SKU: CA.3108119
ISBN 9790007136345. Key: E minor. Language: German/English.
Bach composed the cantata Jesus schlaft, was soll ich hoffen [Jesus sleeps, what hope have I] BWV 81 for the fourth Epiphany Sunday, 1724. The cantata is structured as a little drama: In the beginning, fear prevails. The seas rage and Jesus is asleep. The threateningly foaming waves are vividly depicted in the soughing string accompaniment of the tenor aria. Jesus's words Ihr Kleinglaubigen, warum seid ihr so furchtsam? [You of little faith, why are you so fearful?] are set as a bass arioso at the center of the cantata; they provide the turning point. In the subsequent bass aria, the towering seas are silenced. A recitative - Wohl mir [Well for me] - leads into the closing chorale with its certainty Unter deinen Schirmen bin ich vor den Sturmen aller Feinde frei [Under Your protection I am spared the tempests of my enemies]. Score and parts available separately - see item CA.3108100.
SKU: CA.3108105
ISBN 9790007045432. Key: E minor. Language: German/English.
Bach composed the cantata Jesus schlaft, was soll ich hoffen [Jesus sleeps, what hope have I] BWV 81 for the fourth Epiphany Sunday, 1724. The cantata is structured as a little drama: In the beginning, fear prevails. The seas rage and Jesus is asleep. The threateningly foaming waves are vividly depicted in the soughing string accompaniment of the tenor aria. Jesus's words Ihr Kleinglaubigen, warum seid ihr so furchtsam? [You of little faith, why are you so fearful?] are set as a bass arioso at the center of the cantata; they provide the turning point. In the subsequent bass aria, the towering seas are silenced. A recitative - Wohl mir [Well for me] - leads into the closing chorale with its certainty Unter deinen Schirmen bin ich vor den Sturmen aller Feinde frei [Under Your protection I am spared the tempests of my enemies]. Score available separately - see item CA.3108100.
SKU: BR.DV-6140
ISBN 9790200460230. 13.5 x 10.5 inches.
Translation: Engl. (S. Wadsworth) (1988) / (Norbert Rubesaat) (1993); French (Jean-Pierre Wurtz) (1997) Place and time: Jail Munchen-Stadelheim, in the hour before the execution on 22nd February 1943 Characters: Sophie Scholl (soprano) / Hans Scholl (baritone or tenor) >>Weisse Rose<< (White Rose) was the name of the resistance group to which Hans and Sophie Scholl belonged. Udo Zimmermann's composition is characterized by the varying structure of its scenes: dramatic, visionary scenes, e.g. the remembered wartime experiences on the front, Sophie's anxiety about the removal of the children and the wish to see her parents one last time, contrast with contemplative monologues that are intended to provide insights into the individual's particular situation. The composer interweaves into the structure of the piece dream sequences with sudden bursts of anxiety that are not triggered by the execution that is about to take place but by the consequences of one's own actions. The result is a deliberate fusion of the various parts into one another. More than 100 different productions prove that the topic is as important as ever and that the work is both artistically rewarding and practicable. Udo Zimmermann About the piece Two young people, the siblings Sophie and Hans Scholl, are in a prison cell, one hour before they are to be put to death by their fascist executioners. Their christian convictions and sense of responsibility gave them the courage to put up resistance, resistance against the lies, the contempt for humanity and all human values. Sophie and Hans Scholl took their stand in the full knowledge that they were taking a deadly risk. They would simply not have been able to live with their feelings of shame had they not grasped the chance of fighting for what they believed in, even though it was a dangerous thing to do. Memories of past events, doubts, hopes and fears, justification of deeds and an acceptance of death, all these things happen and move in, and between, these two people during this representation of the hour before death. The orchestra provides a psycho-physical shorthand of their inner mental state. Musical effects and gestures search for their identity in human behaviour. The moments of stillness and silence provide moments of musical tension, which are just as powerful as the eruptions of fear and desperation. CDs: Gabriele Fontana (soprano), Lutz-Michael Harder (tenor), Instrumentalensemble, cond. Udo Zimmermann CD Orfeo C 162 871 Grazyna Szklarecka (soprano), Frank Schiller (tenor), musica viva-ensemble dresden, cond. Udo Zimmermann CD Berlin Classics Eterna BC 0120 060-2 CD (excerpts): Gabriele Fontana (soprano), Lutz-Michael Harder (tenor), Ein Instrumentalensemble, cond. Udo Zimmermann CD BMG 74321 73628 2 Bibliography : Kornel , Attila: ,,Tief unter uns nur Schweigen - Die Asthetik der Stille in Udo Zimmermanns Kammeroper ,,Weisse Rose, in: Die Tonkunst 11 (2017), pp. 368-377. Rheinlander , Matthias: Im Osten nichts Neues? Ostalgie ohne Kitsch am Beispiel von Udo Zimmermanns Oper Die weisse Rose, in: Musik und Unterricht, Heft 73 (2003), pp. 34-40.World premiere: Hamburg, February 27, 1986DV 1140 Awarded the German Music Edition Prize.
