| 101 Hit Songs (Horn) French horn Hal Leonard
For Horn. By Various. Instrumental Folio. Softcover. 160 pages. Published by ...(+)
For Horn. By Various.
Instrumental Folio.
Softcover. 160 pages.
Published by Hal Leonard
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 101 Hit Songs Viola Hal Leonard
For Viola. By Various. Instrumental Folio. Pop. Softcover. 160 pages. Pub...(+)
For Viola. By Various. Instrumental Folio. Pop. Softcover. 160 pages. Published by Hal Leonard (HL.197189).
$18.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 101 Hit Songs (Tenor Sax) Tenor Saxophone Hal Leonard
For Tenor Sax. By Various. Instrumental Folio. Softcover. 160 pages. Publishe...(+)
For Tenor Sax. By Various.
Instrumental Folio.
Softcover. 160 pages.
Published by Hal Leonard
$18.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 101 Hit Songs (Alto sax) Alto Saxophone Hal Leonard
For Alto Sax. By Various. Instrumental Folio. Softcover. 160 pages. Published...(+)
For Alto Sax. By Various.
Instrumental Folio.
Softcover. 160 pages.
Published by Hal Leonard
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 101 Hit Songs Flute Hal Leonard
For Flute. By Various. Instrumental Folio. Softcover. 160 pages. Published by...(+)
For Flute. By Various.
Instrumental Folio.
Softcover. 160 pages.
Published by Hal Leonard
$18.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Pop and Movie Hits A to Z Piano solo [Sheet music] - Easy Alfred Publishing
(45 Fun and Familiar Piano Arrangements (Big Note Piano)). Arranged by Carol Mat...(+)
(45 Fun and Familiar Piano Arrangements (Big Note Piano)). Arranged by Carol Matz. For Piano. This edition: Big Note Piano. Book; Piano Collection; Piano Supplemental. Movie; Pop. Big Note. 148 pages. Published by Alfred Music Publishing
$20.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| E-Z Play Today #360. More 100 Years of Song Easy Piano - Easy Hal Leonard
E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and...(+)
E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and electronic keyboard). Size 9x12 inches. 296 pages. Published by Hal Leonard.
$19.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Sing-Along Songs – Strum Together Ukulele Hal Leonard
Banjo; Baritone Ukulele; Guitar; Mandolin; Ukulele SKU: HL.1091718 For...(+)
Banjo; Baritone Ukulele; Guitar; Mandolin; Ukulele SKU: HL.1091718 For Ukulele, Baritone Ukulele, Guitar, Banjo & Mandolin. Composed by Various. Arranged by Mark Phillips. Strum Together. Classic Rock, Folk, Pop. Softcover. 144 pages. Published by Hal Leonard (HL.1091718). ISBN 9781705176030. UPC: 196288099345. 9.0x12.0x0.361 inches. Learning to play a musical instrument is one of the most satisfying experiences a person can have. Being able to play along with other musicians makes that even more rewarding! The Strum Together series enables players of five different instruments – or any combination of them – to “strum together†on 70 fabulous songs. The music for each song displays the chord diagrams for five instruments: ukulele, baritone ukulele, guitar, mandolin and banjo. The chord diagrams indicate basic, commonly used finger positions. More advanced players can substitute alternate chord formations. This new collection includes 70 sing-along classics: ABC • All of Me • Bad Moon Rising • Bennie and the Jets • Cat's in the Cradle • Cecilia • Dancing Queen • Don't Stop • Don't Stop Believin' • From Me to You • Hey, Soul Sister • Hooked on a Feeling • I Will Wait • Iko Iko • Learning to Fly • Listen to the Music • Lollipop • Me and Bobby McGee • One Love • Shake It Off • Stayin' Alive • Sugar, Sugar • Summer of '69 • Teenage Dream • Thank God I'm a Country Boy • Waiting on the World to Change • Yellow Submarine • and more. $19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 1712 Overture Orchestra Theodore Presser Co.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by PDQ Bach. Edited by Prof. Peter Schickele. Study Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576. Published by Theodore Presser Company (PR.416415760). UPC: 680160636532. 9 x 12 inches. The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams. $39.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 1712 Overture Orchestra Theodore Presser Co.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by PDQ Bach. Edited by Peter Schickele. Large Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576L. Published by Theodore Presser Company (PR.41641576L). UPC: 680160636549. 11 x 17 inches. The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams. $80.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Billy Joel: Billy Joel Complete
Piano, Vocal and Guitar [Sheet music] - Intermediate Hal Leonard
Performed by Billy Joel. Songbook for voice, piano and guitar chords. Volume 1 R...(+)
Performed by Billy Joel. Songbook for voice, piano and guitar chords. Volume 1 Revised. 304 pages. Published by Hal Leonard.
