SKU: AP.45864

UPC: 038081525563. English.

In Two Celtic Dances, each section plays the delightful melodies found in this fiddle-inspired piece. Though very easy, this setting presents the fiddle tunes Mari's Wedding and Finnegan's Wake in a variety of textures perfect for young string orchestras. This Bob Phillips arrangement will be sure to energize your string players! (1:50).

SKU: HL.49009584

ISBN 9790200211009. UPC: 073999596618. 5.25x7.5x0.36 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

SKU: BR.PB-5366

ISBN 9790004210529. 10 x 12.5 inches.

With the publication of the performance materials to the Mendelssohn Complete Edition, Breitkopf & Hartel is fulfilling its promise to release the conducting scores, parts and, in the case of well-known orchestral pieces, separate materials as soon as possible after the appearance of the respective volume in the Complete Edition. Breitkopf believes that all these important new scholarly findings should be made available directly to performers and taken into consideration in as many Mendelssohn performances as possible.

SKU: CA.3140219

ISBN 9790007300258. German/English. Text: Henrici (Picander), Christian Friedrich.

Only the text and the last page of the autograph score of the Christmas Cantata “Ehre sei Gott in der Höhe” BWV 197.1 (197a) have survived, beginning with the end of the 2nd aria. This, along with the complete surviving 3rd aria are found in parody versions in the Wedding Cantata BWV 197 / BWV3 197.2, from which this cantata takes its BWV number. For a long time there has been a fascinating theory about the missing opening chorus: could this have been the parody source for the Gloria in the Mass in B minor?

The musicologist and organist Pieter Dirksen has pursued this, creating a four-part choral version largely derived from corrections made in the autograph of the Mass in B minor. He has underlaid this with the text of the opening chorus (the German translation of the Gloria). What results is a convincing version of the Christmas Cantata – with one of Bach’s best-known choruses as the prominent opening chorus and plausible solutions for the other sections missing in the autograph.

SKU: CA.3140203

ISBN 9790007295080. German/English. Text: Henrici (Picander), Christian Friedrich.

Only the text and the last page of the autograph score of the Christmas Cantata “Ehre sei Gott in der Höhe” BWV 197.1 (197a) have survived, beginning with the end of the 2nd aria. This, along with the complete surviving 3rd aria are found in parody versions in the Wedding Cantata BWV 197 / BWV3 197.2, from which this cantata takes its BWV number. For a long time there has been a fascinating theory about the missing opening chorus: could this have been the parody source for the Gloria in the Mass in B minor?

The musicologist and organist Pieter Dirksen has pursued this, creating a four-part choral version largely derived from corrections made in the autograph of the Mass in B minor. He has underlaid this with the text of the opening chorus (the German translation of the Gloria). What results is a convincing version of the Christmas Cantata – with one of Bach’s best-known choruses as the prominent opening chorus and plausible solutions for the other sections missing in the autograph.

SKU: CA.3140212

ISBN 9790007301590. German/English. Text: Henrici (Picander), Christian Friedrich.

Only the text and the last page of the autograph score of the Christmas Cantata “Ehre sei Gott in der Höhe” BWV 197.1 (197a) have survived, beginning with the end of the 2nd aria. This, along with the complete surviving 3rd aria are found in parody versions in the Wedding Cantata BWV 197 / BWV3 197.2, from which this cantata takes its BWV number. For a long time there has been a fascinating theory about the missing opening chorus: could this have been the parody source for the Gloria in the Mass in B minor?

The musicologist and organist Pieter Dirksen has pursued this, creating a four-part choral version largely derived from corrections made in the autograph of the Mass in B minor. He has underlaid this with the text of the opening chorus (the German translation of the Gloria). What results is a convincing version of the Christmas Cantata – with one of Bach’s best-known choruses as the prominent opening chorus and plausible solutions for the other sections missing in the autograph.

SKU: CA.3140249

ISBN 9790007301620. German/English. Text: Henrici (Picander), Christian Friedrich.

Only the text and the last page of the autograph score of the Christmas Cantata “Ehre sei Gott in der Höhe” BWV 197.1 (197a) have survived, beginning with the end of the 2nd aria. This, along with the complete surviving 3rd aria are found in parody versions in the Wedding Cantata BWV 197 / BWV3 197.2, from which this cantata takes its BWV number. For a long time there has been a fascinating theory about the missing opening chorus: could this have been the parody source for the Gloria in the Mass in B minor?

The musicologist and organist Pieter Dirksen has pursued this, creating a four-part choral version largely derived from corrections made in the autograph of the Mass in B minor. He has underlaid this with the text of the opening chorus (the German translation of the Gloria). What results is a convincing version of the Christmas Cantata – with one of Bach’s best-known choruses as the prominent opening chorus and plausible solutions for the other sections missing in the autograph.