(Revised Edition - Piano Solo). Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Scheideler. For Piano Solo (Piano). Henle Music Folios. SMP Level 10 (Advanced). Softcover. 52 pages. G. Henle #HN592. Published by G. Henle

Piano SKU: HU.HN589 Composed by Johann Sebastian Bach. Edited by Ullrich Scheideler. Piano and Keyboard, Repertoire, Solos. Inventions and Sinfonias. Baroque, Classical. Softcover Book. 99 pages. G. Henle #HN589. Published by G. Henle

(Revised Edition without Fingering - Piano Solo). Composed by Johann Sebastian Bach (1685-1750). Edited by Ulrich Scheideler. For Piano Solo. Henle Music Folios. SMP Level 9 (Advanced). Softcover. G. Henle #HN1589. Published by G. Henle

SKU: HL.49008379

German/French Language. Edited by Giselher Schubert. This edition: Hardback/Hard Cover. Book. Edition Schott. Eine komplexe Einfuhrung in ein musikhistorisch relevantes Problemfeld mit signifikantem Bezug zur Gegenwart. Classical. 262 pages. Schott Music #ED 9311. Published by Schott Music (HL.49008379).

ISBN 9783795704339. UPC: 073999370621. 6.75x9.5x0.706 inches. German - French.

The volume concentrates on the characteristic agreements and differences in French and German music and musical development during the 20th century from an historico-aesthetic point of view. Particular attention is given to movements unique to one country such as Expressionism and Neue Sachlichkeit on the one hand and Musique concrete and Musique acousmatique on the other and the reasons for their lack of equivalent in the other country.

Piano - Grade 6

SKU: BT.WMP2001

08 Grade 6. Arranged by Josephine Koh. Studies & Exercises. Book Only. 44 pages. Wells Music Publishers #WMP2001. Published by Wells Music Publishers (BT.WMP2001).

ISBN 9789810579067. English.

Teachers' Choice, Piano Examination Pieces 2007-2008 for Grades 6 to 8 are specially compiled to provide teachers and students with good options for the ABRSM Piano examinations.

Contains a variety of relevantalternative choice pieces especially selected and edited by Josephine Koh and a team of experienced music teachers.

By Andreas Raselius. Edited by Hermann Stern / Herbert Nitsche. This edition: paperbound. Sacred, Motets; Choral Collections, Mixed Choir; Occasions: Peace and Justice, Baptism; Use during church year: Advent, Special Days, Epiphany, Easter and Eastertide, Pentecost, Trinity, Christmas. Collection. 184 pages. Published by Carus Verlag

Harpsichord; Orchestra (Study Score)

SKU: HL.51487383

Study Score. Composed by Johann Sebastian Bach. Edited by Maren Minuth, Norbert Mü, and llemann. Henle Music Folios. Classical, Concerto. Softcover. 55 pages. G. Henle #HN7383. Published by G. Henle (HL.51487383).

UPC: 196288308201. 6.75x9.5x0.198 inches.

Bach's harpsichord concertos have proven extremely popular, though several were originally written as concertos for another solo instrument - either violin or a woodwind instrument. But we know nothing about any such preliminary versions in the case of the A-major Concerto BWV 1055. Its enchantingly songlike middle movement inevitably makes one think of the oboe d�amore, though there is in fact no reason to suppose that its idiomatic, spirited harpsichord writing was conceived from the outset for anything but a keyboard instrument. Ultimately, this music is so fresh and irresistible that all such speculation is irrelevant. For this Henle Urtext edition of the A-major Concerto, we consulted the autograph score and especially the original orchestral parts that presumably contain the musical text of the concerto as Bach himself performed it. You can't get more authentic than this!

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Unlocking the Value of Music Education in the Age of Innovation. Composed by Elizabeth Sokolowski. Music Education. Book. 168 pages. GIA Publications #8357. Published by GIA Publications (GI.G-8357).

2-part Choir, assembly, cantor, keyboard, piano accompaniment, piano or keyboard, Bb instrument, cello, flute, clarinet

SKU: GI.G-012644

Composed by Kevin Keil. Advent. Sacred. Octavo. GIA Publications #012644. Published by GIA Publications (GI.G-012644).

Concert band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Soprano Clarinet 1-3, Eb Alto Clarinet, Bb Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Cornet (in Bb) 1-3, Trumpet (in Bb) 1/2, French Horn 1-4 , Trombone 1-3, Euphonium, Tuba, Stri) - grade 4

SKU: CN.S11242

Composed by Adam Gorb. Arranged by Michael Brand. Band Music. Score only. Duration 4:20. Published by G & M Brand Music Publishers (CN.S11242).

Scenes from an English Landscape is a brief nostalgic tone poem taking its inspiration from visions of rural England as depicted in the paintings of John Constable, the novels of Thomas Hard, and the music of Gustav Holst and Ralph Vaughan Williams. A chorale-like theme is stated in the brass and then taken up at three times the tempo in the woodwinds. At the end of the work, both versions of the theme are stated together to bring the piece to a triumphant climax.

This is a brief nostalgic tone poem taking its inspiration from visions of rural England as depicted in the paintings of John Constable, the novels of Thomas Hard, and the music of Gustav Holst and Ralph Vaughan Williams. I imagined a community of villagers coming out of church and filling a village square with their vibrant presence. A chorale-like theme is stated in the brass and then taken up at three times the tempo in the woodwinds. At the end o the work, both versions of the theme are stated together to bring the piece to a triumphant climax. Adam Gorb was born in Cardiff and started composing at the age of ten. His first work broadcast on national radio was written when he was fifteen. He studied at Cambridge University (1977-1980) and the Royal Academy of Music (1991-1993) where he graduated with the highest honours including the Principal's Prize. He has been on the staff at the London College of Music and Media, the junior Academy of the Royal Academy of Music and, since 2000 he has been the Head of School of Composition at the Royal Northern College of Music in Manchester . International recognition came in 1994 with the US Walter Beeler Prize for his work Metropolis . With it began what has developed into probably the most important wind ensemble catalogue by a contemporary composer, ranging from extremely challenging to the most accessible, at all technical levels, seized on by players internationally, widely recorded and now absolutely central to the world's wind repertoire. Equally important though are his works for dance, and concert pieces like the chamber orchestral Weimar , the Violin Sonata , a Clarinet Concerto for the Royal Liverpool Philharmonic Orchestra and Diaspora for strings (for the Goldberg Ensemble). Deceptively mainstream at first glance, they display the same inventive brilliance, pulsating sound world, striking use of rhythm and an undogmatic absence of stylistic hang-ups to embrace jazz and serialism in works where power, poetry, irony and pathos, often underlaid by a theatrical and deeply subversive element, coalesce in an integrated, highly individual musical voice. Gorb is also not afraid to draw on the vivid musical heritage of his Jewish roots, sometimes directly, often in a more subsumed or radically creative way. The crucial and consistent feature of Gorb's work though is that it communicates strongly without patronizing players or audiences. He firmly believes that if contemporary music - any music - does not impact on listeners then its message is irrelevant; it is lost.