SKU: MA.EMR-28452
Possible instrumentations:4 Saxophones (S(A)ATT) (+ Play Back / Play Along CD optional)4 Saxophones (S(A)ATT) (+ Play Back / Play Along CD optional).
SKU: MA.EMR-28462
I Love Samba / Just Like You / Have A Nice Day / Let's Do The Jive / Midnight Rendezvous / Montana Melody / Moonlight Fantasy.
SKU: MA.EMR-28457
SKU: MA.EMR-28463
Rock Your Blues Away / Romancing / Old Fashioned Romance / Rush Hour / Mountain Rock / Rumba Of Love.
SKU: MA.EMR-28458
SKU: MA.EMR-28453
SKU: MA.EMR-28459
Ritmo Del Amor / Samba Ole / Sentimental Dreams / Swing And Jive / Tango Macho / Tropical Lady / Vamos A La Fiesta.
SKU: MA.EMR-28454
SKU: MA.EMR-28464
SKU: MA.EMR-28450
Beautiful Girl / Cha Cha Cuba Libre / Gentleman Jive / Charleston Darling / Close Together / Coconut Baby.
SKU: MA.EMR-28451
Dancing Clown / Disco Lady / Get Up And Swing / El Toro / Feel Like Dancing / Cha Cha No. 2.
SKU: MA.EMR-28455
SKU: MA.EMR-28456
SKU: MA.EMR-28460
SKU: MA.EMR-28461
SKU: HL.4008559
ISBN 9798350110586. UPC: 196288179894.
“Cool Stuff†is a 2-minute, incredibly groovy piece for saxophone quartet. The performance demands a highly funky and percussive interpretation to bring out the “coolest†groove. Let's get the audience up and fully entertained! The Soprano Saxophone part can optionally be played on Alto Saxophone. Tim Kleren is a renowned composer, conductor, and percussionist from Luxembourg. He works as a full-time member of the Luxembourg Military Band “Musique Militaire Grand-Ducale†and serves as a teacher at the music school “Union Grand Duc Adolphe†(U.G.D.A.). In 2016, he successfully completed his Master's degree in Wind Band Conducting with great distinction. As a composer, his works are performed by wind bands and brass bands across Europe, as well as in Singapore and Tokyo, gaining recognition and appreciation worldwide.
SKU: M7.DOHR-17674
ISBN 9790202036747.
Vier im Charakter sehr unterschiedliche englische Weihnachtslieder wurden hier zu einem wirkungsvollen festlichen Rondo zusammengestellt: Once in royal David's city (Melodie von Henry Gauntlett) bildet den Refrain. Dazwischen stehen drei traditionelle englische Weihnachtslieder: Here we come a-wassailing God rest you merry, gentlemen I saw three ships come sailing (Albert Loritz).
SKU: AP.1-ADV7655
ISBN 9783892217190. UPC: 805095076554. English. Traditional.
Dating from the 18th century, He Is Born, Holy Child is a traditional French carol. The composer and lyricist are anonymous, but translations of the texts have resulted in many references to music, including Sound the pipes, let the trumpets play, Play the oboes and bagpipes merrily, and Bells are ringing, we are singing. This arrangement for saxophone quartet (SATBar) strives to include all the players in the music making, particularly by distributing melodic material. All dynamics and articulations, minimally marked, should be taken as suggestions only, as performers are encouraged to make their own interpretations.
SKU: AP.1-ADV7621
UPC: 805095076219. English.
Writing these arrangements, Frank Reinshagen has created little masterpieces, which broaden the rhythmical and harmonic context of the original tunes in an interesting manner without detracting from their archaic and melancholic character. These original tunes are---in a direct or wider sense---of Celtic origin, in other words, they have been borrowed from the Irish, Scottish and Gaelic musical tradition. These through-composed arrangements are rather easy to perform from the rhythmical and technical point of view. Yet, they are quite demanding in respect of the key they are written in, their intonation and, especially, their interpretation. Their different instrumentations are fully compatible with each other and, due to their overall structure, they are also suitable to be played with multi-scored parts. Annotation on Aignish on the Machair. The arrangement of Aignish on the Machair illustrates, above all, the melancholic character inherent in the harmonies of the original tune. A short rubato passage is followed by several variations over the flowing melody in 3/4- time. The short triplet passages embedded in these variations are quite demanding from the technical point of view; considering the key they are written in, however, these passages are not too difficult to play.
SKU: AP.1-ADV7447
UPC: 805095074475. English.
This fun-loving hip-hop composition is based on simple triplet motifs and sounds best when played in a relaxed manner. Players may perform the solo section freely, and it may be extended for additional solos if desired.
