| Lefanu: Little Valleys Choral SATB Music Sales
Soprano Voice SKU: HL.14019247 Composed by Nicola LeFanu. Music Sales Ame...(+)
Soprano Voice SKU: HL.14019247 Composed by Nicola LeFanu. Music Sales America. Classical. Book [Softcover]. 8 pages. Music Sales #NOV290367. Published by Music Sales (HL.14019247). UPC: 884088446864. 6.75x9.75x0.018 inches. The little valleys is adapted from The valleys shall sing for SATB choir with 2 Bassoons, 2 Trumpets and 3 Trombones. It was written for Michael Nicholas and the choir of Norwich Cathedral, and first performed by them at the 1973 Norfolk and Norwich Triennial Festival. It was commissioned with funds provided by the Arts Council of Great Britain. Full score and parts (chorus and instrumental) are available on hire. $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The City Clarinet Quintet: 5 clarinets - Intermediate Claude T. Smith Publications
Clarinet Quintet (4 Bb clarinets, 1 Bb bass clarinet, full score) - Grade 4 S...(+)
Clarinet Quintet (4 Bb clarinets, 1 Bb bass clarinet, full score) - Grade 4 SKU: CL.CTS-7952-00 Composed by Betton. Ensemble. Composed 2020. Claude T. Smith Publications #CTS-7952-00. Published by Claude T. Smith Publications (CL.CTS-7952-00). Hang on! This is an art piece telling a story of driving through a big city with its main thoroughfares, dark alleys, and neon bright light districts. The challenges are intonation, rhythmic stability, finger technique, but mainly endurance! Watch out for the traffic! $20.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sounds of the City Piano solo - Intermediate Beriato Music
Piano - intermediate SKU: BT.BMI15010643 15 Easy Pieces for Piano Solo...(+)
Piano - intermediate SKU: BT.BMI15010643 15 Easy Pieces for Piano Solo. Composed by Bert Appermont. Beriato Music Instrumental. Book Only. Composed 2015. 35 pages. Beriato Music #BMI15010643. Published by Beriato Music (BT.BMI15010643). ISBN 9789043147880. English-German-French-Dutch. This album contains fifteen easy compositions for piano solo, inspired by the city: from honking cars, and dark alleys to imposing skyscrapers…one of the pieces is even based on mobile phone ringtones. The album is aimed at students who have beenplaying the piano for three to four years; the level of difficulty varies for each piece some are slightly easier, or trickier, than the others. Each work has its own specific mood and style, and where possible I have also tried to incorporatevarious techniques or characters within one composition. This music would make a suitable competition selection, as well as appropriate concert or exam pieces.
Deze pianobundel bestaat uit vijftien eenvoudige composities voor pianosolo, ge nspireerd op de geluiden van een stad: van toeterende auto’s, duistere stegen tot imposante wolkenkrabbers… Er zit zelfs een werkje bij dat is gebaseerd op gsm-ringtones.Het album is bedoeld voor leerlingen die drie vier jaar piano spelen; de moeilijkheidsgraad varieert per stuk het ene is wat makkelijker of moeilijker dan het andere. Elk werk heeft een specifieke sfeer en stijl, en waar mogelijk heb ik ookgeprobeerd om diverse technieken of karakters in één compositie te verwerken. De muziek is daarom erg geschikt als verplicht werk, en eveneens om te spelen tijdens een concert of examen.
Dieses Album enthält 15 leichte Kompositionen für Klavier solo, die von Klängen der Stadt inspiriert wurden: von hupenden Autos und dunklen Gassen bis hin zu imposanten Wolkenkratzern. Ein Stück basiert sogar auf Handyklingeltönen. Das Album richtetsich an Schüler, die seit drei oder vier Jahren Klavier spielen. Der Schwierigkeitsgrad der Stücke ist unterschiedlich manche sind etwas einfacher, manche schwieriger als die anderen Stücke. Jedes Werk hat eine eigene Stimmung und einen speziellenStil. Wo es möglich war, habe ich auch versucht, verschiedene Techniken oder Charaktere innerhalb einer Komposition zu verwenden. Diese Musik eignet sich gut für Wettbewerbe, aber auch als Konzert- oder Prüfungsstücke.
