SKU: HL.49001676
ISBN 9790001023054. 0.271 inches.
This valuable though seldom played early work from his Salzburg period contains the entire youthful charm of Mozart. It can be played without wind instruments whose parts are included in the strings. In this case, even the piano or harpsichord can be added as sound filler as was often done by Mozart himself when he conducted a work sitting at the respective instrument.
SKU: CL.013-0025-00
Note: This is a reprint from a vintage publication of 1891. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide. Due to the era of this work, saxophone and double-reed parts are not published. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.
SKU: BR.EOS-20828-16
The world premiere of the play L'Arlesienne with the incidental music by Georges Bizet was a notable failure not only for the playwright Alphonse Daudet, but also for the composer.
ISBN 9790004785454. 10 x 12.5 inches.
The two four-movement orchestral suites, in turn, are still thrilling concert-goers all over the world, ever since their first performances in 1872 and 1880 respectively. In 1998 and 2001, Lesley A. Wright presented the score and orchestral parts of the two repertoire pieces in an Urtext edition prepared for the first time on the basis of all relevant sources. Thus not only will the yellow Urtext angel be gracing the conducting score and orchestral parts, but, next to the standardized large format and new layout of the parts, there are other user-friendly improvements, such as practical page-turns, page-turn aids and intelligent cue notes.
SKU: KJ.WB183F
UPC: 8402703351.
Regal March Is A Majestic Work for the Beginning Bands. Simple Rhythms and Extensive Cross-Cueing Combine with Only nine Notes to Make This Piece Accessible to Every Member of the Band. As with all STANDARD OF EXCELLENCE IN CONCERT selections, an optional, easy-to-play rehearsal piano part is included. REGAL MARCH also includes two snare drum parts, one correlated with page 18, and one more advanced. On the recording, you will hear the part correlated with page 18.
About Standard of Excellence in Concert
The Standard of Excellence In Concert series presents exceptional arrangements, transcriptions, and original concert and festival pieces for beginning and intermediate band. Each selection is correlated to a specific page in the Standard of Excellence Band Method, reinforcing and expanding skills and concepts introduced in the method up to that point. Exciting parts with extensive cross-cueing are presented for every player. Accessible ranges, appropriate rhythmic challenges, and creative percussion section writing enhance the pedagogical value of the series.Sold individually, each In Concert selection includes a full Conductor Score and enough student parts for large symphonic bands. Each student part also includes correlated Warm-Up Studies. The Conductor Score comes complete with rehearsal suggestions, a composer biography, program notes, a rehearsal piano part, several ready-to-duplicate worksheets and a duplicable written quiz.
SKU: HL.14009823
English.
The biblical easter story retold with seven new songs and a whole tone instrumental piece. Suitable for Key Stages 2 and 3, for performance in schools and churches. If you need to license a school/youth theatre performance of this product, please use the online application form.
SKU: HL.49041184
ISBN 9790204000289. 8.25x11.75x0.265 inches.
SKU: CA.3117417
ISBN 9790007209704. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.
The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and part available separately - see item CA.3117400.
SKU: CF.YPS197
ISBN 9781491152171. UPC: 680160909674. Key: Eb major.
Chase the Horizon is a musical journey depicting a lonesome cowboy riding on his horse, chasing the horizon. Composer John Pasternak has delivered a strong and musically rewarding piece for the young band. It begins with a nice legato section before setting off on the journey with a tuneful theme. The piece develops through several contrasting sections finishing in a dramatic conclusion.This piece is a story of new beginnings. While writing this piece I pictured a lonely cowboy riding on his horse, chasing the horizon. The beginning for this piece should have a very legato feel except for the Xylophone part, which should use a very abrupt, staccato articulation. Measure 9 should take on a staccato and light feel. The feeling should remain light except for the instruments with the melody, who should play their parts with a more legato feel. Dynamics throughout this first section are crucial. All parts at m. 22 should play with a legato style with focus on the dynamics. The trumpet interjection at m. 25 should be played very light. At m. 32 there should be contrast with all the different styles of articulation. Measure 42 should not slow down too quickly as the group should not ever get slower than the tempo marking at m. 49.The slow section at m. 49 should be played soft with a legato style growing gradually through m. 61. The articulation at m. 61 should be short and staccato, and be careful not to rush. The sections with the melody here should contrast the staccato of the ensemble with a legato style. When the ensemble arrives at m. 78 the piece should have a maestoso-style feel. The rit. at m. 88 should not become slower than the tempo at m. 92. At m. 92, let the horns and saxophones really shine through.
