Concert Band (Score & Parts) - Grade 4

SKU: HL.48022566

Composed by Dana Wilson. Windependence Master Level. Concert, Festival. Softcover. Boosey & Hawkes #M051662913. Published by Boosey & Hawkes (HL.48022566).

UPC: 884088677732. 9x12 inches.

Beginning with silence and gradually building throughout to a powerful and dramatic close, this distinctive work from Dana Wilson explores the various facets of the word “awakening” as it applies to the waking of an individual, a day, or possibly even a philosophical idea. Wonderfully imaginative, Awakening... makes use of striking colors and sonic devices including surrounding the audience with percussion near the climatic finish. Duration: 5:00 (Grade 4)

Recorded by the Ithaca College Wind Ensemble – Stephen Peterson, conductor

The Book of Urizen is Jacob de Haan his first Symphony for concert band, solo soprano, and a male narrator in which sound collages of expressions are used. The piece is inspired by the compelling visionary poem of the samename (which the poet illustrated himself) by the Englishman William Blake (1757-1827). The Vision, first movement and The Creation, second movement of The Book of Urizen are available by following editionnumber: DHP 1043551. The Web, the third movement of The Book of Urizen is available by the following edition number: DHP 1125252. Download the audio samples here: track 1, track 2, track 3

In The Book of Urizen - Jacob de Haan zijn eerste symfonie voor harmonieorkest, zangstem (sopraan) en een mannelijke spreekstem - wordt gebruik gemaakt van geluidscollages. De compositie is ge nspireerd op het gelijknamigegedicht van William Blake (1757-1827). The Vision, het eerste deel en The Creation, het tweede deel van The Book of Urizen zijn beschikbaar via volgend editienummer: DHP 1043551. The Web, het derdedeel van The Book of Urizen is verkrijgbaar via editienummer: DHP 1125252. Download audiofragmenten hier: track 1, track 2, track 3

The Book of Urizen ist Jacob de Haan seine erste Symphonie für Blasorchester, Gesang (Sopran) und (männliche) Sprechstimme, in welcher Botschaften durch Geräuschcollagen wiedergegeben werden. Als Inspirationsquelle dienteder gleichnamige Gedichtzyklus des großen englischen Dichters und Malers William Blake (1757-1827). The Vision, erster Satz und The Creation, zweiter Satz von The Book of Urizen sind unter der folgendenEditionsnummer erhältlich: DHP 1043551. The Web, der dritte Satz von The Book of Urizen , ist unter der folgenden Editionsnummer erhältlich: DHP 1125252. Laden Sie hier die Audiosamples herunter: track 1, track 2,track 3

En 1794, l’écrivain, peintre, graveur, enlumineur, visionnaire et philosophe mystique anglais William Blake (1757-1827) dénonce dans The Book of Urizen (Le Livre d’Urizen), la loi de fer du monde moderne. Dans The Book ofUrizen - la première symphonie de Jacob de Haan pour Orchestre d’Harmonie, Soprano et un récitant - des collages sonores sont utilisés. The Vision, la première partie et The Creation, la deuxième partie de TheBook of Urizen sont disponibles sous le numéro d'éditionsuivant: DHP 1043551. The Web, la troisième partie de The Book of Urizen est disponible sous le numéro d'édition suivant: DHP 1125252. Télécharger lesextraits audio ici: track 1, track 2, track 3

The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustratedhimself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, areligious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can beplayed easily at the right moment. The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one,and that deities reside in human beings. In The Book of Urizen this is represented in “The Net of Religion,” which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin inJerusalem, the Holy City, where the afore-mentioned faiths “come together.” In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the “Eternals.” His vision is rejected,and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, “the flames of eternal fury,” and enwombs himself in his own world. Whenthe Eternals see Urizen in his “stony sleep,” they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizen’s world concrete form. In thesecond movement, The Creation, Urizen’s world, but also man, woman, and child are created. Los is horrified with the appearance of Urizen’s body. He mourns and pities Urizen, and from his blood a female form comes into being, with thename Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the “fallen world.” Orc is fed at Enitharmon’s breast,which makes a girdle of jealousy restrict Los’ chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles theface of Enitharmon from the sight of Urizen and Orc. She then populates the earth by giving birth to an enormous race.The Web, third movement of The Book of Urizen is now available: DHP 1125252

Arranged by John Robert Poe. For Piano. The FJH Piano Teaching Library. Contents include: The Huron Carol; Wake up, Pierre, Awaken; The Holly and the Ivy; I Saw Three Ships; Melchior and Balthazar; Joseph Dearest, Joseph Mine; While Shepherds Watched Their Flocks. Christmas. Level: Late Elementary. Book. Published by The FJH Music Company, Inc.