Cet album contient quinze compositions faciles pour piano solo, inspirées par les sons d’une ville : des voitures klaxonnantes et ruelles sombres aux gratte-ciels imposants…l’un des morceaux est même basé sur des sonneries de portable. L’album viseles étudiants jouant du piano depuis trois ou quatre ans ; le niveau de difficulté varie entre chaque pièce - certaines sont plus faciles que d’autres. Chaque morceau a son propre ton et style, et, si possible, j’ai aussi essayé d’inclure destechniques et caractères différents par composition. Cette musique est convenable pour des concours, concerts ou examens. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Valleys of Grace Choral SATB SATB Shawnee Press By Carolyn Hamlin. SATB.
Glory Sound. 12 pages.
Published by Shawnee
Press
$2.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Jazz for Two Volume 1 1 Piano, 4 hands - Beginner Schott
1 Piano, 4 Hands; Piano Duet - very easy SKU: HL.49007688 15 Easy Jazz...(+)
1 Piano, 4 Hands; Piano Duet - very easy SKU: HL.49007688 15 Easy Jazz and Pop Pieces. Composed by Mike Schoenmehl. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 52 pages. Schott Music #ED7990. Published by Schott Music (HL.49007688). ISBN 9790001082402. UPC: 884088033576. 9.0x12.0x0.19 inches. Flips in the park * Lollopping Hare Waltz * In the Galleys * Ripples in the Water * Come on, Run! * Grandpa's Ragtime * Butterfly Meadow * Hippopotamus and Humming Bird. One piano, four hands. $20.99 - See more - Buy online | | |
| Jouni Kaipainen: Piping Down The Valleys Wild Wilhelm Hansen
Bass Clarinet and Piano SKU: HL.14017584 For Bass Clarinet and Piano(+)
Bass Clarinet and Piano SKU: HL.14017584 For Bass Clarinet and Piano. Composed by Jouni Kaipainen. Music Sales America. Classical. Book [Softcover]. 22 pages. Edition Wilhelm Hansen #KP00188. Published by Edition Wilhelm Hansen (HL.14017584). ISBN 9788759851708. English. A brilliant composition by Jouni Kaipainen completed in 1984 for Bass Clarinet in Bb and Piano accompaniment. Was commissioned by the Radio of Netherlands (NOS) and the Finnish Broadcasting Company. $27.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Thank You for the Valleys Choral SATB SATB, Piano Shawnee Press By Cindy Berry. For SATB
choir. Choral. Octavo.
Published by Shawnee
Press.
$2.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sunlit Peaks and Dark Valleys Violin, Clarinet, Piano (trio) [Score and Parts] Theodore Presser Co.
Sunlit Peaks and Dark Valleys. (For Violin, Clarinet in Bb, and Piano). By Donal...(+)
Sunlit Peaks and Dark Valleys. (For Violin, Clarinet in Bb, and Piano). By Donald Erb. Chamber ensemble. For Violin, Clarinet, Piano. Classical. Score and part(s). Standard notation. Composed MAY 1995. 33 pages. Duration 16 minutes, 30 seconds. Published by Theodore Presser Company
$40.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Thank You for the Valleys Choral 3-part SAB Shawnee Press
Composed by Cindy Berry. For Choral (SAB). Glory Sound. 12 pages. Published by G...(+)
Composed by Cindy Berry. For Choral (SAB). Glory Sound. 12 pages. Published by Glory Sound
$2.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Mountains and Valleys Piano solo Imagine Music
Composed by Daniel Baldwin. For solo piano. Playing score. Published by Imag...(+)
Composed by Daniel Baldwin.
For solo piano. Playing score.
