SKU: HL.14015279
ISBN 9780711995796.
This new Opera was first performed in 1998 in Huddersfield by Opera North. Designed for the modern stage, it utilises only a small cast and orchestra - albeit one with a good variety of percussion! The libretto is adapted by the composer from the play 'The Love of Don Pemperlin for Belisa in the Garden' by Feredico Garcia Lorca, translated into English by David Johnston. The plot revolves around the ill-fated marriage of Don Pemperlin, an ageing bachelor and his beautiful neighbour Belisa, which was suggested by Pemperlin's maid. Tricks and misunderstandings abound and because of them, Pemperlin ends by stabbing himself and dying even as Belisa proclaims her love for him.
SKU: HL.50499282
ISBN 9788875929534. UPC: 884088951375. 12x9 inches. Introduction by Francesco Giuntini.
Facsimile reproduction of the Johann Mattheson adaptation manuscript of Orlandini's opera score. Includes detailed introduction in Italian and English on the 1721 Venetian (Orlandini) and 1723 Hamburg (Mattheson) versions, as well as the original libretto by Agostino Piovene and adapted libretto by Mattheson.
SKU: HL.14012092
8.75x11.75x0.685 inches.
Adapted by McNaught.
SKU: BA.BVK01874
ISBN 9783761818749. 29 x 24.5 cm inches. Preface: Freedberg, David.
The subject of this pictorial and textual monograph is the relationship between opera and the enlightenment in Josephine Vienna of the 1780s. At that time Lorenzo Da Ponte was a poet at the imperial theater and wrote many librettos for the opera stage, including the three great operas for Mozart that form the heart of this volume: Le nozze di Figaro, Don Giovanni, and Cosi fan tutte . The book emerged from three exhibitions mounted by the Da Ponte Institute in the Mahler Room of the Vienna State Opera. A rare amalgam of pictures, quotations, and explanatory notes that sheds new light on this exciting decade.
SKU: HL.14006376
ISBN 9781844495023. 9.25x11.75x1.36 inches.
Opera in three acts, edited by Alan Curtis. This opera was first performed in Venice in 1666. It may with justice be considered to be the finest opera written between Monteverdi's 'Poppea' and the dramatic works of the mature Purcell. Having in 1983 presided over the first modern revival of 'Il Tito' in Innsbruck, the city of its original commissioning, Alan Curtis has now produced the first complete performing edition to be drawn from available sources.
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