SKU: SA.41335

ISBN 9781608741335. 9.5 x 12.5 inches.

A first publication, this delightful ten-minute work was given its premiere on April 26, 1998 by in Little Rock by pianist Norman Boehm at the University of Arkansas' Artspree Concert Series. Tres Rabos (Three Tails) is presented in three short movements - each a 'tail' devoted to a different animal - preceded in the score by a brief scenario. At an intermediate level, Zajac's work is composed in a contemporary style which is nevertheless quite accessible to piano students anywhere. Beautifully engraved and printed on large size (9 x 12) off-white stock with a quality cover, all saddle-stitched in the traditional sheet music binding.

SKU: HL.48186541

UPC: 888680831943. 9.5x12.25x0.08 inches.

Concert Study, Op. 13 is a brilliant piece for Piano by Gabriel Pierne. Quite challenging, it highlights some virtuoso techniques and the tempo indicated seems really fast. An advanced level or above would be required to perform the piece as written. Concert Study, Op. 13 would be the perfect addition for a concert as mainly classical yet modern on some aspects and well balanced. Gabriel Pierne is a French composer and conductor, who mainly wrote some chamber music and some lyrical symphonies..

SKU: CR.977924

ISBN 9780758668769. 8.5 X 11 inches.

Benjamin M. Culli contributes three delightful hymn preludes to the piano repertoire. ROCKINGHAM OLD is arranged in the style of Erik Satie's delicate Gymnopédies; LOVE UNKNOWN gently places eighth notes against triplets; and the highlight of the set is FAITHFULNESS, which features lush, rich, subtly jazzy harmonic language.

SKU: HL.48186489

UPC: 888680832667. 6.75x9.75 inches.

“AL 30 757 ' French Music for Mixed Choir Those who love choral singing often lament not knowing how to go about finding, among the heaps of scores written for multiple singers, the rare gem whose discovery would intensify the enjoyment of singing together. What unknown treasure might bring a programme the touch of originality that makes it stand out? As the fruit of long and hard research on the subject, this anthology of French pieces for choir is one we hope will go down in history. The first section is made up of original works written for choral ensemble: Gabriel Fauré's Op. 35 Madrigal exhales a melancholy sensuality that is shared to some degree by Reynaldo Hahn's Rondels ' and within this Renaissance pastiche lies a real masterpiece, 'Gardez le trait de la fenêtre'. Le Ballet des ombres, written by a young Berlioz, drinks from the whimsical source of Romanticism (Herder). The second section assembles choral transcriptions of melodies ' such as Beau soir by Debussy and Deux Prières by Milhaud ' along with excellent arrangements like 'Choral inappétissant' extracted from Satie's piano in Sports et divertissements. A treasure trove of pure delight.&rdquo.