Published by Imagine Music
$10.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Two Landscapes of Song for Treble Voices Carl Fischer
Choral SA choir, piano SKU: CF.CM9576 1. Who Robbed the Woods 2. Cool ...(+)
Choral SA choir, piano SKU: CF.CM9576 1. Who Robbed the Woods 2. Cool is the Valley Now. Composed by Paul David Thomas. Sws. Performance Score. 16 pages. Carl Fischer Music #CM9576. Published by Carl Fischer Music (CF.CM9576). ISBN 9781491153987. UPC: 680160912483. 6.875 x 10.5 inches. Key: G minor. English. Emily Dickinson (1830-1886) , Walt Whitman (1819-1892). The two pieces, Who Robbed the Woods? and O Cool is the Valley Now, combine to create a set that both explores the subtle beauty, serenity, fragility, and resiliency of nature and examines our relationship to the natural world around us. The first song combines a short poem by Emily Dickinson with a journal entry excerpt by Walt Whitman entitled The Lesson of the Tree. Only two stanzas in length, Dickinsons poem considers the ways in which people use and exploit trees for their own purposes and asks, on the trees behalf, who would do such a thing? Whitman ponders a trees silent majesty and power and its ability to be yet say nothing at all. The musical setting begins and ends in the mode of G-Dorian while moving briefly in the middle section to Bb major. The Dorian mode, similar to the natural minor but with a raised sixth scale degree, possesses a mysterious and whimsical sound, fitting for a poem that considers the possibility of talking trees. The accents and syncopation of the piano accompaniment should be carefully observed, with particular attention paid to the syncopation found in gestures occurring in mm. 712. The beginning a cappella section should be hushed yet intense; a richer, fuller sound may be brought out in the middle section where the key shifts to Bb major and the choir sings of the many noble qualities of trees (mm. 3953). O Cool is the Valley Now also makes use of a modal scale. Set primarily in D Mixolydian, similar to D major but with a lowered seventh scale degree, this modes lack of a leading tone gives the melody a folk-tune quality. The piano should at all times remain legato and flowing, its ascending and descending gestures, found in mm. 910, imitating the rolling hills and valleys evoked in the text. The phrases of the vocal lines should also be flowing and carefully shaped. Additional rubato and dynamic subtleties may be added to accentuate any number of the suspensions and dissonances that occur, especially on p. 14. The two pieces, aWho Robbed the Woods?a and aO Cool is the Valley Now,a combine to create a set that both explores the subtle beauty, serenity, fragility, and resiliency of nature and examines our relationship to the natural world around us. The first song combines a short poem by Emily Dickinson with a journal entry excerpt by Walt Whitman entitled The Lesson of the Tree. Only two stanzas in length, Dickinsonas poem considers the ways in which people use and exploit trees for their own purposes and asks, on the treesa behalf, who would do such a thing? Whitman ponders a treeas silent majesty and power and its ability to be ayet say nothing at all.a The musical setting begins and ends in the mode of G-Dorian while moving briefly in the middle section to Bb major. The Dorian mode, similar to the natural minor but with a raised sixth scale degree, possesses a mysterious and whimsical sound, fitting for a poem that considers the possibility of talking trees. The accents and syncopation of the piano accompaniment should be carefully observed, with particular attention paid to the syncopation found in gestures occurring in mm. 7a12. The beginning a cappella section should be hushed yet intense; a richer, fuller sound may be brought out in the middle section where the key shifts to Bb major and the choir sings of the many noble qualities of trees (mm. 39a53). O Cool is the Valley NowA also makes use of a modal scale. Set primarily in D Mixolydian, similar to D major but with a lowered seventh scale degree, this modeas lack of a leading tone gives the melody a folk-tune quality. The piano should at all times remain legato and flowing, its ascending and descending gestures, found in mm. 9a10, imitating the rolling hills and valleys evoked in the text. The phrases of the vocal lines should also be flowing and carefully shaped. Additional rubato and dynamic subtleties may be added to accentuate any number of the suspensions and dissonances that occur, especially on p. 14. The two pieces, aWho Robbed the Woods?a and aO Cool is the Valley Now,a combine to create a set that both explores the subtle beauty, serenity, fragility, and resiliency of nature and examines our relationship to the natural world around us. The first song combines a short poem by Emily Dickinson with a journal entry excerpt by Walt Whitman entitled The Lesson of the