| Maria, Regina Pacis Choral 3-part SAB - Easy GIA Publications
SAB choir, cantor, assembly, keyboard accompaniment, trumpet 1 in B-flat, trumpe...(+)
SAB choir, cantor, assembly, keyboard accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, trombone 1, trombone 2, guitar, 3 octaves handbells, flute - Early intermediate SKU: GI.G-10454 Mary, Queen of Peace. Composed by Christian Cosas. Advent. Celebration Series. Sacred. Octavo. With guitar chord names. 16 pages. GIA Publications #10454. Published by GIA Publications (GI.G-10454). UPC: 785147045410. English, French, German, Italian, Latin, Portuguese, Spanish, Tagalog. $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Das Will Ich Wissen(keybd Theory) 2 - Beginner Schott
Keyboard - very easy SKU: HL.49015508 Musikalisches Grundwissen rund u...(+)
Keyboard - very easy SKU: HL.49015508 Musikalisches Grundwissen rund um das Keyboard. Composed by Ilse Lintzen and Maria Swoboda. Arranged by Ilse Lintzen. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Textbook. 68 pages. Schott Music #ED 8588. Published by Schott Music (HL.49015508). ISBN 9783795754310. German. Praktische Einfuhrung in die Musiklehre fur Keyboard-Anfanger. Systematischer Aufbau. Notenschreiben, Notenlesen, Infos zum Instrument, viele spielerische Ubungsaufgaben, Akkordtabellen, musikalische Ratsel. Hervorragend als Aufgabenheft geeignet. Das ideale Erganzungsheft zu allen Keyboardschulen. Grundwissen - spielerisch vermittelt. $19.99 - See more - Buy online | | |
| Hildegard Motets (Loefberg) Choral 2-part SA, Piano [Octavo] - Intermediate Treble Clef Music Press
By Lofberg, Maria. For SA. Other sacred. Level: Medium. Published by Treble Clef...(+)
By Lofberg, Maria. For SA. Other sacred. Level: Medium. Published by Treble Clef Music Press.
$2.85 $2.7075 (5% off) See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 12 Sonatas for Flute and Basso Continuo, Op. 2 - Volume 2 Recorder, Bass Continuo EMB (Editio Musica Budapest)
By Benedetto Marcello. Arranged by Istvan Mariassy. EMB. Size 9x12 inches. 54 pa...(+)
By Benedetto Marcello. Arranged by Istvan Mariassy. EMB. Size 9x12 inches. 54 pages. Published by Editio Musica Budapest.
$27.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Regina caeli (O Himmelskonigin) (Queen of heaven) Choral SSAATTBB SSAATTBB A Cappella [Score] Carus Verlag
Marianische Antiphon. By Damijan Mocnik. For SSAATTBB Choir. Contemporary choral...(+)
Marianische Antiphon. By Damijan Mocnik. For SSAATTBB Choir. Contemporary choral music; Occasions: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Score. Language: Latin. Composed 2000. 8 pages. Duration 4 min. Published by Carus Verlag (German import).
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| Requiem Orchestra [Study Score / Miniature] Schott
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (St...(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (Study Score) SKU: HL.49018099 Boy Soprano, Soprano, Tenor, Flugelhorn, Mixed Chorus, and Chamber Orchestra Study Score. Composed by Harald Weiss. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. Composed 2008/2009. 188 pages. Duration 100'. Schott Music #ED20619. Published by Schott Music (HL.49018099). ISBN 9790001158428. UPC: 884088567347. 8.25x11.75x0.457 inches. Latin - German. On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of 'letting go'. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: 'I will return the key of my door'. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though 'in an ocean' of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: 'So teach us to number our days, that we may apply our hearts unto wisdom'. This cannot be expressed more plainly.I have begun the requiem with a solo boy's voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent 'lux aeterna'. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: 'Entreiss dich, Seele, nun der Zeit, entreiss dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen' ['Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morning'] and later: 'Und die Seele unbewacht will in freien Flugen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben' ['And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfold']. Or Joseph von Eichendorff whose text evokes a distant song in his lines: 'Und meine Seele spannte weit ihre Flugel aus. Flog durch die stillen Lande, als floge sie nach Haus' ['And my soul spread its wings wide. Flew through the still country as if homeward bound.']Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven's late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my 'renewed' occupation with the 'old' country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a 'homecomer'. Harald WeissColonia de San PedroMarch 2009. $93.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Un siecle de chansons francaises 1939-1949 Piano, Vocal and Guitar [Score] Beuscher | | |
