SKU: SU.80101443

Man Proposes, but God Disposes (2008) was written for Rupert Gough and the Choir of Royal Holloway, University of London for premiere in November 2007 at the British Embassy in Washington, D.C. Royal Holloway is particularly noted for its large collection of excellent Victorian era paintings, the most famous of which is Man Proposes, God Disposes by Edwin Lanseer (1802-1873). Instrumentation: SATB Duration: 2008 Composed: 2'30 Published by: Zimbel Press.

SKU: HP.2977

UPC: 763628129774.

Eight Settings for 12 Bells Intended for the small ensemble, this collection includes 8 arrangements that have been written for the treble clef, F5-C7. They can be used for 3 to 6 ringers.

SKU: HL.379633

UPC: 196288018155. 6.75x10.5x0.034 inches. Isaiah 60:19-20, John 1:16, Psalm 18:2, Psalm 84:11.

A sweeping theme forms the basis of this inspirational paean of praise. The text is a series of descriptions declaring the divine attributes of God. As majestic as its noble thematic gesture, the music grows gradually until a magnificent final exclamation displays with confidence the phrase God of glory. An orchestral-like piano part builds a solid sonority as triplets drive the anthem forward with vigor and unrelenting confidence.

SKU: HL.299652

UPC: 888680957919. 5.0x5.0x0.185 inches. Galatians 2:20, I Corinthians 15:10, Philippians 2:13.

A simple melody that is easily absorbed appears unadorned, recounting the promises of God in the gospels. The second verse develops harmonically with parallel chords to sweep the listener up, while the bridge is a powerhouse of strong, traditional choral strength. Unapologetically Christ-centered, the message of the text is delivered clearly by the music with hymn-like dignity. Epic! Score and Parts (rhy, vn 1-2, va, vc, db) available as a digital download.

SKU: CA.3119213

ISBN 9790007210267. Text language: German/English.

The cantata Nun danket alle Gott (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poetic texts. Correspondingly, there are no recitatives either. It has only recently been assumed that this three-movement work was not intended for Leipzig, but was actually written in 1730 for Bach's prestigious position as Kapellmeister of Saxe-Weissenfels. The court of Duke Christian enjoyed the its sojourn in the newly-renovated castle of its secondary residence in Sangerhausen and, at Trinity, in the court church, celebrated the anniversary of its consecration with festive music. Bach evidently occasionally contributed to this. The work does not survive complete. Even in the 18th century a full score evidently no longer existed, just a set of parts, the tenor part of which is entirely missing. For the new edition the missing part has been reconstructed by Detlev Schulten (Leipzig). Score and part available separately - see item CA.3119200.