Tree. Only two stanzas in length, Dickinsonas poem considers the ways in which people use and exploit trees for their own purposes and asks, on the treesa behalf, who would do such a thing? Whitman ponders a treeas silent majesty and power and its ability to be ayet say nothing at all.a The musical setting begins and ends in the mode of G-Dorian while moving briefly in the middle section to Bb major. The Dorian mode, similar to the natural minor but with a raised sixth scale degree, possesses a mysterious and whimsical sound, fitting for a poem that considers the possibility of talking trees. The accents and syncopation of the piano accompaniment should be carefully observed, with particular attention paid to the syncopation found in gestures occurring in mm. 7a12. The beginning a cappella section should be hushed yet intense; a richer, fuller sound may be brought out in the middle section where the key shifts to Bb major and the choir sings of the many noble qualities of trees (mm. 39a53). O Cool is the Valley NowA also makes use of a modal scale. Set primarily in D Mixolydian, similar to D major but with a lowered seventh scale degree, this modeas lack of a leading tone gives the melody a folk-tune quality. The piano should at all times remain legato and flowing, its ascending and descending gestures, found in mm. 9a10, imitating the rolling hills and valleys evoked in the text. The phrases of the vocal lines should also be flowing and carefully shaped. Additional rubato and dynamic subtleties may be added to accentuate any number of the suspensions and dissonances that occur, especially on p. 14. The two pieces, Who Robbed the Woods? and O Cool is the Valley Now, combine to create a set that both explores the subtle beauty, serenity, fragility, and resiliency of nature and examines our relationship to the natural world around us. The first song combines a short poem by Emily Dickinson with a journal entry excerpt by Walt Whitman entitled The Lesson of the Tree. Only two stanzas in length, Dickinson's poem considers the ways in which people use and exploit trees for their own purposes and asks, on the trees' behalf, who would do such a thing? Whitman ponders a tree's silent majesty and power and its ability to be yet say nothing at all. The musical setting begins and ends in the mode of G-Dorian while moving briefly in the middle section to Bb major. The Dorian mode, similar to the natural minor but with a raised sixth scale degree, possesses a mysterious and whimsical sound, fitting for a poem that considers the possibility of talking trees. The accents and syncopation of the piano accompaniment should be carefully observed, with particular attention paid to the syncopation found in gestures occurring in mm. 7-12. The beginning a cappella section should be hushed yet intense; a richer, fuller sound may be brought out in the middle section where the key shifts to Bb major and the choir sings of the many noble qualities of trees (mm. 39-53). O Cool is the Valley Now also makes use of a modal scale. Set primarily in D Mixolydian, similar to D major but with a lowered seventh scale degree, this mode's lack of a leading tone gives the melody a folk-tune quality. The piano should at all times remain legato and flowing, its ascending and descending gestures, found in mm. 9-10, imitating the rolling hills and valleys evoked in the text. The phrases of the vocal lines should also be flowing and carefully shaped. Additional rubato and dynamic subtleties may be added to accentuate any number of the suspensions and dissonances that occur, especially on p. 14. The two pieces, Who Robbed the Woods? and O Cool is the Valley Now, combine to create a set that both explores the subtle beauty, serenity, fragility, and resiliency of nature and examines our relationship to the natural world around us. The first song combines a short poem by Emily Dickinson with a journal entry excerpt by Walt Whitman entitled The Lesson of the Tree. Only two stanzas in length, Dickinson's poem considers the ways in which people use and exploit trees for their own purposes and asks, on the trees' behalf, who would do such a thing? Whitman ponders a tree's silent majesty and power and its ability to be yet say nothing at all. The musical setting begins and ends in the mode of G-Dorian while moving briefly in the middle section to Bb major. The Dorian mode, similar to the natural minor but with a raised sixth scale degree, possesses a mysterious and whimsical sound, fitting for a poem that considers the possibility of talking trees. The accents and syncopation of the piano accompaniment should be carefully observed, with particular attention paid to the syncopation found in gestures occurring in mm. 7-12. The beginning a cappella section should be hushed yet intense; a richer, fuller sound may be brought out in the middle section where the key shifts to Bb major and the choir sings of the many noble qualities of trees (mm. 39-53). O Cool is the Valley Now also makes use of a modal scale. Set primarily in D Mixolydian, similar to D major but with a lowered seventh scale degree, this mode's lack of a leading tone gives the melody a folk-tune quality. The piano should at all times remain legato and flowing, its ascending and descending gestures, found in mm. 9-10, imitating the rolling hills and valleys evoked in the text. The phrases of the vocal lines should also be flowing and carefully shaped. Additional rubato and dynamic subtleties may be added to accentuate any number of the suspensions and dissonances that occur, especially on p. 14. The two pieces, “Who Robbed the Woods?