SKU: JK.01440
2 Nephi 2:14, Genesis 1:1, 31.
Adapted from the hymn tune Royal Oak, arranged for mixed chorus (SATB) and piano.Tune adapted by: Martin Shaw Arranger: Brent Jorgensen Lyricist: Cecil Francis Alexander Difficulty: Easy Performance time: 2:50References: 2 Nephi 2:14, Genesis 1:1, 31.
SKU: BA.BA25136
ISBN 9790006575022. 29.7 x 21 cm inches. Text Language: French.
The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very well suited for performances by small vocal ensembles. A novelty is the inclusion of the double bass part (ad libitum) which does not appear consistently in the first editions but corresponds to the musical practice at the Madeleine.Numerous gems such as the â??Cantique de Jean Racineâ? or the â??Messe basseâ? are published in performing editions based on the musical text of the â??Gabriel Faur â?? Å?uvres complètesâ?.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA25025
ISBN 9790006569410. 29.7 x 21 cm inches. Language: German.
The sacred a cappella choral works by Johannes Brahms are amongst the most important Romantic works in their genre.These works published as a collection in BA 7575 are now available separately in performing editions (BA 25018 â?? BA 25037).
SKU: BA.BA04492
ISBN 9790006449019. 27.5 x 19.8 cm inches.
Chorsatze zu vier und funf Stimmen. Teil 1: Nr. 1-156 (ein Satz zu 6 Stimmen von Seth Calvisius)/ Teil 2: Nr. 157-313. 2 Teilbande.
SKU: HL.49042434
ISBN 9783795794491. 10.25x13.5x1.141 inches. German.
Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.
SKU: BA.BA04050
ISBN 9790006443598. 33 x 26 cm inches. Language: German. Text: Feustking, Friedrich Christian.
“Almiraâ€, Handel’s first opera, was well received when premiered in 1705 at the Theater am Gänsemarkt in Hamburg. The director was Reinhard Keiser, who, remarkably, had himself already set Friedrich Christian Feustking’s text to music. The role of Fernando was sung by Johann Mattheson. The translation used by Handel leaves several Italian arias in their original language, resulting in a delightful mixture of German and Italian.The opera which, after sundry entangled romances, ends in the wedding of three couples, is characterised by exuberant scenes: the procession at Almira’s crowning ceremony, a duel, a prison scene and a masked-ball involving the three continents Europe, Africa and Asia. The vocal score to “Almira†by George Frideric Handel brings about a small sensation: Whilst conducting a reenactment of this work in 1732, Georg Philipp Telemann removed the Aria no. 28 “Ingrato, spietato†from his conducting score. Since then this aria has been deemed lost. Due to necessity only the edited vocal text devoid of any music was presented in the 1994 volume of the “Halle Handel Editionâ€. Thanks to a recently discovered contemporary manuscript copy from the beginning of the 18th century which was found in the music library of the Mariengymnasium in Jever, this aria has now been made available to performers for the first time in this new vocal score edition. Previous to this the corresponding pages could only be seen as a facsimile in an article of the “Göttinger Händel-Beiträgeâ€.Now the aria can be performed again. Furthermore, with the help of this new source, missing measures in the basso continuo which had initially been completed by the editor of the “Halle Handel Edition†volume, could be reconstructed from the basso continuo part of the Bellante aria “Ich brenne zwar†(no. 71).
SKU: BA.BA07677
ISBN 9790006526192. 30 x 23 cm inches.
The cantata Nun komm der Heiden Heiland (TWV 1:1174) is taken from Telemann’s cantata cycle of 1717–18. Though festively scored for two oboes, two trumpets, kettledrums, strings and basso continuo, it will not overly strain the financial resources of today’s ensembles.The well-known chorale tune features prominantly in all choruses. Telemann gives one aria each to the three soloists (SAB). Thanks to the relatively small instrumental ensemble, the choral passages can be taken one to a part. The vocal score appears with a singing translation in English.
SKU: BA.BA05307
ISBN 9790006467068. 33.1 x 25.7 cm inches.
SKU: BA.BA10001-91
ISBN 9790006536238. 27 x 19 cm inches.