SKU: CA.3108149
ISBN 9790007206864. Key: E minor. Text language: German/English.
Bach composed the cantata Jesus schlaft, was soll ich hoffen [Jesus sleeps, what hope have I] BWV 81 for the fourth Epiphany Sunday, 1724. The cantata is structured as a little drama: In the beginning, fear prevails. The seas rage and Jesus is asleep. The threateningly foaming waves are vividly depicted in the soughing string accompaniment of the tenor aria. Jesus's words Ihr Kleinglaubigen, warum seid ihr so furchtsam? [You of little faith, why are you so fearful?] are set as a bass arioso at the center of the cantata; they provide the turning point. In the subsequent bass aria, the towering seas are silenced. A recitative - Wohl mir [Well for me] - leads into the closing chorale with its certainty Unter deinen Schirmen bin ich vor den Sturmen aller Feinde frei [Under Your protection I am spared the tempests of my enemies]. Score and part available separately - see item CA.3108100.
SKU: HP.2741
UPC: 763628127411.
Familiar hymn tune This reflection on the hymn tune ST. COLUMBA and the historic text based on the 23rd Psalm features climbing bass notes with flowing LV arpeggios. As we envision the verse in death's dark vale, I fear no ill, the key changes to minor, emphasized by optional handchimes. An echo effect is introduced and provides an engaging serene assurance throughout. As the piece concludes we rejoice in the Good Shepherd who tenderly cares for his flock, calming our fears and saving us by grace.
SKU: CA.3108107
ISBN 9790007045449. Key: E minor. Language: German/English.
SKU: CA.3108111
ISBN 9790007045463. Key: E minor. Language: German/English.
SKU: CA.3108114
ISBN 9790007045494. Key: E minor. Language: German/English.
SKU: CA.3108109
ISBN 9790007045456. Key: E minor. Language: German/English.
SKU: CA.3108112
ISBN 9790007045470. Key: E minor. Language: German/English.
SKU: CA.3108100
ISBN 9790007045418. Key: E minor. Language: German/English.
Bach composed the cantata Jesus schlaft, was soll ich hoffen [Jesus sleeps, what hope have I] BWV 81 for the fourth Epiphany Sunday, 1724. The cantata is structured as a little drama: In the beginning, fear prevails. The seas rage and Jesus is asleep. The threateningly foaming waves are vividly depicted in the soughing string accompaniment of the tenor aria. Jesus's words Ihr Kleinglaubigen, warum seid ihr so furchtsam? [You of little faith, why are you so fearful?] are set as a bass arioso at the center of the cantata; they provide the turning point. In the subsequent bass aria, the towering seas are silenced. A recitative - Wohl mir [Well for me] - leads into the closing chorale with its certainty Unter deinen Schirmen bin ich vor den Sturmen aller Feinde frei [Under Your protection I am spared the tempests of my enemies].
SKU: CA.3108113
ISBN 9790007045487. Key: E minor. Language: German/English.
SKU: BR.KM-2197
World premiere: Nice, February 6, 1986
ISBN 9790004501047. 9 x 12 inches.
Vertigo is a remarkable confrontation with oneself, and with ones own capacities. Sartre defines it not so much as the fear of falling into an abyss as the fear of throwing oneself into it. Similarly, A. Glucksmann defines it as the fear of that other Self, the self one would be a moment later. Moving from ones potential to other potential selves, plunging into the unknown, this was the experimental phase of my state of mind during the composition, and is reflected in the writing of diverse textures, the ordering of the dynamics and the frequent microtonal changes of intervals. This is perhaps made particularly clear in the structure of the works first half, called Successive Figures, from which I could not free myself, psychologically, until the composition was finished. In the thrill of vertigo, and in opposition to Glucksmanns reactionary book of the same name, this is an about-turn towards the following radical principle: action rather than vertigo!... (Nicolaus A. Huber)CDs: Ensemble Kaleidocollage CD ADDA 590 049 AD 184 Ensemble Aventure CD ars musici FMF AM 1224-2 ensemble avance, Andras Hamary (piano) CD Telos Music TLS 018 Ensemble EstEstEst! CD perc.pro 10052004Bibliography:Frick, Paul Friedrich: Nicolaus A. Huber: La Force du Vertige (1985). Analyse, Universitat der Kunste Berlin, Diplomarbeit 2006.World premiere: Nice, February 6, 1986.
SKU: LP.765762111523
UPC: 765762111523.
Don't Be Scared! is a delightful preschool Christmas program that is incredibly easy for tiny tykes to learn. And perhaps even better it's just as easy for the teachers to teach!Corresponding scriptural memory verses Short lesson for spiritual application Pre-primary musical concepts In-class demos for each musical concept on CD Full of movement and humor Don't Be Scared! tells the story of Jesus' birth--beginning with Old Testament prophecy and ending in Bethlehem at the manger. Perfect for the limited vocal range and attention span of our littlest performers this 15 minute program consists of five simple songs. He'll Come Down and All the Way to Bethlehem are both piggybacked onto familiar nursery tunes while the kids will love singing boldly to the characters throughout the story Fear Not to the tune of the William Tell Overture. Don't Be Scared! is so much more than just another cute kiddie program. Through songs narration movement and role-playing (they get to be angels shepherds and even animals in a stable!) preschoolers learn that God's children are never really alone. God loves us so much that He sent Jesus to live with us and in usto take away our fear.
