SKU: LM.25105
ISBN 9790230951050.
ALBERTI : Allemande - Le Cordelier - BEDARD : Valse n. 1 - Valse n. 2 - Valse n. 3 - CASTELLACCI : Anglaise - Deux valses - CASTRI : Contredanse - Monferine et variation - GUICHARD : Danse - Fanfare - LEMERCIER : Valse - PASTOU : Recreation n. 1 - Recreation n. 2 - Recreation n. 3 - PHILLIS : Valse - Largo - PORRO : Va t'en voir - Menuet italien - VILLERS Fils : Air gracieux - Allemande - Gigue - Romance n. 1 - Romance n. 2.
SKU: BT.MUSMS0253
Spanish.
Nuestro método se dirige a todos los que desean aprender a leer las notas en el pentagrama, en clave de Sol, para encontrarlas instantáneamente en el mástil de la guitarra. A lo largo de nuestras páginas y de forma muy progresiva Ud aprenderá primero a situar las notas que se encuentran en las líneas del pentagrama, en las interlíneas y en las líneas suplementarias. Añadiendo las alteraciones, cubrirá la primera postura en su conjunto. Podrá pasar entonces a la segunda postura y a la tercera y así dominar los doces primeros trastes de la guitarra. Un trabajo específico de lalectura con las alteraciones a la clave le pondrá entonces en situación real de lectura de una partitura. Y por último, un trabajo cuerda por cuerda le brindará la posibilidad de ir un poco más lejos en el mástil de la guitarra, lo que resultará útil en el toque en solo. Todos los ejercicios, sin ninguna excepción están a su disposición en el CD MP3 incluido en el método, o sea cerca de 250 grabaciones en total que le permitirán averiguar si ha acertado en su trabajo y lo harán más divertido. Nuestro método se dirige a todos los que desean aprender a leer las notas en el pentagrama, en clave de Sol, para encontrarlas instantáneamente en el mástil de la guitarra. A lo largo de nuestras páginas y de forma muy progresiva Ud aprenderá primero a situar las notas que se encuentran en las l neas del pentagrama, en las interl neas y en las l neas suplementarias. Añadiendo las alteraciones, cubrirá la primera postura en su conjunto. Podrá pasar entonces a la segunda postura y a la tercera y as dominar los doces primeros trastes de la guitarra. Un trabajo espec fico de la lectura con las alteraciones a la clave le pondrá entonces en situación real de lectura de una partitura. Ypor último, un trabajo cuerda por cuerda le brindará la posibilidad de ir un poco más lejos en el mástil de la guitarra, lo que resultará útil en el toque en solo. Todos los ejercicios, sin ninguna excepción están a su disposición en el CD MP3 incluido en el método, o sea cerca de 250 grabaciones en total que le permitirán averiguar si ha acertado en su trabajo y lo harán más divertido.
SKU: HL.49019327
ISBN 9783795747558. UPC: 841886018204. 9.0x12.0x0.2 inches.
This volume contains everything needed for guitar lessons: 58 easy original guitar pieces by Aguado, Mertz, Diabelli, Carulli, Sor or Carcassi, but also easy-to-play arrangements of classical music from the fields of orchestral music, chamber music or opera. Among them are themes from Vivaldi's Four Seasons, from Handel's Music for the Royal Fireworks, Mozart's Magic Flute, Beethoven's Symphony No. 9 or Verdi's Chorus of the Hebrew Slaves. It is this volume's concern to make classical masterpieces of concert literature accessible to children by means of such rather easy arrangements and make them enjoy classical music. All pieces are recorded on the accompanying CD to make it easier for the pupils to study and master the works.
SKU: IS.G6766EM
ISBN 9790365067664.
This sonata (WeissSW No. 52, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXXIII is a unique copy. It comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXXIII is in the fifth volume. It belongs to a group of large and mature Sonatas of the late â??productiveâ?? period of Weissâ??s life, probably after 1740. The Sonata has six movements: Ouverture , Courante assai moderato, Bourée, Siciliana (a slow dance, but more cheerful than a Sarabande), Menuet, and it ends with a Presto. The Ouverture substitutes the traditional Allemande. It is more complex in structure, and includes a Largo, an Allegro (in the style of a Fugue), and a Vivace. The use of tempo indications for French dance movements is characteristic for the later work of Weiss. Originally, the Sonata is written in C minor, a key appropriate for playing a Baroque lute tuned in the D minor chord. However it is rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to A minor. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.