Study score = TP 1001.
SKU: BA.BA05512
ISBN 9790006472079. 33.1 x 26.1 cm inches. Text: Georg von Hofmann.
SKU: BA.BA25018
ISBN 9790006569342. 29.7 x 21.4 cm inches. Language: German.
The sacred a cappella choral works by Johannes Brahms are amongst the most important Romantic works in their genre.These works published as a collection in BA 7575 are now available separately in performing editions (BA 25018 – BA 25037).
SKU: BA.BA04070
ISBN 9790006495870. 33 x 26 cm inches. Text Language: Italian. Text: Paolo Antonio Rolli.
Handel’s “Deidamia†was premièred on 10 January 1741 only a few weeks after “Imeneoâ€.The librettist Paoli Rolli , a previously unsucessful librettist for Handel, delivered with his finest work “Deidamiaâ€. On 10 February 1741 the third and final opera performances of this work took place under Handel’s direction. Oddly enough “Deidamia†would not be performed again until the beginning of the 20th century. This opera is based on the themes of humour and seriousness. The personal harmonising of Heroism (Achilles) and Love ( Deidamia ) build on the essential dramatic features of this work. “Deidamia†is the last great opera in a series of masterpieces: “Orlandoâ€, “Poroâ€, “Ezioâ€, “Ariodanteâ€, “Alcinaâ€, “Serse†and “Imeneoâ€. The vocal score is based on the Urtext of the Halle Handel Editon.
SKU: BA.BA03131
ISBN 9790006429875. 27.7 x 19.7 cm inches.
De Christo, et regno eius, Doctrina, Vita, Passione, Resurrrectione et Ascensione. 42 meist vierstimmige Motetten. Urtext der Rhau-Ausgabe.
SKU: BA.BA05547
ISBN 9790006497089. 33.1 x 25.6 cm inches.
SKU: BA.BA05531
ISBN 9790006472284. 33.1 x 26.3 cm inches. Key: F major.
Urtext of the New Schubert Edition.
SKU: BA.BA03403
ISBN 9790006433995. 27.5 x 19.5 cm inches.
SKU: BA.BA05182-91
ISBN 9790006466436. 27 x 19 cm inches. Key: F major.
SKU: BA.BA05043-01
ISBN 9790006462551. Language: German. Preface: Marianne Helms.
SKU: BA.BA03132
ISBN 9790006429882. 27.5 x 19.7 cm inches.
De Sanctis, et illorum in Christum fide et cruce. 38 meist vierstimmige Motetten. Urtext der Rhau-Ausgabe.
SKU: SU.25100160
A lush retelling of Genesis 1:1 through 2:1. Orchestra [SATB Chorus; 2,1 2 2,1 1; 4331; timp, 4perc; stgs] Duration: 47’ Composed: 2018 Published by: Gusthold Music Publisher Performance materials available on rental only:.
SKU: HP.C5636O
UPC: 763628256364. Natalie Sleeth. 1 Corinthians 15:35-58, Eccesliastes 3:1-8, Genesis 1:14, John 12:24, Psalms 1:3, Psalms 30:5.
Popular choral anthem Natalie Sleeth's popular choral anthem and hymn, also known as In the Bulb There Is a Flower, has been given a lovely new treatment by Tom Fettke for SATB choirs. The provocative text relates both to our present life and our hope of eternal life, as expressed in I Corinthians 15:35-58. This fresh setting emphasizes the resurrected life as it builds to the final victory stanza with driving rhythm and a change to common meter (4/4). This arrangement is also available in a medium-voice vocal solo in the key of F. The orchestration by Camp Kirkland contains a Conductor's Score and parts for: Flute 1 & 2, Oboe, Clarinet 1 & 2, Horn 1 & 2, Alto Sax 1 & 2 (substitute for Horn 1 & 2), Trombone 1 & 2, Tenor Sax/Baritone TC (substitute for Trombone 1 & 2), Trombone 3/Tuba, Percussion 1 & 2, Harp, Violin 1 & 2, Viola, Clarinet 3 (substitute for Viola), Cello/Bassoon and String Bass, Keyboard String Reduction.
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