.

Ruch Muzyczny, Warszawa, Poland, 13.10.1983
Olgierd Pisarenko.