Choral (SAB Choir)

SKU: HL.1104111

Composed by Philip M. Hayden. Shawnee Sacred. General Worship, Sacred. Octavo. 8 pages. Duration 150 seconds. Published by Shawnee Press (HL.1104111).

ISBN 9781705176832. UPC: 196288101918. 6.75x10.5x0.019 inches. Psalm 108:2, Psalm 57.

Delightfully retro, here's a joyful opening for a traditional/transitional worship gathering. The theme is tossed back and forth between the voices before joining together in affirmations of the greatness of God. A driving piano accompaniment holds it all together with style!

By Jay Dawson. Score & Parts. Arrangers' Publ Concert Band. Grade 2.5. Arrangers' Publishing Company #C290. Published by Arrangers' Publishing Company

(Together We Sing Series). By Greg Gilpin. For Choral (SAB). Choral. 12 pages. Published by Shawnee Press

By Greg Gilpin. For Choral (SATB). Choral. 12 pages. Published by Shawnee Press

By Richard Strauss. For medium voice, piano. 1.Red Roses(Rote Rosen);2.The Awakened Rose(Die erwachte Rose);3.Meeting(Begegnung).Published for the first time(Eng-Ger). Published by C.F. Peters.

Discovery Level 2. Composed by Cristi Cary Miller. Discovery Choral. Octavo. 16 pages. Published by Hal Leonard (HL.226541).

By Judith Herrington. For Choral (2-Part). Henry Leck Creating Artistry. 12 pages. Published by Hal Leonard

Grade 3

SKU: CL.011-4980-00

Composed by Shaffer. Young Concert Band. Score and set of parts. C.L. Barnhouse #011-4980-00. Published by C.L. Barnhouse (CL.011-4980-00).

Picture the beginning of the cosmos in music - energy…searing dissonance…beauty…rhythmic diversity – David Shaffer’s Cosmic Awakenings has it all! This bold, expressive and innovative work makes an exciting addition to your next concert, and keep your performers motivated from rehearsal to performance. An extraordinary achievable composition with exciting parts for all players. Sure to be a hit with musicians and audiences alike!

Choir

SKU: WD.080689532238

Composed by Daniel Semsen. Arranged by Daniel Semsen. Choral. Sacred Anthem, Eastertide, General. Octavo. Word Music #080689532238. Published by Word Music (WD.080689532238).

UPC: 080689532238.

Open your Easter service with this lively, upbeat arrangement of the Phil Wickham favorite, Your Love Awakens Me. Arranged and orchestrated by Daniel Semsen, this anthem energetically declares how we’re awakened by the great and powerful love of Christ…a love that conquered sin and death, and woke up our spirits to be alive in Him and with Him!

Concert band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, Eb Clarinet*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Barit) - grade 5

SKU: CN.S11230

Composed by Geoffrey Brand. Arranged by Geoffrey Brand. Band Music. Score only. Duration 3:00. Published by G & M Brand Music Publishers (CN.S11230).

Music of enormous excitement and expectation - marked very animated - with brass blazing a powerful call against a tingling triplet figure in support. In Wagner's own words - awaken the mute lines of this score to bright surrounding life.

In a letter addressed to My dear Liszt, dated May 1852, Richard Wagner writes: It was you who awakened the mute lines of this score to bright surrounding life. He was referring to a performance of his opera Lohengrin which Franz Liszt conducted at the Weirner Court Theatre on August 28, 1850. The letter was sent from Zurich, since Wagner was exiled from Germany at this time. He had completed his romantic opera, Lohengrin, some five years earlier but doubted whether he would ever hear it performed. The action takes place in Antwerp in the first half of the 10th century. Elsa and Lohengrin are to be married and the 3rd Act opens as they proceed in great splendour, accompanied by their respective noblewomen and noblemen, to the cathedral. As a Prelude to the curtain rising Wagner unleashed music of enormous excitement and expectation - marked very animated - with brass blazing a powerful call against a tingling triplet figure in support. In the opera this magnificent Prelude leads directly into the Bridal Scene as Elsa and Lohengrin make their way solemnly to the betrothal ceremony. Wagner achieves this change of mood and atmosphere most skillfully. In arranging the Prelude for concert performance the challenge was to provide an ending which provides a satisfactory climax to Wagner's blaze of instrumental colour, without proceeding to the solemn betrothal music. This was resolved by using the composer's own mighty flourish to end Act I of his opera. Now, the gauntlet is thrown down to all who perform it to - in Wagner's own words - awaken the mute lines of this score to bright surrounding life..