Composed by Johann Sebastian Bach (1685-1750), edited by Wilfried Fischer. BWV 1060. For oboe, violin and keyboard (basso continuo). Urtext of the New Bach Edition. Includes set of performance parts (includes separate pull-out violin and oboe parts). With solo parts and keyboard realization. Baroque. C Minor. 55 pages. 9x12 inches. Duration 17m. Published by Baerenreiter-Ausgaben.

Orchestra (str,2 pf soli)

SKU: TM.00004SC

Composed by Johann Sebastian Bach. Score. Lucks Music Library #A1242. Published by Lucks Music Library (TM.00004SC).

Probably identical to a lost Concerto for Violin and Oboe; solo.

Composed by Johann Sebastian Bach (1685-1750). Arranged by Raymond Burley. Score and parts. Les Productions d'OZ #DZ 3645. Published by Les Productions d'OZ

By Johann Sebastian Bach. Edited by Seiffert. For violin, oboe (violin), piano. BWV 1060(c). Published by C.F. Peters.

Composed by Johann Sebastian Bach (1685-1750), edited by Friedrich Conrad Griepenkerl. BWV 1060. Set of performance parts (2 copies included) for two pianos four-hands. C Minor. 54 pages. Published by C.F. Peters.

Reconstruction after BWV 1060. By Johann Sebastian Bach. Edited by Wilfried Fischer. For Oboe. Single Part. Published by Baerenreiter-Ausgaben (German import). (BA5147 31)

Study Score. By Johann Sebastian Bach. Arranged by Arnold Schering. (Study Score). Schott. 52 pages. Published by Eulenburg.

Cello trio

SKU: VD.ED11363

Bearbeitet von Eberhard Heymann. Composed by Johann Sebastian Bach. Arranged by Eberhard Heymann. Classical. Score, parts. 25 S. Part. + 29 S. Stimmen pages. Verlag Dohr #ED11363. Published by Verlag Dohr (VD.ED11363).

ISBN 9790202023631. 11.69 x 8.26 inches.

Solo Soprano voice, SATB Choir, 3 Oboes, basson, 2 trumpets, 2 Violin, Viola, Basso continuo

SKU: CA.3105203

Cantata for the 23rd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Stuttgart Urtext Edition: Bach vocal. Cantatas, End of the church year, Trinity. Vocal score. Composed 1726. BWV 52. 24 pages. Duration 18 minutes. Carus Verlag #CV 31.052/03. Published by Carus Verlag (CA.3105203).

ISBN 9790007187637. Language: German/English. Text: Birkmann, Christoph.

It only became apparent a few years ago that the text of the soprano cantata Falsche Welt, dir trau ich nicht came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology student and Bach pupil Christoph Birkmann, printed in 1728 in Nuremberg. Birkmann was probably therefore the author of the text. The cantata was written for the 23rd Sunday after Trinity, which fell on 24 November 1726 in the year of its first performance. As in other cantatas in the first annual cycle, Bach chose an instrumental sinfonia as the opening movement - here the first movement of the 1st Brandenburg Concerto. The soprano soloist has two recitatives and two arias, in which the falsehood of the world is juxtaposed with trust in God. The cantata text is rounded off with the first verse of the chorale In dich hab ich gehoffet, scored for four-part chorus, as is usual with Bach. With the use of two horns and three oboes added to the string ensemble, the cantata has colorful and varied orchestration. Score available separately - see item CA.3105200.