SKU: KJ.WB211
CALYPSO VARIATIONS, uses syncopation throughout the work with the eight note/ quarter note/ eight note rhythm. Written in theme and variations form, this light and carefree melody is based on the West Indies folk song Tinga Layo. Use CALYPSO VARIATIONS to expand the multicultural and interdisciplinary horizons of students as you simultaneously develop their rhythmic and performance skills.
SKU: HL.49002084
ISBN 9790001022330. 9.25x12.0x0.446 inches.
Piano (harpsichord), 2 violins, bass and orchestra.
SKU: CA.5527804
ISBN 9790007244644. Language: English.
Handel's Utrecht Te Deum HWV 278 enthralled London audiences right from its first performance, and it continues to do so today in concert halls and churches all over the world. It was performed for the first time in a festive service on 13 July 1713 in St. Paul's Cathedral to celebrate the Peace marking the end of the twelve year-long War of the Spanish Succession in 1713. The Te Deum was the first commission by the English royal house and was also Handel's first sacred work in the English language. For Handel the Utrecht Te Deum was an important milestone at the beginning of his London career. The composition brought him an annual pension from Queen Anne and helped him to establish himself as a composer of prestigious music for the English royal family. Four further settings of the Ambrosian hymn of praise by Handel followed, including the equally popular Dettingen Te Deum (Carus 55.238). The six soloists required can in practice be reduced to four, and the Te Deum does not contain any stand-alone arias. The chorus is scored in five parts in a few movements (SSATB), with the concluding doxology beginning in double-choir scoring (SST/AATB). For this frequently-performed work Carus offers a musical text reflecting the latest scholarly discoveries. The Critical Report contains information on all the important facts about the work in a practicable, compact form. A detailed foreword contains insights into the creation of the work and its reception. The vocal score, chorus score, and orchestral parts provide for the needs of practical performance; these are complemented by carus music, the choir app for practising the choral parts, as well as the Carus Choir Coach practice CDs and a Vocal Score XL in reader-friendly large print.
SKU: CL.014-0063-00
Note: This is a reprint from a vintage publication of 1929. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.
SKU: KJ.WB285
UPC: 8402700366.
This delightful contest/festival piece is full of beautiful melodies and warm textures!
SKU: CA.3601919
ISBN 9790007096939. Language: German.
There is a lot to be said for the argument that the oratorio Wacht! Euch zum Streit gefasset macht, which has been handed down anonymously, is actually the only surviving Abendmusik from Dieterich Buxtehude and that he composed this work, also known as Das Jungste Gericht, for St. Mary's Church in Lubeck, where it was probably performed around 1683. For the first time this full-length work, with its richly contrasting style and dramatic action, is made accessible for performance in its original form. Ton Koopman reconstructed the parts which were missing from the source. Score and parts available separately - see item CA.3601900.
SKU: HL.14009042
Parts for Divertimento For Brass Quintet by Anders Koppel (2004). Commissioned by the Brass Ensemble of the Royal Danish Life Parts for Divertimento For Brass Quintet by Anders Koppel (2004). Commissioned by the Brass Ensemble of the Royal Danish Life.
