SKU: CA.3116612
ISBN 9790007209155. Text language: German/English.
The cantata BWV 166 is among the church works which were performed during Bach's first year in office at Leipzig. It was heard for the first time on Sunday the 7th May 1724. Its tonal language is plastic and fervent, emphasized especially by the prominent role of the obbligato oboe and by the decoration of the chorale by the strings. The present edition gives a reading which interprets the surviving original material afresh. Score and part available separately - see item CA.3116600.
SKU: CA.3115203
ISBN 9790007164553. Text language: German/English. Text: Franck, Salomo.
For his cantata BWV 152 Bach chose a remarkable chamber music scoring which still sounds very colorful and lively today: the two solo voices are accompanied by recorder, oboe, viola d'amore, viola da gamba and organ. The cantata was written for the Sunday after Christmas and was performed for the first time on 30 December 1714 in the Schlosskirche Weimar. Nowadays the last aria is often performed during weddings. Exactly 300 years later, it is now being published in a practical Urtext edition. Score available separately - see item CA.3115200.
SKU: CA.3113507
ISBN 9790007092955. Language: German/English.
Bach composed BWV 135 as the fourth cantata in the second annual cycle of Leipzig cantatas. The hymn Ach Herr, mich armen Sunder was written in the 16th century to the tune of Herzlich tut mich verlangen. The unidentified Leipzig librettist of the 2nd cycle of chorale cantatas made free use of this hymn as the basis of an exemplary cantata text. Score available separately - see item CA.3113500.
SKU: CA.3124550
ISBN 9790007058272. Language: German/English.
The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach's lifetime. Consequently, the wish often expressed by conductors to perform an authentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach's direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the standard version which is well known today. Score available separately - see item CA.3124500.
SKU: CA.3124589
ISBN 9790007211455. Text language: German/English.
The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach's lifetime. Consequently, the wish often expressed by conductors to perform an authentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach's direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the standard version which is well known today. Score and part available separately - see item CA.3124500.
SKU: HL.48185556
UPC: 888680854584. 9.0x12.0x0.146 inches.
J.S. Bach: Violin Sonatas & Partitas arr. for Treble Recorder Solo by J.C. Veilhan - Volume 2.<p/>Contains 3 Partitas: BWV1002, BWV1004 and BWV1006..
SKU: CA.3113005
ISBN 9790007170554. Language: German/English.
As in all cantatas for St. Michael the chorale cantata Lord God, we praise thee all of us BWV 130 from 1724 is a magnificent composition. Not only in the opening chorus and the final chorale do the three trumpets and timpani play a role, but the first aria In hell the serpent, hot with hate is even accompanied solely by trumpets, timpani and continuo. The second aria, Thou, of cherubim the master, brings an unexpected contrast in which, besides the tenor and continuo, on a solo flute is heard. The original set of parts were separated from each other in the 19th century and today are scattered throughout the world. For the first time, some of the parts were taken into consideration in preparing this edition. Score available separately - see item CA.3113000.
SKU: CA.3103519
ISBN 9790007187255. Language: German/English.
The alto cantata Geist und Seele wird verwirret has seven movements; in the opening movements of the two parts of the cantata, a lost concerto by Bach survives in its original form, which he had arranged for organ. There is also an obbligato organ part in all the three arias, sometimes including virtuosic writing. Lehms takes the Gospel reading for the 12th Sunday after Trinity, which deals with the healing of a deaf and dumb person, and makes it apply more universally: God wants to open the ears of the faithful soul and loosen its tongue, so that it can praise his wonderful works. Unlike most of the other cantatas, in line with the text model Bach avoids the use of a choir for the concluding movement of the work. The cantata was written for the 12th Sunday after Trinity which fell on 8 September 1726 in the year of its first performance. The text comes from the collection Gottgefalliges Kirchen-Opffer by Georg Christian Lehms, who was court poet and court librarian in Darmstadt. From his Weimar period onwards, Bach set several texts from this collection. Score and parts available separately - see item CA.3103500.
SKU: FH.WCS2
ISBN 978-1-55440-586-2.
