(Heitere Opera in three acts). Composed by Georg Philipp Telemann (1681-1767). Edited by Bernd Baselt. For solo voices, choir, orchestra (3 soprano voice solos, mezzo-soprano voice solo, tenor voice solo, baritone voice solo, 2 bass voice solos, mixed choir, 2 flutes, 2 oboes, 2 bassoons, 2 corno d'caccia, strings, basso continuo). This edition: Urtext edition. Linen. Telemann Musical Works. Volume 21. Hamburg 1724. Score. TWV 21:8. Duration 1 hour, 39 minutes, 59 seconds. Published by Baerenreiter Verlag

Solo voices, choir, orchestra (soprano voice solo (2 ), soprano, tenor voice solo, tenor voice solo (3), bass voice solo, mixed choir, ballett, piccolo, flute (2 ), oboe (2 ), clarinet (b flat) (2 ), bassoon (2 ), horn (4), trumpet (2 ), trombone (3), timpani, strings, basso continuo)

SKU: BA.BA04562-41

Dramma per musica in three Acts. Composed by Wolfgang Amadeus Mozart. Edited by Bruce Alan Brown and Daniel Heartz. This edition: Complete edition. Linen. New Mozart Edition (NMA). II/5/11. Complete edition, Critical commentary. K. 366. 266 pages. Duration 3 hours, 30 minutes. Baerenreiter Verlag #BA04562_41. Published by Baerenreiter Verlag (BA.BA04562-41).

ISBN 9790006546633. 24 x 17.5 cm inches. Language: Italian. Giambattista Varesco.

This separately published Critical Commentary offers extensive information on the genesis, reception, sources, and readings of the works included in the music volume.

(Ode fur den Geburtstag der Konigin Anna (Serenata). Urtext der Hallischen Handel-Ausgabe (deutsch/englisch). Composed by George Frideric Handel (1685-1759). Edited by Walther Siegmund-Schultze. For solo voices, choir, orchestra (soprano voice solo, alto voice solo; tenor voice solo, bass voice solo, SATB choir, oboe (2), bassoon, trumpet (2), strings, basso continuo). This edition: Complete edition, Urtext edition. Linen. Halle Handel Edition. Series I, Volume 6. Geburtstag, Barock (Baroque). Level 4. Score. Language: German/English, Text Language: German. HWV 74. 80 pages. Duration 22 minutes. Published by Baerenreiter Verlag

By Wolfgang Amadeus Mozart (1756-1791). Edited by Daniel Heartz. For 2 soprano voice solos, soprano voice solo, tenor voice solo, 3 tenor voice solos, bass voice solo, mixed choir, ballett, piccolo, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, strings, basso continuo. This edition: Paperback, Urtext edition. Study score. Language: Italian, Text Language: German/English. K. 366. 626 pages. Duration 3 hours 30 minutes. Published by Baerenreiter Verlag

(Oratorio in three parts). By George Frideric Handel (1685-1759). Edited by John Tobin; Max Schneider. For soprano voice solo, 2 alto voice solos, tenor voice solo, bass voice solo, SSATB choir, 2 oboes, bassoon, 2 trumpets, timpani, strings, basso continuo. This edition: Paperback, Urtext edition. Level 4; UK Grade 7. Piano reduction. Language: English. HWV 56. Duration 3 hours. Published by Baerenreiter Verlag

SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo, strings, basso continuo

SKU: CA.3117709

Cantata for the 4th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. This edition: urtext. 1x 31.177/21 oboe 1, 1x 31.177/22 oboe 2, 1x 31.177/23 bassoon. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Whitsun. Set of Orchestra Parts. Composed 1732. BWV 177. 16 pages. Duration 13 minutes. Carus Verlag #CV 31.177/09. Published by Carus Verlag (CA.3117709).

ISBN 9790007209803. Text language: German/English.

The cantata Ich ruf zu dir, Herr Jesu Christ begins with an expansive chorale arrangement, for which Bach reverted to a proven model: The four voices of the solo ensemble take over the chorale, in which the melody lies in the soprano. For stanzas 2-4 Bach chooses the aria form with a highly differentiated scoring from movement to movement, ranging from a continuo Aria (1st movement), up to an aria accompanied by the violin, with obbligato bassoon and continuo. A straightforward four-part chorale movement concludes the cantata. Score and parts available separately - see item CA.3117700.

SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo, strings, basso continuo

SKU: CA.3117714

Cantata for the 4th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violoncello. Sacred vocal music, Cantatas, Whitsun. Single Part, Cello. Composed 1732. BWV 177. 12 pages. Duration 13 minutes. Carus Verlag #CV 31.177/14. Published by Carus Verlag (CA.3117714).

ISBN 9790007209841. Text language: German/English.

The cantata Ich ruf zu dir, Herr Jesu Christ begins with an expansive chorale arrangement, for which Bach reverted to a proven model: The four voices of the solo ensemble take over the chorale, in which the melody lies in the soprano. For stanzas 2-4 Bach chooses the aria form with a highly differentiated scoring from movement to movement, ranging from a continuo Aria (1st movement), up to an aria accompanied by the violin, with obbligato bassoon and continuo. A straightforward four-part chorale movement concludes the cantata. Score and part available separately - see item CA.3117700.

SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo, strings, basso continuo

SKU: CA.3117711

Cantata for the 4th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Whitsun. Single Part, Violin 1. Composed 1732. BWV 177. 8 pages. Duration 13 minutes. Carus Verlag #CV 31.177/11. Published by Carus Verlag (CA.3117711).

ISBN 9790007209810. Text language: German/English.

The cantata Ich ruf zu dir, Herr Jesu Christ begins with an expansive chorale arrangement, for which Bach reverted to a proven model: The four voices of the solo ensemble take over the chorale, in which the melody lies in the soprano. For stanzas 2-4 Bach chooses the aria form with a highly differentiated scoring from movement to movement, ranging from a continuo Aria (1st movement), up to an aria accompanied by the violin, with obbligato bassoon and continuo. A straightforward four-part chorale movement concludes the cantata. Score and part available separately - see item CA.3117700.