SKU: AP.1-ADV7436
UPC: 805095074369. English.
These three songs date from 1914--1915 and were arranged for four a cappella voices by Maurice Ravel immediately after he had written the music. The songs represent Ravel's sole contribution to choral literature. Titles: Nicolette * Trois beaux oiseaux du Paradis * Ronde.
SKU: AP.1-ADV7452
UPC: 805095074529. English.
Each movement (sold separately) of this suite presents an authentic Latin musical form. This ballad, replete with luscious harmonies and singing melodic lines, stars alto and soprano saxophones telling the story of a romantic interlude. The music weaves, twists, turns and jumps, culminating in a rewarding resolution.
SKU: HL.49018996
ISBN 9790001173117. UPC: 884088961688. 9.0x12.0x0.226 inches.
The subtitle 'For a young elephant' of 'Circus Polka' composed by Stravinsky is due to the piece's original use as music for a ballet performance with 50 elephants and the same number of ballerinas. The effective and inventive composition ranks among the modern classics of the 20th century and is presented here in arrangements for saxophone quartet or saxophone ensemble.
SKU: M7.RSC-60215
English.
The Dance of the Sugar Plum Fairy comes from Tchaikovsky's Nutcracker Suite, which is itself taken from his ballet of the same name. The original story comes from Alexandre Dumas pere's version of Hoffmann's The Nutcracker and the King of Mice. The first performance took place in St. Petersburg in 1892.
SKU: BR.KM-2234
World premiere: Rottenburg am Neckar, February 1, 1987
ISBN 9790004501382. 9 x 12 inches.
Ein kurzweiliges, kontrastreiches Opus, angeregt durch das Rascher-Quartett, dem es auch gewidmet ist; keine experimentelle, aber instrumentengerechte, neue Musik, auf die Spiel- und Ausdrucksmoglichkeiten sowie auf den spezifischen Klang eines technisch und musikalisch anspruchsvollen Saxophon-Ensembles bezogen (Sopran - Alt- Tenor - Bariton)Funf suitenformig locker aneinander gereihte Satze (Funf ,,Blatter) werden durch ein dodekaphonisches Leitmotiv verknupft, das zu Anfang eines jeden Satzes erklingt.Im Circulo ostinato bestimmt diese Figur entscheidend den Verlauf des Stuckes; zu Beginn des Finales verdichtet sie sich zum vierstimmigen Kanon. Ostinate und rhythmische Formeln pragen den Charakter des ganzen Werkes.Allegro ruzzone (Ubermut)Ein knappes lebhaftes Eingangsstuck; auf dem Hohepunkt erscheint, wie ein Atemholen, ein melodisch-ausdrucksvoller Gedanke, der sich imitatorisch im Kreise dreht, ehe eine kurze Stretta in schnellem Tempo zum Pianissimoschluss fuhrt.Circulo ostinato (Kreisende Wiederholung) (Andante con moto)Der Mittelteil des Satzes entwickelt sich aus gestauten Tonwiederholungen und den melodischen Flosklen des Urthemas in immer neuen Anlaufen zu grosser Steigerung. Am Anfang und Ende steht ein mehrstimmiger Kanon, der um eine abwarts gerichtete chromatische Tonfolge kreist.Ballo estatico (,,Entfesselter Tanz) (Allegro molto)In diesem Satz dominieren rhythmisch tanzerische und aggressive Elemente; drei verschiedene Episoden entfalten sich uber ostinaten Bassbewegungen, die letzte gerat zur ,,freien Variation uber Debussys (,,Golliwoggs cake walk aus den ,,Children's Corner).Sogno solitario (Einsamer Traum) (Andante)Der ,,langsame Satz des Quartetts wachst aus rezitativischem Beginn, uber einen ausdrucksvollen Mittelteil (mit engraumiger Melodik) bis zu einer ausgedehnten Trillerflache und dichten, abwarts sturzenden chromatischen Figuren (Quintolen), kehrt uber einen ruhigen Abschnitt (in tiefer Lage) zum Rezitativ zuruck, klingt verhalten aus.Fugato scherzando (Allegro molto)Ein virtuos humorvolles Finale, nach dem einleitenden vierstimmigen ,,Kreisel-Kanon des Leitmotivs entwickelt sich aus einem skurrilen Thema eine rhythmisch vertrackte Fuge, unterbrochen von einem trioahnlichen Intermezzo und wirkungsvoll turbulent zum befreienden Schluss gesteigert.(Jurg Baur)Bibliography:Gudelhofer, Matthias: Jurg Baur. Die spate Kammermusik, Koln: Dohr 2002.World premiere: Rottenburg am Neckar, February 1, 1987.
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