This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques.Level 5:Etude in A Major - Friedrich DemnitzExercise XIV - Reginald KellEtude in C Major - Chris AllenEtude in F Major - Randall CunninghamEtude in C Major, op. 63, division 2, no. 10 - Carl BaermannShifting Winds - James RaeThe Unexpected - James RaeDai's Surprise - James RaeLevel 6:Etude in E Major - Friedrich DemnitzRag - Randall CunninghamEtude in F Major - Friedrich DemnitzGigue - Johann Sebastian BachBlack Puddin' Jig - James RaeElegie - James RaeEtude in F sharp Minor - Ivan MuellerRomance, op. 63, division 2, no. 14 - Carl BaermannEtude No. 1 - Alfred UhlCello Suite No. 1 in G Major, BWV 1007, Menuet I and Menuet II - Johann Sebastian BachJourneys - James RaeA Sad Loss - James RaeSerenade - Leon LesterLevel 7:Odd Meter Etude No. 5 - Everett GatesEtude in A Minor - Ernst Sachse, arr. Leon Lester Text Book Prelude - James RaeBald lacheln mir seelige Tage: Theme and Variation I - Anton StadlerEtude in C Major, op. 31, no. 6 - Franz Wilhelm Ferling, arr. Cyrille RoseEtude in A Minor - Hyacinthe Klose, arr. Leon LesterEtude in A Minor, op. 3, no. 22 - Federigo Fiorillio, arr. Cyrille RoseCourante - Johann Sebastian BachEtude in C Major, op. 31, no. 5 - Franz Wilhelm Ferling, arr. Cyrille RoseEtude in F Major - Alfred UhlBoo! - James RaeEtude in D Minor - Friedrich Demnitz, arr. Leon LesterLevel 8:Courante - Johann Sebastian BachEtude in A Minor, op. 31, no. 8 - Franz Wilhelm Ferling, arr. Cyrille RoseEtude in A Minor - Alfred UhlMr. Pritchard's Bad Hair Day - James RaeEtude in G Major, op. 63, division 2, no. 43 - Carl BaermannQuestions and Answers - James RaeEtude in A Minor, op. 31, no. 7 - Franz Wilhelm Ferling, arr. Cyrille RoseRomance -Ludwig WiedemannAllemande - Johann Sebastian BachEtude in E Minor, op. 31, no. 3 - Franz Wilhelm Ferling, arr. Cyrille RoseOdd Meter Etude No. 9 - Everett GatesEtude No. 60 - Paul Harris.
SKU: CA.3112849
ISBN 9790007207755. Text language: German/English. Text: von Ziegler, Christiane Mariane. Text by Christiane Mariane von Ziegler.
After breaking off the annual cantata cycle at the end of March 1725 Bach set a series of cantata texts by the Leipzig poet Christiana Mariana von Ziegler, who maintained one of the first literary-musical salons. The large scale chorale chorus ties this work to the chorale cantatas. The central bass aria Auf,auf, mit hellem Schall with solo trumpet is note-worthy since in place of a middle section in the aria, here Bach employs an accompagnato recitative. Score and part available separately - see item CA.3112800.
SKU: CA.3105709
ISBN 9790007206550. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms.
The first performance of this cantata, which belongs to Bach's third annual cycle of cantatas, took place on the 2nd day of Christmas in 1725. With the exception of the closing chorale, with a text from 1711 by Georg Christian Lehms, the text of the cantata refers to St. Stephan, the first martyr of the New Testament and patron saint whose name day occurs on 26 December. In a dialog between the Soul (Soprano) and Jesus (bass) the struggle with sin is recounted respectively in two expressive arias arias. The entire orchestra is involved in the first movement as well as in in the closing chorale together with the choir. Score and parts available separately - see item CA.3105700.
SKU: CA.3103149
ISBN 9790007205515. Language: German/English.
The words are based on the Easter Gospel, the account of the Resurrection of Jesus, which is first joyfully celebrated. Then follows a call to the faithful: every Christian must make the Resurrection a reason to renew himself spiritually, so as to complete a kind of inner Resurrection himself. For his scoring - which changed slightly from performance to performance - Bach called upon a five-part choir, three trumpets and timpani, three oboes, taille and bassoon, strings and basso continuo. Score and part available separately - see item CA.3103100.
SKU: CA.3105700
ISBN 9790007097455. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms.
The first performance of this cantata, which belongs to Bach's third annual cycle of cantatas, took place on the 2nd day of Christmas in 1725. With the exception of the closing chorale, with a text from 1711 by Georg Christian Lehms, the text of the cantata refers to St. Stephan, the first martyr of the New Testament and patron saint whose name day occurs on 26 December. In a dialog between the Soul (Soprano) and Jesus (bass) the struggle with sin is recounted respectively in two expressive arias arias. The entire orchestra is involved in the first movement as well as in in the closing chorale together with the choir.
SKU: CA.3124450
ISBN 9790007261955. German. Text: Henrici (Picander), Christian Friedrich.
As well as soloists and double choir, Bach's great Passion calls for two complete orchestras. That posed problems even for Bach: he could only perform this Passion in one of his two Leipzig churches - there simply was not enough space in the Nikolaikirche! The same applies today to many choirs, quite apart from the financial expense of the double orchestra. In this arrangement, Dominique Sourisse combines the two orchestras, and has endeavored to retain the double-choir effect with individual solutions without ever resorting to the formulaic. With the alternative solutions offered in some movements, it is possible to perform the work with just single strings. All the vocal parts (soloists and chorus) are unaltered in the arrangement, so that the vocal scores and choral scores from the original version can be used.. Score available separately - see item CA.3124400.
SKU: CA.3103115
ISBN 9790007205508. Language: German/English.
SKU: FH.WS3
ISBN 978-1-55440-552-7.
