SSS choir, [piano] - Level 3

SKU: CA.312280

Composed by Franz Xaver Wolfgang Mozart. Separate edition with choral collection. Secular choral music. Full score. Op. 29. Duration 3 minutes. Carus Verlag #CV 03.122/80. Published by Carus Verlag (CA.312280).

ISBN 9790007152314. Key: E flat major. Language: German.

Mozart's fragment with additions by Joseph Eybler and Franz Xaver S! mayr. By Wolfgang Amadeus Mozart. Edited by Leopold Nowak. For Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed Choir-SATB, Basset horn (2), Bassoon (2), Trumpet (2), Trombone (3), Kettledrum, Strings, Organ. Neue Mozart-Ausgabe, Serie I, Werkgruppe 1/2,2. Score; Urtext Edition; Complete Edition (cloth bound). KV 626. Duration 60`. Published by Baerenreiter-Ausgaben (German import). (BA4538 01)

KV 412 (386b) erster Satz - KV 417, 447, 495. Anhange. By Wolfgang Amadeus Mozart. Edited by Franz Giegling. For Horn Solo, Orchestra. Neue Mozart-Ausgabe. Serie V, Werkgruppe 14/5. Musikwissenschaft, Musikhandschriften, Klassik (Music Theory, Classical). Critical Commentary; Complete Edition (paperbound). Published by Baerenreiter-Ausgaben (German import). (BA4602 40)

SATB vocal soli, SATB choir, 2 basset horns, 2 bassoons, 2 contrabass, 3 trombones, timpani, 2 violins, viola, basso continuo

SKU: CA.5162605

Sussmayr-Version. Composed by Wolfgang Amadeus Mozart. Edited by Ulrich Leisinger. Arranged by Paul Horn, Franz Xaver Sussmayr. This edition: urtext. Stuttgart Urtext Edition: Mozart. REQUIEM (ARR. SUssMAYR). Innovative practice aids, Sacred vocal music, Requiem, Mourning, death. Choral Score. Composed 1791. KV 626. 32 pages. Carus Verlag #CV 51.626/05. Published by Carus Verlag (CA.5162605).

ISBN 9790007113100. Key: D minor. Language: Latin.

The history of the genesis of the Requiem is entwined with legends and anecdotes. The burdens of the composition and performance of La Clemenza di Tito and Die Zauberflote, and an acute infection led to the collapse and death of the composer following a short illness. Mozart left his wife in considerable debt. Constanze therefore turned to Mozart's friends, asking them to complete the fragment. After two failed attempts, the task passed to Mozart's pupil Franz Xaver Sussmayr, who completed the Requiem in the form known today, using working materials that are no longer extant, and perhaps verbal instructions from the composer. Today the Sussmayr version is still the most well known, and it is doubtless the one with the closest historical ties to Mozart. This work is now available in carus music, the choir app! Score available separately - see item CA.5162600.

SATB vocal soli, SATB choir, 2 basset horns, 2 bassoons, 2 contrabass, 3 trombones, timpani, 2 violins, viola, basso continuo

SKU: CA.5162609

Sussmayr-Version. Composed by Wolfgang Amadeus Mozart. Edited by Ulrich Leisinger. Arranged by Paul Horn, Franz Xaver Sussmayr. This edition: urtext. 1x 51.626/21 basset horn 1, 1x 51.626/22 basset horn 2, 1x 51.626/23 bassoon 1, 1x 51.626/24 bassoon 2, 1x 51.626/31 clarino 1, 1x 51.626/32 clarino 2, 1x 51.626/33 trombone 1, 1x 51.626/34 trombone 2, 1x 51.626/35 trombone 3, 1x 51.626/41 timpani. Stuttgart Urtext Edition: Mozart. REQUIEM (ARR. SUssMAYR). Innovative practice aids, Sacred vocal music, Requiem, Mourning, death. Set of Orchestra Parts. Composed 1791. KV 626. 88 pages. Carus Verlag #CV 51.626/09. Published by Carus Verlag (CA.5162609).

ISBN 9790007225216. Key: D minor. Language: Latin.

The history of the genesis of the Requiem is entwined with legends and anecdotes. The burdens of the composition and performance of La Clemenza di Tito and Die Zauberflote, and an acute infection led to the collapse and death of the composer following a short illness. Mozart left his wife in considerable debt. Constanze therefore turned to Mozart's friends, asking them to complete the fragment. After two failed attempts, the task passed to Mozart's pupil Franz Xaver Sussmayr, who completed the Requiem in the form known today, using working materials that are no longer extant, and perhaps verbal instructions from the composer. Today the Sussmayr version is still the most well known, and it is doubtless the one with the closest historical ties to Mozart. This work is now available in carus music, the choir app! Score and parts available separately - see item CA.5162600.