SKU: HL.44013425
After he had survived a heavy sea storm, John Newton (1725-1807), captain of a slave ship, became a priest and from then on he fought for the abolition of slavery. During his tenure he wrote several hymns, of which Amazing Grace certainly is the best known. The melody assumedly derives from a song by the African slaves. Takashi Hoshide has written a compelling arrangement of this beautiful melody.
SKU: BP.2254D
Printed score and parts for full orchestra: Winds 2.1.2.2, 2 Tpts, 2 Hns, 2 Tbns, Tba, Percussion (1 or 2 players), and Strings.Brass parts differ from brass sextet parts; Percussion part is identical to brass/percussion version part.May be used with piano accompaniment (in choral score) or organ accompaniment (available separately).
SKU: KN.52220
Written in ABA form featuring funk shuffle and double-time swing styles, tenor sax gets the primary solo assignment here, though the solo section may be opened up for additional players if desired. With brass parts extending to G6 for trumpet and Ab4 for trombone, proficient players are required. Rhythm section parts are partially notated with chords cued. Duration 5:00.
SKU: CA.7007619
ISBN 9790007145545. Key: D flat major. Text language: Czech/German.
Score and parts available separately - see item CA.7007600.
SKU: CA.2719319
ISBN 9790007140427. Language: Latin/German.
The Te Deum, that was composed in 1832, is a convincing work with quick changes of expression and warm orchestral colors. Choruses, including a double chorus, alternate with arias and soloist ensembles, smooth woodwind sounds and an obbligato solo violin with orchestral tuttis and special sound combinations, e.g., in Tibi gloriosus for male voices, bassoons, contrabassoon and three trombones. Score and parts available separately - see item CA.2719300.
SKU: HL.4008947
UPC: 196288281764.
The Juvavum Fanfare was composed for the closing concert of the first part-time University course in Wind Orchestra Conducting at the renowned Mozarteum University Salzburg, which took place from 2019 to 2021 for the first time. This celebratory opening composition is dedicated to the esteemed course instructor and conductor, Martin Fuchsberger, as well as to all the graduates who successfully completed this program. The name of the fanfare, “Juvavum,” derives from the ancient Roman name for Salzburg. This connection to Salzburg is not only evident in the premiere of the piece at the Mozarteum Salzburg but also in its musical depth. Thematically, the initial fanfare and subsequent lyrical section draw from the melody of Salzburg's regional anthem, “Land uns'rer Väter.” The majestic fanfare echoes the opening intervals of this anthem. From bar 27 onward, a direct citation of the melodic theme can be heard. Both the fanfare motifs and the vocal lines of this anthem are eventually brought together in an exhilarating final ection. The Juvavum Fanfare is ideally suited to ceremonially open concerts and provides an engaging experience for both listeners and musicians alike due to its appropriate length.
SKU: AP.49064S
ISBN 9781470647858. UPC: 038081567075. English.
This multi-level piece includes a full set of parts for grade 2 as well as a full set for grade 4 ensembles. Mix and match the parts as you need---perfect for mixed-ability ensembles! The traditional bolero is a moderately slow dance in triple meter which originated in late 18th century Spain. Since then it has spread to other countries and become transformed in the process. The Cuban bolero became a bit faster in tempo and duple in meter. In the U.S. it became a staple of competitive ballroom dancing, even faster and in 4/4 time. Maurice Ravel's Boléro for orchestra harkens back to the slower Spanish dance in three. Wood's Bolero by Mark Wood, on the other hand, focuses on the American version but maintains elements of the dance's origins and first iterations. For string orchestra with optional rock rhythm section parts. (4:30)Download Play-Along Track
SKU: HP.C6300B
UPC: 763628263003.
Original anthem This original anthem centers on four biblical texts, each presented in a unique musical style - creating a dramatic composition for choir with optional brass quintet. The juxtaposition between major and minor tonality offers even more interest to the harmonies. Choirs will enjoy the contrast between fast and slow sections, which contribute to the dynamic impact of this powerful composition.
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