†and “O Cool is the Valley Now,†combine to create a set that both explores the subtle beauty, serenity, fragility, and resiliency of nature and examines our relationship to the natural world around us.The first song combines a short poem by Emily Dickinson with a journal entry excerpt by Walt Whitman entitled The Lesson of the Tree. Only two stanzas in length, Dickinson’s poem considers the ways in which people use and exploit trees for their own purposes and asks, on the trees’ behalf, who would do such a thing? Whitman ponders a tree’s silent majesty and power and its ability to be “yet say nothing at all.â€The musical setting begins and ends in the mode of G-Dorian while moving briefly in the middle section to Bb major. The Dorian mode, similar to the natural minor but with a raised sixth scale degree, possesses a mysterious and whimsical sound, fitting for a poem that considers the possibility of talking trees. The accents and syncopation of the piano accompaniment should be carefully observed, with particular attention paid to the syncopation found in gestures occurring in mm. 7–12. The beginning a cappella section should be hushed yet intense; a richer, fuller sound may be brought out in the middle section where the key shifts to Bb major and the choir sings of the many noble qualities of trees (mm. 39–53).O Cool is the Valley Now also makes use of a modal scale. Set primarily in D Mixolydian, similar to D major but with a lowered seventh scale degree, this mode’s lack of a leading tone gives the melody a folk-tune quality. The piano should at all times remain legato and flowing, its ascending and descending gestures, found in mm. 9–10, imitating the rolling hills and valleys evoked in the text. The phrases of the vocal lines should also be flowing and carefully shaped. Additional rubato and dynamic subtleties may be added to accentuate any number of the suspensions and dissonances that occur, especially on p. 14. $2.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Almon C. Bock II : Gallop and Walk String Orchestra [Score] - Intermediate Alfred Publishing
By Almon C. Bock II. Orchestra. Score; String Orchestra. Highland String Orchest...(+)
By Almon C. Bock II. Orchestra. Score; String Orchestra. Highland String Orchestra. Grade 3.5. 16 pages. Published by Alfred Music
$7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Images Of Appalachia-Score Concert band [Score] - Intermediate Kjos Music Company
Band concert band - Grade 4 SKU: KJ.WB148F Composed by Christopher Salern...(+)
Band concert band - Grade 4 SKU: KJ.WB148F Composed by Christopher Salerno. Bandworks. Score. Neil A. Kjos Music Company #WB148F. Published by Neil A. Kjos Music Company (KJ.WB148F). An overture-style piece, Images of Appalachia portrays the composer's impression of the colorful Appalachian mountain ranges and valleys of southwestern Virginia. $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Piping Down the Valleys Wild Choral 2-part Boosey and Hawkes
2-Part and piano (2-Part) SKU: HL.48022702 Composed by Herbert Howells. B...(+)
2-Part and piano (2-Part) SKU: HL.48022702 Composed by Herbert Howells. BH Secular Choral. Softcover. 12 pages. Boosey & Hawkes #M060123542. Published by Boosey & Hawkes (HL.48022702). ISBN 9780851628097. UPC: 888680925888. 7.25x10.25x0.026 inches. This setting of a William Blake text is in two distinct vocal parts and has a pastoral flavour with flowing and singable melodies. The clever interplay between the two parts makes this an enjoyable song to sing and listen to, making an excellent and rarely-heard concert filler and a valuable addition to a choir's repertoire. $5.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Chorale and Presto Orchestra [Score and Parts] - Intermediate Hal Leonard
Composed by Richard L. Saucedo. MusicWorks Grade 3. Concert. Score and parts. Pu...(+)
Composed by Richard L. Saucedo. MusicWorks Grade 3. Concert. Score and parts. Published by Hal Leonard
$65.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Walk Through the Valley Alfred Publishing
For Viola, Cello, and Piano. Composed by Victor Labenske. Method/Instruction...(+)
For Viola, Cello, and Piano.
Composed by Victor Labenske.