SATB vocal soli, SATB choir, 2 basset horns, 2 bassoons, 2 contrabass, 3 trombones, timpani, 2 violins, viola, basso continuo

SKU: CA.5162647

Sussmayr-Version. Composed by Wolfgang Amadeus Mozart. Arranged by Franz Xaver Sussmayr. Carus Choir Coach. REQUIEM (SUssMAYR).CCC. Requiem. Compact Disc. Composed 1791. KV 626. Carus Verlag #CV 51.626/47. Published by Carus Verlag (CA.5162647).

Key: D minor. Text language: Latin.

The history of the genesis of the Requiem is entwined with legends and anecdotes. The burdens of the composition and performance of La Clemenza di Tito and Die Zauberflote, and an acute infection led to the collapse and death of the composer following a short illness. Mozart left his wife in considerable debt. Constanze therefore turned to Mozart's friends, asking them to complete the fragment. After two failed attempts, the task passed to Mozart's pupil Franz Xaver Sussmayr, who completed the Requiem in the form known today, using working materials that are no longer extant, and perhaps verbal instructions from the composer. Today the Sussmayr version is still the most well known, and it is doubtless the one with the closest historical ties to Mozart. This work is now available in carus music, the choir app! Score available separately - see item CA.5162600.

SATB vocal soli, SATB choir, 2 basset horns, 2 bassoons, 2 contrabass, 3 trombones, timpani, 2 violins, viola, basso continuo

SKU: CA.5162648

Sussmayr-Version. Composed by Wolfgang Amadeus Mozart. Arranged by Franz Xaver Sussmayr. Carus Choir Coach. REQUIEM (SUssMAYR).CCC. Requiem. Compact Disc. Composed 1791. KV 626. Carus Verlag #CV 51.626/48. Published by Carus Verlag (CA.5162648).

Key: D minor. Text language: Latin.

The history of the genesis of the Requiem is entwined with legends and anecdotes. The burdens of the composition and performance of La Clemenza di Tito and Die Zauberflote, and an acute infection led to the collapse and death of the composer following a short illness. Mozart left his wife in considerable debt. Constanze therefore turned to Mozart's friends, asking them to complete the fragment. After two failed attempts, the task passed to Mozart's pupil Franz Xaver Sussmayr, who completed the Requiem in the form known today, using working materials that are no longer extant, and perhaps verbal instructions from the composer. Today the Sussmayr version is still the most well known, and it is doubtless the one with the closest historical ties to Mozart. This work is now available in carus music, the choir app! Score available separately - see item CA.5162600.

Chorus (with soloists) and orchestra (solos: SATB - choir: SATB - 0.0.0.2bassethn.2 - 0.2.3.0 - timp - org - str)

SKU: BR.PB-5210

Urtext - Completion based on Eybler/Suessmayr. Composed by Wolfgang Amadeus Mozart. Edited by H. C. Robbins Landon. Arranged by H. C. Robbins Landon. Choir; Softbound. Partitur-Bibliothek (Score Library).

In 1821 Sigismund Ritter von Neukomm closed Mozart's Requiem with the liturgically obligatory Libera me, Domine

Requiem; Classical. Full score. 188 pages. Duration 70'. Breitkopf and Haertel #PB 5210. Published by Breitkopf and Haertel (BR.PB-5210).

ISBN 9790004209417. 9 x 12 inches.

We sought to alter as little as possible the reconstruction of Freystadtler, Eybler and Sussmayr, and to present Mozart's largest sacred work as it was 'arranged' by his grieving and devoted pupils (1791-1792). (H. C. Robbins Landon)The Landon version of the Mozart Requiem, published by Mozart expert H. C. Robbins Landon, was a milestone. In his meticulously edited work, Landon incorporated latest research in an attempt to take the contributions of all the three Mozart pupils Franz Xaver Sussmayr, Joseph Eybler and Franz Jakob Freystadtler into account for the first time. The edition presents the unfinished masterpiece in a version that comes as close as possible to the state in which it was found in 1791/92, a concept that has proven itself repeatedly in performance. The Landon version is ideal for all who want to perform Mozart's Requiem today in this historical form and wish to use neither the traditional Sussmayr version nor modern-day reconstructions or new compositional attempts. NB: piano reduction and choral score can be used for both versions.

In 1821 Sigismund Ritter von Neukomm closed Mozart's Requiem with the liturgically obligatory Libera me, Domine.