(17)$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Ukulele 5 Chord Songbook Ukulele - Beginner Hal Leonard | | |
| Top-Requested Modern Broadway Hits Piano solo - Easy Alfred Publishing
(23 of Today's Hottest Show Tunes (Easy Piano)). Arranged by Dan Coates. For Pia...(+)
(23 of Today's Hottest Show Tunes (Easy Piano)). Arranged by Dan Coates. For Piano. Book; Piano - Easy Piano Collection; Piano Supplemental. Top-Requested Sheet Music. Broadway. Easy Piano. 116 pages. Published by Alfred Music Publishing
$12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Anthony Newley, Leslie Bricusse: The Roar Of The Greasepaint - The Smell Of The Crowd Piano, Voice [Sheet music] Hal Leonard
Composed by Anthony Newley, Leslie Bricusse. For voice and piano. From the Broad...(+)
Composed by Anthony Newley, Leslie Bricusse. For voice and piano. From the Broadway musical. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics and chord names. Broadway and Vocal Standards. Series: Hal Leonard Richmond Music. 46 pages. 9x12 inches. Published by Hal Leonard.
(1)$12.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 100 Pop Solos For Saxophone Music Sales | | |
| 100 Pop Solos For Clarinet Clarinet Music Sales | | |
| 100 Pop Solos For Flute Music Sales | | |
| 100 Most Beautiful Movie Songs Piano solo Hal Leonard
Composed by Various. Piano/Vocal/Guitar Songbook. Movies. Softcover. Published...(+)
Composed by Various.
Piano/Vocal/Guitar Songbook.
Movies. Softcover. Published
by Hal Leonard
$37.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Easiest 5-finger Piano Collection: 45 All-time Fav Easy Piano Music Sales | | |
| First 50 Melodies You Should Play On Ukulele Ukulele Hal Leonard | | |
| 100 Years Of Popular Music 1990s Piano, Vocal and Guitar [Sheet music] - Intermediate Alfred Publishing
Edited by Zoby Perez. Piano/Vocal songbook (Piano/Vocal/Chords. Arrangements for...(+)
Edited by Zoby Perez. Piano/Vocal songbook (Piano/Vocal/Chords. Arrangements for piano and voice with guitar chords). 256 pages. Published by Alfred Publishing.
(1)$16.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| The Complete Keyboard Player: Anthology Piano solo Music Sales | | |
| Dip In 100 Graded Clarinet Solos Clarinet Music Sales | | |
| Best Songs Ever - Super Easy Piano Easy Piano - Easy Hal Leonard
By Various. Super Easy Songbook. Pop, Standards. Softcover. 122 pages. Publis...(+)
By Various. Super Easy
Songbook. Pop, Standards.
Softcover. 122 pages.
Published by Hal Leonard
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Anthology of Country Songs - Gold Edition Keyboard [Sheet music] Hal Leonard
(E-Z Play Today #347). By Various. E-Z Play Today. Softcover. 296 pages. Publish...(+)
(E-Z Play Today #347). By Various. E-Z Play Today. Softcover. 296 pages. Published by Hal Leonard
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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