For Fiddle and Mandolin. Edited by Austin Gregory. Squareback saddle-stitched. Book. 88 pages. Published by Mel Bay Publications, Inc

((An East African Medley)). Arranged by Tim Gregory. For Choral (2PT/SOLO AC). Henry Leck Creating Artistry. 12 pages. Published by Hal Leonard

(Percussion Trio Feature). Composed by Gregory Danner. For Soloist(s) with Concert Band (Piccolo, Flute 1, Flute 2, Oboe 1, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bassoon, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1/2, F Horn 3/). Band Music. Grade 4. Score and parts. Duration 14:50. Published by C. Alan Publications

Piano solo

SKU: LB.206

Composed by David Lovrien. Piano solo. Lovebird Music #206. Published by Lovebird Music (LB.206).

The rags in this collection are early compositions of David Lovrien, written when he was as young as 16 years old. Interlochen was written in 1980 and is dedicated to his girlfriend of that summer at the National Music Camp at Interlochen, Michigan. It also owes a debt to another friend, Gregory Loselle, whose Broadway-musical-in-progress inspired the trio melody. Lewisville (1987) is subtitled A Slow Drag – referring to the specific ragtime dance style and probably not the character of the town of Lewisville, Texas where the composer lived when it was written. A Shy Smile (1979) was written after meeting a particularly cute french horn player in San Antonio, Texas during the TMEA All-State convention.

Piano (Piano Solo)

SKU: HL.49046935

Solo Piano. Composed by Gregory Spears. Piano Solo. Classical. Softcover. 98 pages. Duration 6180 seconds. Schott Music #ED30418. Published by Schott Music (HL.49046935).

ISBN 9781705169353. UPC: 842819116837. 9.25x12.0x0.5 inches.

SEVEN DAYS is a cycle for solo piano in 21 movements, most lasting between three and seven minutes, distributed in the form of a custom app produced by the 92Y and released during their Fall 2021 season. Using the app on their phones, listeners are asked to listen to three movements a day according to an approximate schedule - one movement in the morning, one in the afternoon, and another sometime in the evening - for seven days. The music is performed by Pedja Muzijevic and presented alongside paintings by Gloria Maximo. (Please visit 92Y.org for information on how to download the Seven Days app.) The work is designed as a listening experience that tunes us into the passing of time, connecting us both to the present moment as well as the cycle of the week. The experience invites music to inhabit and structure our everyday - to find us where we are in the world. The morning-afternoonevening schedule is meant to focus participants on the dawn-to-dusk cycle as well as to create a communal listening ritual. It is also an experiment in large-scale form, designed to draw attention to musical material developing across a week-long expanse, interspersed with vast silences. SEVEN DAYS was shaped by a year spent in relative isolation due to the pandemic. While it is a work composed during a time of quarantine, it will be experienced first by an audience in the process of returning to a more normal world. In that sense, it is an artwork born out of a year of relatively cloistered existence that seeks to preserve aspects of that experience as we move forward. The piece was also inspired by the work of Morton Feldman and Chantal Akerman, whose large-scale works consider time, process, and stillness. Their art struck me with a fresh relevance during the silent stretches of the pandemic year 2020. It was also a year in which writings about time, penned by contemplatives like Henry David Thoreau and Thomas Merton, held new weight. All of this in turnresonated with Gloria Maximo's profound paintings, which I've long admired. SEVEN DAYS is an artwork we are invited to do - using music to point our attention to the present moment, the everyday, and the seemingly mundane. It is a piece listeners are also asked to live within as it unfolds over a week rather than to witness it live. The key players here are time and the listener's own surroundings, starring together alongside music and art in a wordless drama. -Gregory Spears.

Concert Band; Orchestra 3(3rd dPicc).2+EH.2+BCl.3: 4.3.3.1: Timp.Perc(3): Hp(2).Clst.Pno: Str (9-8-7-6-5 in set)

SKU: AP.36-A296301

Arranged by Charles Tomlinson Griffes and ed./arr. by Gregory Vaught. Full Orchestra, Conductor Score. Nieweg Performance Editions. Score. LudwigMasters Publications #36-A296301. Published by LudwigMasters Publications (AP.36-A296301).

ISBN 9798892702249. UPC: 659359924736. English.

A dream inspired Charles Tomlinson Griffes (1884-1920) to compose The Pleasure Dome of Kubla Kahn, based on the poem by Samuel Taylor Coleridge. The composer originally wrote it for piano in 1912. Four years later, at the encouragement of Ferruccio Busoni, he expanded it into a shimmering symphonic poem. Following the first performance in the autumn of 1919 under the direction of Pierre Monteux, it achieved great success and remains one of his most frequently-performed works today. The work reveals the influence of French impressionism, meandering through the lush gardens of the legendary palace. This edition by Gregory Vaught is part of the Nieweg Performance Editions series. Instrumentation: 3(3rd dPicc).2+EH.2+BCl.3: 4.3.3.1: Timp.Perc(3): Hp(2).Clst.Pno: Str (9-8-7-6-5 in set).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

B-flat Edition. By Various. Fake Book (Includes melody line and chords). Size 8.5x11 inches. Published by Hal Leonard.

Bass Clef Edition. By Various. Fake Book (Includes melody line and chords). Size 9x11 inches. Published by Hal Leonard.

Band Bass Clarinet, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe, Piccolo, Suspended Cymbal, Timpani and more. - Grade 4

SKU: CF.SPS38F

Composed by Gregory Rudgers. Carl Fischer Symphonic Performance Series. Full score. With Standard notation. 16 pages. Carl Fischer Music #SPS38F. Published by Carl Fischer Music (CF.SPS38F).

ISBN 9780825870736. UPC: 798408070731.

A passionate new lyrical piece based on themes from Verdi's opera La Forza del Destino. Composer Gregory Rudgers morphs these themes and makes them his own in a welcome addition to the band repertoire for more advanced groups. It will stretch the musiciality of all groups that wisely choose to program this substantial work.

Orchestra

SKU: SU.27040190

For Orchestra. Composed by Gregory J. Hutter. Orchestra. Full Score. Subito Music Corporation #27040190. Published by Subito Music Corporation (SU.27040190).

Conductor's scoreInspired by the German-born architect Ludwig Mies van der Rohe, the intention was to create an orchestral work that would somehow reflect these urban corporate trophies. The piece as a whole makes use of a very sparse harmonic arsenal—employing simple, cellular collections of pitches. The music is at times very angular, always highly charged with energy, and filled with mechanical imagery.2,1 2,1 2,1 2,1; 4331; timp, 3 perc, hp, pno/cel; stgs Duration: 8'30 Composed: 2001 Published by: Hutter Music Performance materials available on rental only:.