SKU: YM.GTW01098118
ISBN 9784636981186.
For those who are looking for scores written in the original song keys for wind and brass, here you are! In this series, 40 popular J-POP songs are transposed for each instrument and can be played in the same keys as the original songs. (For example, if the original song is in C major, the score for trumpet in B-flat is re-transposed and written in D major to play in C major.) It is a great selection for a live session with other instruments such as piano or guitar. *Please note: the chord names are indicated in real tone notation for all scores in the series.
SKU: M7.DOHR-88621
ISBN 9790202096215.
SKU: M7.AHW-502
English.
Brown's unique contribution to the history of jazz and jazz trumpet playing is lovingly preserved in these artfully executed, meticulously edited transcriptions. The large, easy-to-read format (chord symbols are given) makes this ideal for the performing musician.
SKU: M7.AHW-501
SKU: M7.AHW-503
SKU: CY.CC2908
Rejoice Greatly, movement 18 featuring coloratura soprano soloist is one of the most popular movements from Handel's Messiah oratorio, expressing great joy. The movement is in A-B-A form in the key of B-flat. Ray Kirkham has arranged this great music for Trumpet solo and Piano accompaniment. This 5-minute arrangement is appropriate for advanced performers and perfect on a Christmas program. Parts are supplied for E-flat and B-flat trumpets.
SKU: VD.ED88621
ISBN 9790202096215. 12 x 9 inches.
SKU: HL.49033136
ISBN 9790001132787. 9.0x12.0x0.157 inches.
Die neue Serie bringt starke Songs, die einfach zu spielen sind. So macht den Kids das Spielen richtig Spass! Der Band enthalt ausserdem eine CD mit den Playbacks der Stucke – und das in zwei Versionen: einmal als Halbplayback zum Mitspielen, einmal komplett mit Solo-Stimme.
SKU: M7.AHW-1004
From the Preface 'Students, it seems, invariably do not understand the principles of warming up correctly nor practicing wisely. It is largely a case of 'Ve get too late schmart'. By this I mean that we spend an awful lot of energy playing rambunctiously and while this ebullient spirit is a good thing to have, we could direct it to better use. Instead of literally spraying the area with 10,000 notes, we should and could be ahead of the game by practicing a careful series of passages such as outlined by Thiecke.'.
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