SKU: CA.1808200
ISBN 9790007164003.
This volume presents 64 Pastorale compositions for organ (harpsichord/pianoforte) of the 18th century from Germany, Bohemia, Austria and South Tyrol. Charming melodies shaped by natural notes, bordoun basses, a lyrical-cheerful or sensitive tone - these are some of the common characteristics of the works in this collection. Several of them are connected to the custom of the Kindlwiegen or cradle song. Those in search of new discoveries will also find a number of first editions here. Almost all of the pieces can be played manualiter and range from easy to moderate level of difficulty. Together, both Pastorale volumes display an impressive kaleidoscope of the different national characteristics of the pastorale and offer a rich repertoire for organists, not only at Christmas time.
SKU: KU.GM-664A
Cheerful and pleasant organ pieces in an elegant style, through the most common major keys.
SKU: HL.49045437
ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches.
On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.
SKU: KU.GM-664B
Organ pieces in elegant style, through the most common minor keys.
SKU: HL.14022830
ISBN 9788759814680. International (more than one language).
Carl Nielsen's last major composition, Commotio Op.58, for organ. Presented here as part of the Carl Nielsen Complete works, this volume includes a detailed preface, four pages of facsimiles of Nielsen's original work, a list of common abbreviations, and an authoritative critical commentary. Designed for either scholarship or performance, this freshly engraved score will be a highlight of any organist's library.
SKU: LO.70-2281L
ISBN 9780787771843.
Gathered from past issues of The Sacred Organ Journal, this collection provides organists with a wealth of moderately advanced music to present during worship. The coil-bound book includes original works, hymn-tune settings, and arrangements drawn from the classics. The duration, suggested registration, and common usages are provided for each title.
SKU: HL.253940
12.0x9.0 inches.
Jan Rybarskis Fantasia for Organ is a work of a great emotional impact. Its romantic dramaturgy leads the listener into the state of deep reflections. The work is monumental; its structure resembles a one-part sonata with a fugue in the middle fragment. The arrangement requires organs with minimum 16-18 voices in two manuals. Despite fast passages and at times complicated harmony that require a lot of practice, the work is played with comfort. The author, as an organist-practitioner, uses difficult technical elements that he controls in a perfect manner. The proportion of the traditional and modern harmonics is ideal, which means it perfectly corresponds to the dramaturgy of the work. The main formative element is the rhythm that - as the author claims himself - inspires, opens both the performer and the listener to the experience. The structure of the Fantasia brings connotations to the course of a human life, with a film story that apparently is different for everyone, but conveys one truth common to all people: in order to overcome difficulties, you need to trust God.
SKU: OU.9780193550353
ISBN 9780193550353. 12 x 8 inches.
For medium solo voice and organ This mass setting, with texts in both Latin and English (Book of Common Prayer), is typical of the composer's style: musically sophisticated, with motivic solo lines and a great deal of chromaticism and continual time changes. Vocal range: C4-Gb5 (opt. A5).
SKU: LO.70-2175L
ISBN 9780787766191.
SKU: LO.70-2324L
ISBN 9780787773038.
SKU: LO.70-2235L
ISBN 9780787768621.
SKU: LO.70-2205L
ISBN 9780787767778.
SKU: LO.70-2234L
ISBN 9780787768614.
Gathered from previous issues of Lorenz's popular periodical The Organ Portfolio, this collection provides organists with a wealth of moderately challenging material to present during the worship service. The coil-bound format of almost one hundred pages includes hymn-tune settings, arrangements drawn from the classics, and original works. The duration, suggested registration, and common usages are provided for each title.
SKU: LO.70-2482S
ISBN 9780787789534.
Organists and congregations alike love trumpet tunes, and this book is perfect for organists with an instrument including a large trumpet stop that begs to be played on festive occasions. Brenda Portman has written six original trumpet tunes (each in a common key) that sit within the festive American trumpet tune tradition, as exemplified by the work of David N. Johnson. The volume also contains two hymn-based pieces in trumpet tune style.
SKU: LO.70-2174L
ISBN 9780787766207.
SKU: LO.70-2279L
ISBN 9780787771850.
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