SKU: BT.DHP-0981380-010
The new millennium inspires curiosity, optimism, and fear of the unknown. Belgian composer Johan Nij composed Millennium Fear to capture the uncertainty of this monumental event. The piece combines dynamic sounds, feverish rhythms, and surprising sound textures in the dialogues between different instrument groups. The piece expresses the thoughts and feelings many have toward the new millennium. Der belgische Komponist Johan Nijs hat diesen Gefühlen mit dem Stück Millennium Fever stimmigen Ausdruck gegeben. Es handelt sich dabei um ein Feuerwerk bewegter Klänge, ein Zusammenspiel fiebernder Rhyhmen und unerwarteter Wendungen, worin verschiedene Instrumentengruppen miteinander dialogisiern. Le passage au troisième millénaire avait généré une certaine inquiétude, de la curiosité et même un certain optimisme. Dans Millennium Fever (“La fièvre du millénaireâ€), les sentiments oscillants deviennent un puissant tourbillon. Les rythmes, l’éclat et l’intensité des sons, associés un choix de notes inhabituel, traduisent la fébrilité de l’attente tandis qu’un dialogue très expressif se crée entre les différents groupes d’instruments, comme un dialogue entre les peuples pour un monde de paix.
SKU: GI.G-CD-861
UPC: 785147086123.
Courage Can Cry is an album about victory over adversity. It glories in the triumph of the human spirit as the ghosts of fear are laid to rest. These are songs that will prompt you to rediscover the courage that lies beneath the surface of your soul. You will be inspired by the lives of many who dared to give a voice to those who have none. An ancient French writer, Blaise Paschal, who wrote, “We should always keep something beautiful in our hearts,†was the inspiration for many of the texts. These songs are meant to awaken hope and a new awareness of all that lies beneath and within, and they will help you realize that courage can cry louder than any fear or fault.
SKU: BT.DHP-1125326-070
9x12 inches. English-German-French-Dutch.
Arachnophobia - fear of spiders - is the title of one of Maxime Aulio's first compositions for saxophone quartet (SATB). It is a simple musical amusement and a humorous allusion to the composer's fear of spiders. Come forth intrepid saxophone players! Arachnophobie betekent: ‘Angst voor spinnen'...! Het is de welluidende titel van het nieuwe werk voor saxofoonkwartet van Maxime Aulios. Ook de afzonderlijke delen hebben natuurlijk toepasselijke titels. Zo passeren Spinnendans, Marsvan de vogelspin en Zwarte Weduwe allemaal de revue. Bang voor spinnen? Na het horen van dit prachtige werk vast niet meer!Arachnophobie - Angst vor Spinnen - ist der klangvolle Titel einer von Maxime Aulios ersten Kompositionen für Saxophonquartett. Mit einem Augenzwinkern bezieht er sich darin auf seine eigene Angst vor Spinnen. Keine Angst vor diesem anspruchsvollen Werk sollten Saxophonisten haben: Die Mühe lohnt sich! Arachnophobie, la phobie des araignées, est le titre d'une délicieuse composition en trois mouvements (Danse d'araignées - Marche de la mygale - Veuves noires) de Maxime Aulio, écrite pour quatuor de saxophones. N'ayez crainte, cette œuvre qui ne vous piquera pas, vaut la peine d'être jouée. L'aracnofobia, ovvero la paura dei ragni, è il tema di questo brano per 4 sassofoni (SATB) di Maxime Aulio. Anche i titoli dei tre movimenti fanno riferimento ai ragni: La danza dei ragni, La marcia dei ragni, La vedova nera. Un brano esigente, ma che i sassofonisti non devono temere. Anzi, in concerto proporranno una musica nuova ed accattivante!
SKU: GI.G-EH1001
UPC: 748769410011. Text by Rabbi Ruth Sohn.
Inspired by the empowering poem by Rabbi Ruth Sohn, this piece for SSA choir with piano describes the journey of a young woman who finds bravery amid uncertainty and fear. Middle Eastern harmonies paint an expansive desert landscape, while the voices search for faith and risk taking the first step, ultimately conquering fear to find the song in my heart. Soaring melodies and choral rhythms that create a delicious tension against the piano accompaniment make this a wonderful choice for mature treble choirs.
SKU: HL.14041389
Latin.
The text for the choral work 'Hominis dies' is partly form the book of psalms, partly from Isaiah in the Latin translation of the Bible. The words are relevant today - they are about the fate of humanity - our fear of war and destruction, violence and polution. The choral work is divided in three parts, all of them introduced with a Halleluja. A Halleluja is most often a praise, but that is not the case in this work, where the suppressed and oppressed manking with this work express desperation and sorrow, but also hope.
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