SKU: JK.00032
Isaiah 2:5, Ephesians 5:8.
Vocal solo for medium voice and piano accompaniment, reminding us to be examples of the Savior, inviting others to walk in the light. Key of C. Highest note: D.Composer: Matthew Faerber Lyricist: Matthew Faerber Difficulty: Medium / medium acc.Reference: Isaiah 2:5, Ephesians 5:8.
SKU: HL.14005308
ISBN 9780853601425.
In this interplanetary musical by Debbie Campbell, strange but gentle visitors from outer space (the Bumblesnouts) come to Earth to save our planet from self-destruction. The Earthlings are persuaded to change their ways and make the world a better place. This entertaining and lively musical for unison voices and piano aims to stimulate children to think about the world we inhabit and the importance of caring about our environment. Any number of children can take part in this show as Bumblesnouts, Punks, Hunters, Gangsters, Animals and Trees. This complete Vocal Score includes nine songs plus an overture along with useful suggestions for staging and whimsical illustrations by Richard Oke.
SKU: HL.14029474
SKU: WD.080689422287
UPC: 073999098723. 9x12 inches.
Featuring this year's 30 top Christian artists and songs, the WOW 2002 Songbook is an incredible compilation of music, including hits like Welcome Home from new artist Shaun Groves and This Day from Dove Award-winner Steven Curtis Chapman. Other songs include: Adore * Back in His Arms Again * Breathe * Breathe on Me * Dismissed * Genuine * Hey, Hey * Joy * Jump, Jump, Jump * Psalm 112 * Wait for Me * Witness * Wonder Why * and more.
SKU: HL.50511834
ISBN 9790080502853. UPC: 884088864408. 7.75x11.0x0.042 inches. Hungarian. Peter Wolf; Kalman Fulop.
The many-faceted ouvre of Peter Wolf (b.1947) includes dance tunes, light symphonic music, character pieces, musical plays and film music, but also a piano concerto and a rhapsody for flute. Because of its melodiousness and emotional richness his Ave Maria is exceptionally popular.
SKU: HL.50511859
ISBN 9790080018149. A/4 inches.
The nine Epigrams (Epigrammak) were composed in 1954 along with several other educational works designed to exemplify Kodaly's method of musical education. They were originally conceived as vocalises, for a wordless voice and piano accompaniment, but the voice part can be adapted to almost any instrument. In these little pieces, grave, gay or lyrical, with their discreet polyphonic imitations between melody and accompaniment, the Hungarian accent is so perfectly absorbed into Kodaly's habit of discourse that there is hardly a hint of the exotic about them: they simply testify to a rare serenity of spirit and delight in music-making. Territorial restrictions may apply. Please ask before ordering.
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