Unparalleled in scope, this groundbreaking series for E_Alto and B_Tenor offers a single collection of Repertoire and supporting materials written or arranged specifically for saxophone. With Repertoire spanning from the Baroque to contemporary eras, Recordings, Etudes, Technique, and Orchestral Excerpts, this comprehensive series serves as a balanced and organized pedagogical resource from the beginner to advanced levels of study. Nine progressive volumes of Repertoire expose students to original works and arrangements of diverse styles from W.A. Mozart to Violet Archer, with selected works by notable jazz artist Paul Desmon (Take Five), and living composer Phil Woods. Each level provides opportunities to explore Baroque, Classical, Romantic, and contemporary works, with original, unaccompanied selections from Levels 5 through 8 that use extended techniques such as multiphonics, key clicks, and bisbigliando. Earlier works pre-dating the origin of the saxophone have been carefully arranged with consideration of the unique quality of the instrument. Exposure to these works help to develop musicianship and an understanding of tonality, creating well-rounded and versatile performers. Selections written for both E_Alto and B_Tenor include piano accompaniments that function with both instruments.Eb Saxophone:Mainly Transcriptions:Sonata, op. 2, no. 1 - Benedetto Marcello, arr. Jason Noble- Third Movement- Fourth MovementMazurka, op. 67, no. 2 - Frederic ChopinSonata, BWV 1033 - attr. Johann Sebastian Bach, arr. Stephen Chatman- Menuet I- Menuet IITambourin (from Iphigenie en Aulide) - Christoph Willibald Gluck, arr. Christine DonkinAnglois con Variationi - Johann Gottlieb Nicolai, arr. Stephen ChatmanMainly Original Repertoire for Saxophone:Song - Walter S. HartleyIt's a Raggy Waltz - Dave Brubeck, arr. Paul Harris and Beverley CallandDancing Under the Afghan Sky - Christiaan VenterFlight - Noel GallonBb Saxophone:Mainly Transcriptions:Serenade - attr. Roman Hoffstetter, arr. John HarleSonata, K 13 - Wolfgang Amadeus Mozart- Menuetto I- Menuetto IIIntermezzo (from Cavalleria Rusticana) - Pietro Mascagni, arr. Eugene RousseauSinfonia (Arioso) - Johann Sebastian Bach, arr. Mark MrozinskiMainly Original Repertoire for Saxophone:Dancing Under the Afghan Sky - Christiaan VenterGrand Ole Duke - James RaeThe Blue Fox - Frank J. Halferty.
SKU: CA.3109307
ISBN 9790007046552. Key: C minor. Language: German/English. Text: Neumark, Johann Georg.
C-Moll (C minor). Score available separately - see item CA.3109300.
SKU: CA.3103309
ISBN 9790007205522. Language: German/English.
Score available separately - see item CA.3103300.
SKU: CA.3122800
ISBN 9790007050955. Key: A major. Language: German/English.
SKU: CA.3122515
ISBN 9790007210755. Key: B flat major. Language: German/English.
New critical edition; critical report at www.carus-verlag.com. Score and part available separately - see item CA.3122500.
SKU: CA.3101903
ISBN 9790007035563. Language: German/English.
Score available separately - see item CA.3101900.
SKU: CA.3103314
ISBN 9790007205560. Language: German/English.
SKU: CA.3103312
ISBN 9790007205546. Language: German/English.
SKU: CA.3104514
ISBN 9790007206055. Key: E major. Language: German/English.
Score available separately - see item CA.3104500.
SKU: FH.VA2
ISBN 978-1-55440-564-0.
This groundbreaking series for viola offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring virtuoso. Representing all major style periods and a variety of genres, Viola Series, 2013 Edition offers all the music and tools needed to support a comprehensive course of study from the beginner to advanced levels. A rich and varied selection of music in each of these nine progressive volumes of repertoire appeals to violists of all ages. From the Preparatory Level through Level 8, students will be exposed to quality selections originally written for viola, fun arrangements of traditional fiddle and folk tunes, as well as contemporary pieces by notable composers such as Violet Archer, Carey Cheney, and Fritz Kriesler.Concertos, Concertinas, and Fantasias:Concerto in E Minor, op. 35 - Rieding, Oskar- First MovementConcertino in the Style of Antonio Vivaldi, op. 15 - Kuechler, Ferdinand- Third MovementConcertino No. 4 in C Major, op. 22 - Breval, Jean-Baptiste- Third Movement: FinaleThe Infant Paganini: Fantasia - Mollenhauer, EduardBaroque Repertoire:Chaconne - Handel, George Frideric arr. Peter HeilbutSarabande - Handel, George Frideric arr. Christine GaleGiguetta - Bach, Johann Sebastian arr. Constance Seely-BrownOmbra mai fu (Never Was a Shade), from Serse - Handel, George Frideric arr. Gaston BorchPolonaise, BWV Anh. 119 - attr. Bach, Johann Sebastian arr. Jason NobleTwo Dances - Hasse, Johann Adolf arr. Johannes PalaschkoConcert Repertoire:Andante grazioso - Mozart, Wolfgang Amadeus arr. Jason Gray and Katharine RapoportWiegenlied (Lullaby) - Wolf, HugoDark Mood - Archer, VioletOn the Road - Teehan, RobRigadoon - Jacon, GordonMarch, from The Nutcracker - Tchaikovsky, Pyotr Il'yich arr. Jason NobleHen and Rooster - Konicek, Zdenek.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