Method/Instruction; Piano
with Other Instrument. Light
Concert. Other. Alfred Music
#00-47773. Published by
Alfred Music
$9.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Carol of the Snow Choral SATB SATB, Piano Alfred Publishing
Choir Secular. SATB choir. Choral Octavo. Choral Designs. Christmas; Folk; Secul...(+)
Choir Secular. SATB choir. Choral Octavo. Choral Designs. Christmas; Folk; Secular; Winter. 12 pages. Published by Alfred Music
$1.85 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jazz Songs of Innocence Choral 3-part SSA, Piano [Part] Oxford University Press
By Bob Chilcott. For SSA choir, piano, optional bass and drum kit. Double Bass. ...(+)
By Bob Chilcott. For SSA choir, piano, optional bass and drum kit. Double Bass. Pieces and Studies. Bass and drum kit part. 12 pages. Duration 16'. Published by Oxford University Press
$14.99 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| The Willow Tree Concert band - Easy Hal Leonard
Concert Band (Score) - Grade 3 SKU: HL.4005122 Composed by Pá, Uall...(+)
Concert Band (Score) - Grade 3 SKU: HL.4005122 Composed by Pá, Uallachá, draigí, in, and n Ní. Arranged by Michael Sweeney. MusicWorks Grade 3. Concert. Softcover. Duration 190 seconds. Published by Hal Leonard (HL.4005122). UPC: 888680687694. 9.0x12.0x0.048 inches. Although this haunting tune has the flavor and sentiment of a traditional Irish folk song, it was composed in 1995 by multifaceted artist Padraigin Ni Uallachain. Her inspiration for the song was the idea that when we are happy or sad, the elements and the natural world are aligned with our feelings. From the wistful lyrics of the song; Down by the river there's a tall willow tree, who weeps all night for you and me. This evocative setting for band follows this sentiment through peaks and valleys of sound and emotion. Dur: 3:10. $7.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Whisper! Whisper! (Baby Born Today) Choral TTBB TTBB A Cappella [Octavo] Alfred Publishing
By Jay Althouse. For Choir. (TTBB, a cappella). Choral Octavo. Choral Designs. ...(+)
By Jay Althouse. For Choir. (TTBB, a cappella). Choral Octavo. Choral Designs. Spiritual, Christmas. Choral Octavo. 8 pages. Published by Alfred Publishing.
$2.25 $2.1375 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Whisper! Whisper! (Baby Born Today) Choral SSAA SSAA A Cappella [Octavo] Alfred Publishing
By Jay Althouse. For Choir. (SSAA, a cappella). Choral Octavo. Choral Designs. ...(+)
By Jay Althouse. For Choir. (SSAA, a cappella). Choral Octavo. Choral Designs. Spiritual, Christmas. Choral Octavo. 8 pages. Published by Alfred Publishing.
(1)$2.25 $2.1375 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Topaz Sky - Score Jazz Ensemble - Beginner Heritage Music Press
Jazz ensemble - Grade 1.5 SKU: LO.60-1031H Composed by Peter Blair. First...(+)
Jazz ensemble - Grade 1.5 SKU: LO.60-1031H Composed by Peter Blair. First Flight Series. Jazz. Conductor's score. Heritage Music Press #60/1031H. Published by Heritage Music Press (LO.60-1031H). UPC: 000308076455. This contemporary sounding chart puts the spotlight on your emerging Trumpet soloist or section. The solo line is cued in all the Trumpet parts, so you'll have several performance options. The even-eighth groove will be easy for your rhythm section to play with confidence, and the unique harmony and texture should make it interesting for all the players. Topaz Sky requires no improvisation, but there are written out, eight-measure solos for both Trumpet and piano. This chart provides a multitude of ways to teach your band how dynamic peaks and valleys really can make music come alive. $5.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Pieces for Solo Recorder Vol. 5 Forsyth Publications
Solo Recorder - Intermediate-Advanced SKU: FP.FZZ25 Composed by Various. ...(+)
Solo Recorder - Intermediate-Advanced SKU: FP.FZZ25 Composed by Various. Edited by John Turner. Sheet Music and Books. The latest edition in Forsyth Publishing's Pieces for Solo Recorder series is a joyful volume of very diverse works for unaccompanied recorder (variously sopranino, descant, treble, tenor). Its works vary in difficulty from moderate to challenging but are. Classical. Collection. Forsyths Publications #FZZ25. Published by Forsyths Publications (FP.FZZ25). ISBN 9790570503865. The latest edition of our Pieces for Solo Recorder series is a joyful volume of very diverse works for unaccompanied recorder (variously sopranino, descant, treble, tenor) with a universal dimension. There are pieces by composers from the USA and Taiwan, music influenced by the rhythms of Africa and by the heavens, as well as the humorous portrayal (with optional narrator) of the antics of a pet dog. In addition there is a plethora of dance and birdsong. The works vary in difficulty from moderate to challenging but are entertaining and fun to play! $20.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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