SKU: IS.G6765EM
ISBN 9790365067657.
This sonata (WeissSW No. 4, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIV comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIV comes from Weissâ??s late â??productiveâ?? period, after 1730. The Sonata has six movements: Prelude, Ouverture (including allegro and largo), Courante, Bourée, Menuet and Gavotte. There is another copy of this Sonata, known as Parte (or Partita) no. 11, in a London Manuscript (British Library Ms. Add. 30387). The London Manuscript seems to be incomplete. It does not include a Menuet and a Gavotte. The Sonata in this Edition is based on the Dresden Manuscript. However, both the Prelude and the Bourée are coming from the London copy. The Dresden Prelude is regarded as spurious, and the London Bourée is more lively and in balance with the other movements. In a few passages of the Ouverture and the Courante I have made some adaptions on the basis of the London manuscript, to create the best of the two versions. In the Ouverture I have omitted the repeat indications. There are two Menuets in the Dresden Sonata. One has been crossed in the original manuscript with the accompanying note: ist nicht von Mr Weis. The other one has been added later, probably by the compiler of the volumes. The original London Prelude of this particular Sonata is composed in a â??simplifiedâ?? style; a common practice for adding preludes to lute sonatas in the 18th century. I have added the original example to my transcribed version. Perhaps it invites others to make their own arrangement. Originally, the Sonata is written in B flat major, a key often used by Weiss as it is appropriate for playing the lute. With the guitar, however, the key is rather awkward. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to G major. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.
SKU: YM.GTL01097129
ISBN 9784636971293.
25 Famous melodies for guitar solo. Players are able to listen the model performance on the smartphone through the QR cords attached to each page. 25Shou Ji Ta Du Zou Ming Qu . Yan Zou Zhe Ke Yi Tong Guo Sao Miao Er Wei Ma Shi Yong Zhi Neng Shou Ji Shi Ting Shi Fan Yan Zou . 1. Liszt: Liebestraum; 2. Debussy: La fille aux cheveux de lin; 3. Dvorak: Largo from A New Wrold Symphony; 4. Satie/Ju te veux; 5. Chopin: Prelude Op.28/7; 6. Haydn: Theme from 2nd movement of Kaiser Quartet; 7. Verdi: Triumphal March from Opera Aida; 8. Ravel: Bolero; 9. Massenet: Meditation from Opera Thais; 10. Borodin: Polovtsian Dances from Opera Prince Igor; 11. Moussorgsky: Promnade from Pictures at an Exhibition; 12. Smetana: Melody from Moldau; 13. Schubert: Melody from Trout Quintet; 14. Bach, J. S.: Prelude from Suite for Cello No.1; 15. Liszt: La campanella; 16. Paganini: Caprice No.24; 17. Tarrega: Adelita; 18. Tarrega: Etude No.1; 19. El Noi de la Mare; 20. Sanz: Canarios; 21. Tarrega: La'cryma Christi; 22. Sol: Waltz from 6 pieces; 23. Siciliano; 24. Londonderry Air; 25. Gershwin: Rapsody in Blue.
SKU: MB.WBM58M
ISBN 9781736363058. 8.75x11.75 inches.
A comprehensive collection of 172 guitar solos for the flatpick or plectrum guitarist. All solos are written in standard notation with accompanying online recordings by the author. The solos include beautiful American, British and Celtic airs and ballads, Celtic dance tunes, lute and early music, popular classical repertoire and contemporary etudes. Includes access to online audio.
SKU: HL.49010802
ISBN 9790001096478. UPC: 073999192773. 9.0x12.0x0.052 inches.
SKU: HL.14014313
SKU: HL.14003740
SKU: HL.14014607
SKU: HL.49006142
ISBN 9790001066709. 9.0x12.0x0.07 inches.
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