SKU: JK.01589
Fifteen favorite closing hymns arranged for organ prelude in a continuous medley, allowing you to begin anywhere and end anywhere.Titles included in this volume: God Be With You Lord We Ask Thee Ere We Part Sing We Now at Parting Thy Spirit Lord Hath Stirred Before Thee Lord I Bow My Head As Shadows Falls Lord Dismiss Us Come Let Us Sing an Evening Hymn Abide With Me Father This Hour Has Been One of Joy We Have Partaken of Thy Love Great God to Thee The Lord Be with Us Now the Day is OverComposer: Various Arranger: Brent Jorgensen Difficulty: Medium.
SKU: HL.49045845
UPC: 841886033801.
New music on old instruments and new organ literature in dialogue with historical Iberian works. The present edition contains a collection of works, composed for an authentically rebuilt historical Spanish organ and covering a wide range of styles, which adds new sounds to the purely Baroque repertoire. With works by Jose Blasco de Nebra, Francisco Correa de Arauxo, Antonio de Cabezon, Pedro de Araujo, Antonio de Cabezon and new compositions by Guy Bovet, Michael Kapsner, Pavel Klimashevsky, Zsigmond Szathmary and Alfred Muller-Kranich. The new Spanish organ of the Hochschule fur Musik Mainz as an authentically rebuilt historical instrument from the workshop of the organ builder Joaquin Lois from Tordesillas in Castile shall both adequately reproduce early music and be a source of inspiration for contemporary music. For this reason, the Hochschule fur Musik Mainz commissioned five composers to write modern compositions according to the motto 'Early music in dialogue with New Music' which are a valuable addition to the repertoire of historical instruments of the 'Siglo de Oro'. Certain specifications had to be taken into account: e. g. a limited pitch range, half stops for treble and bass registers, the short octave as well as a mean-tone temperament. In addition, each composition is based on a work of the Iberian organ literature; sometimes, the work found its way into the new composition, sometimes, it only served as an inspiration. The pieces can also be played on a modern organ, although there is a special charm in playing and hearing them played on an appropriate historical instrument. Encompassing a broad range of styles, the resulting collection adds new sounds to the purely Baroque repertoire.
SKU: C4.9790-902250436
ISBN 9790902250436.
The origins of Marcel Dupre's Offertoire Il est ne, le divin Enfant lie in a gift from father to daughter. Marguerite (1909-63), a very capable pianist, married in 1948 and moved with her husband to Chevire-le-Rouge, near Angers. The church there had, according to Marguerite, a poor organ and no organist. She agreed to undertake the role, and in anticipation of playing for the Midnight Mass of Christmas in that same year, she asked her father to write a short offertoire in the style of Daquin. Marcel Dupre kindly arranged to have a small organ relocated from their residence in Meudon and the registration instructions in the score match the specification of this instrument. Our edition includes the specification of the Louis Bonn organ as well as minor editorial commentary.We are grateful for permission granted from Marcel Dupre's descendents for permission to make this work available to the general public.
SKU: CA.5014200
ISBN 9790007140816. Key: B flat minor. Language: all languages.
Josef Gabriel Rheinberger dedicated his 9th Organ Sonata (composed in May 1885) to Alexandre Guilmant, the indefatigable concertizing virtuoso who had already given the first Paris performance of Rheinberger's 1st Organ Concerto (in F major, op. 137). With opulent harmonies, conspicuously frequent tempo changes, and chords which are a true delight when played on a Cavaille-Coll organ, the rhapsodic Fantasie at the beginning of the 3rd movement certainly lives up to its name. The separate edition is taken from the Rheinberger Complete Edition.
SKU: GI.G-9823
UPC: 785147982364.
From prelude to interlude to moments of quiet meditation, these ten arrangements of classic and modern hymn tunes emulate the style of many master composers. They are great for use during the liturgical year, during worship services, or as concert repertoire. Contents: BLEST ARE THEY � CASTLEWOOD Choral Variations on Come to Us, Creative Spirit � COENA DOMINI Draw Near and Take the Body of the Lord � DUNDEE � DUNEDIN The Church of Christ, in Every Age � DUNSTAN Come to Me, O Weary Traveler � ROMANS 8 Shall Tribulation or Distress � SHARPTHORNE What Does the Lord Require � SOJOURNER I Want Jesus to Walk with Me � YADKINVILLE Air and Variations on Be Thou My Vision.
SKU: CA.1009900
ISBN 9790007018986. Language: German.
SKU: LO.70-2424L
ISBN 9780787778170.
The eight pieces in this collection by James Conely are inspired by seasons throughout the church year, offering pieces specifically for Advent, Christmas, Lent, Holy Week, Easter, and Ascension. Most are based on familiar tunes associated with those seasons, and the changing characters take us from the anticipation of Advent to the joy of Easter and Christ’s Ascension.
SKU: PE.EP66930
ISBN 9790300732053. Lat.
This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.
SKU: MN.12-128
UPC: 688670121289.
The three movements that make up Nocturnes, Book I are programmatic pieces that take as their points of departure a painting, the rhythms of a great city, and a poem. 1. The Starry Night is a written down improvisation based on Vincent van Goghs famous picture of the same name. The tonal material is a quite literal transformation of the visual elements of the painting: the melismatic cadenzas mirror van Goghs swirling starlight, and the powerful chords were suggested by the sinister trees that shoot upward to puncture the skys patterns. 2. Stovers Rag is a product of the ragtime revival of the early 1970s, when many composers tried their hand at writing concert rags. The New York night, which was not without its sinister element in those days, is expressed in an updating of the classic ragtime format. The piece looks backward as well, with the old French Baroque basse de trompette making an appearance in the trio section. 3. The Song of Shadows taps the nostalgic mood typical of the poetry of Walter de la Mare. The poem of the same name pictures a lone musician on a winter night, an dog sleeping before a sinking fire, and, at the end, the spirits that are summoned by music. The opening melody, played on an 8 flute with tremulant, suggests the blues-tinged sound of an alto saxophone, and throughout the movement the organs capacity for sustained tone is used to suggest and atmosphere of dreamy timelessness. The pieces were written in 1971 and first performed on July 2, 1972 at the National Shrine of the Immaculate Conception in Washington, DC, with the composer at the console.
SKU: CA.1009905
ISBN 9790007018993. Language: German.
Score available separately - see item CA.1009900.
SKU: M7.DOHR-13777
ISBN 9790202027776.
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