By Russell L. Robinson. Choir Sacred. SATB choir. Choral Octavo. Lawson-Gould. Sacred. 12 pages. Published by Alfred Music Publishing

By Bela Fleck. Arranged by David Steinquest. Concert Ensemble. For Xylophone, (2) Marimbas, Vibes, Bass Guitar. Florida State Solo and Ensemble List, Indiana State Solo and Ensemble List, Texas State Solo and Ensemble List. Level: 5. Duration 3:16. Published by Row-Loff Publications.

By Chris Brooks. Concert Ensemble. For Xylophone, 4 Octave Marimba, (3) Timpani, Snare Drum, Bass Drum, Crash Cymbals, Tenor Drum, Field Drum, Concert Tom. Florida State Solo & Ensemble List. Level: 1. Duration 3:55. Published by Row-Loff Publications.

Creative Transcriptions for Today\'s Guitarist. Christian, Saddle-stitched. World. Book. Mel Bay Publications, Inc #30977. Published by Mel Bay Publications, Inc

Composed by Gary Gazlay. Score and Parts. Imagine Music Publishing #CBW231. Published by Imagine Music Publishing

Arranged by various, ed. Bill Galliford. Instrumental Series; Play-Along. Instrumental Solos Series. Country; Pop; Radio. Book; CD. 24 pages. Alfred Music #00-47336. Published by Alfred Music

Piano and orchestra

SKU: FG.55011-372-5

Composed by Matthew Whittall. Study score. Fennica Gehrman #55011-372-5. Published by Fennica Gehrman (FG.55011-372-5).

ISBN 9790550113725.

Images of the sea figure prominently throughout my life and memories: from holidays on the Atlantic coast during my Canadian childhood to my current Baltic home, and the imagined, only later experienced Mediterranean of my ancestral heritage. As an immigrant (son of an immigrant) bound to two northern countries, the sea is emblematic of my twin homelands, from the expanses of water surrounding them to those separating them. A Mari usque ad Mare. The sea is also an enduring image of the unknown, of expanses unexplored, of the raw power of nature and, for too many currently, of terror holding a hope of refuge - or the pain of loss.
Such disparate ideas were captured for me in the seascapes of the New York painter MaryBeth Thielhelm, whom I met in 2008 during a residency on the Gulf of Mexico. Her vast, abstract, nearly monochromatic depictions of imaginary seas in wildly varying moods were the catalyst for a concerto where the piano is frequently far from a hero battling a collective, but rather acts as a channel for elemental forces surging up from the orchestra, floating - sometimes barely so - on its constantly shifting surface. There are few themes to speak of, beyond a handful of iconic ideas that periodically cycle upward. Rather, the piano's material is largely an ornamentation of the more primal rhythmic and harmonic impulses from the orchestra below - a poetic interpretation, if you will, of the more immediate experience of facing the vastness of some unknown body of water.
The title Nameless Seas is borrowed from one of Thielhelm's exhibitions, as are those of the four movements, which are bridged together into two halves of roughly equal weight - one rhapsodic and free, the other more single-minded and direct, separated only by a short breath. The opening movement, Nocturne, is predominantly calm, if brooding, darkness and light alternating throughout. Lyrical arabesques sparkle over gently lapping cross-currents in the strings and mirrored timpani, the piano's full power only rarely deployed. The waves gradually build, drawing in the full orchestra for a meeting of forces in Land and Sea, a brighter, more warmly lyrical scene that unfolds in series of dreamlike, sometimes even nostalgic visions, which for me carry strong memories of sitting on rocks above surging Atlantic waves. The third movement, Wake, is a fast, perpetual-motion texture of glinting, darting rhythms and sudden shafts of light, with a prominent part for the steel drums, limning the piano's quicksilver figurations. An ecstatic climax crashes into a solo cadenza that grows progressively calmer and more introspective rather than virtuosic. Much of the tension finally releases into Unclaimed Waters, a drifting, meditative seascape in which the piano is progressively engulfed by a series of ever-taller waves, ultimately dissolving into a tolling, rippling continuum of sound.
It has been a great privilege to realize such a long-held dream as this piece, and to write it for not one, but two great pianists. Risto-Matti Marin and Angela Hewitt, both of whose friendship and support have been unfailing and humbling, share the dedication. Nameless Seas was commissioned by the PianoEspoo festival and Canada's National Arts Centre, with the premieres in Ottawa and Helsinki led by Hannu Lintu and Olari Elts. Thanks are due also to the Jenny and Antti Wihuri fund, whose generous grant provided me with much-needed time, and Escape to Create in Seaside, Florida, the source to which I returned to do a large part of the work.

For Percussion Ensemble. Florida Percussion Solo and Ensemble List. Grade 1. Score and set of parts

By John Wooton. Florida State Solo & Ensemble List. Duet(s). Level: 3. Published by Row-Loff Publications.

Concert Band (Score) - Grade 3

SKU: HL.4004287

Composed by James Curnow. MusicWorks Grade 3. Festival. 36 pages. Published by Hal Leonard (HL.4004287).

UPC: 888680067977. 9x12 inches.

Constructed between 1915 and 1928, the Tamiami Trail (U.S. Highway 41) provides over 260 miles of scenic Florida beauty between Tampa and Miami. On the Tamiami Trail reflects on this journey, and pays tribute to the Suncoast Concert Band of Sarasota (along the trail) and its director emeritus, Leo Laier. The opening fanfare sets the mood and leads to the energetic first theme. Subsequently a Latin influence is introduced along with an expressive middle theme before returning to the energetic flavor of the opening strains. A dynamic and varied overture for winds. Duration: 6:15.

By Eric Clapton. Guitar Recorded Version. Softcover. Guitar tablature. Published by Hal Leonard.

By Florida Georgia Line. For Piano/Vocal/Guitar. Piano Vocal. 12 pages. Published by Hal Leonard

Hal Leonard Student Piano Library Intermediate Composer Showcase. By Sondra Clark. Educational Piano Library. Softcover. 32 pages. Published by Hal Leonard.

By Kirk J. Gay. For 4 timpani. (1 player). For solo timpani. Level: Intermediate. Folio. 4 pages. Duration 4:20. Published by Tapspace Publications.