| Marienlieder für Frauenchor - Intermediate EMB (Editio Musica Budapest)
Upper Voices a Cappella - Grade 3 SKU: BT.EMBZ14461 Composed by Miklos Ko...(+)
Upper Voices a Cappella - Grade 3 SKU: BT.EMBZ14461 Composed by Miklos Kocsar. Hymns & Chorals. Book Only. Composed 2006. 36 pages. Editio Musica Budapest #EMBZ14461. Published by Editio Musica Budapest (BT.EMBZ14461). Latin. Hungary has a thousand-year-old tradition of reverence for the Virgin Mary. In the course of the centuries the Church has found more and more occasions for the celebration of Mary. The greatest is the celebration of Mary?s assumption into heaven, which coincides with the anniversary of the death of Saint Stephen, on August 15. The texts of these choral works originate from various supplicatory prayers from the office, vocal texts and hymns. The six choral works don?t form a cycle, since the texts are associated with different liturgies. The choruses: Regina caeli ? antiphon for Easter, Sub tuum praesidium ? antiphon, Maria Mater gratiae ? short hymn, Ave Regina caelorum ?antiphon for Lent, Ave maris stella ? Hymn to Mary, Virgo parens Christi benedicta ? responsorium, can be sung singly or in any combination. $8.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| O Sanctissima Choral 3-part SAB, Piano GIA Publications
SAB choir, keyboard accompaniment, 2 C instruments SKU: GI.G-008773 Av...(+)
SAB choir, keyboard accompaniment, 2 C instruments SKU: GI.G-008773 Ave, Blessed One. Composed by Alan Hommerding. Edited by Alan Hommerding. Arranged by Ludwig van Beethoven. Christmas, Advent 4 Year B. Sacred. Octavo. 8 pages. GIA Publications #008773. Published by GIA Publications (GI.G-008773). UPC: 641151087733. Latin, english. This edition by Alan Hommerding contains a new English text as well as a pair of C instruments added to the choral and accompaniment setting of this Sicilian tune by Beethoven. Rediscover this classic piece in this new charming and accessible setting. (The Latin is original with an English text underlay. Charmingly set by Beethoven and originally published for SAB choir and keyboard.) Ideal for Marian feasts. $1.40 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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| Empuries (Partitura) Editorial de Musica Boileau
Orchestra and Cobla SKU: BO.B.3260 Composed by Josep Ma Ruera. Instrument...(+)
Orchestra and Cobla SKU: BO.B.3260 Composed by Josep Ma Ruera. Instrumental Sets. Duration 40:52. Published by Editorial de Musica Boileau (BO.B.3260). ISBN 9788480207584. English comments: Empuries is the result of the interest Ruera showed throughout his life for the culture and music of ancient Greece. As he himself writes in the introduction to the composition: The motives behind this work were inspired by contemplating and analysing the melos of ancient Greece. The few melodies that have been discovered from those far-off times inspired the composer of Empuries to create this work, conceived with the Greek modal system in mind, and adapted to modern instruments and tastes. The tetrachord and pentachords of these forms are the very bases of this work. The descending drift of the cadence, the harmonic priority of the upper and lower notes of the tetrachords and the displacement of these chords to different acoustic levels, make it impossible to specify the classic concept of a set tonality which, within the improvised musical working of the piece, leads to a naturally intertonal or atonal piece of music. Empuries came to light in 1971, when it won group A of the Ciutat de Barcelona prize. But one must, in fact, go back to the 1930s to find its true origins. Ruera made his first foray into the theme of ancient Greece with the sardana, Empuries, la grega, with which he won first prize in the Jocs Florals in Girona, in 1931. Shortly afterwards, he wrote a piece of organ music entitled Bucolics, in the Greek modal style, which was destroyed during the Spanish civil war. Ruera continued to work on the theme and in 1936 he presented his work Tres moviments simfonics, for a big band, inspired by the ancient Greek modes, at the XIV International Festival of the ISCM held in Barcelona. The work was chosen to debut in the festival's opening concert on 19 April 1936 at Palacio de Bellas Artes in Barcelona. In 1959, Ruera won the Pau Casals Prize at the Jocs Florals de la Llengua Catalana, held at the Sorbonne in Paris, for his work, Empuries: poema per a cobla i orquestra, which would later become the fourth movement of Empuries. Nine years later, in 1968, Barcelona City Orchestra, conducted by Antoni Ros Marba, gave the first ever performance of the symphonic poem Pastoral, written to be the first movement of Empuries, in Granollers. The final step was when he finally completed the work, won the Ciutat de Barcelona prize, opened in Granollers on 2 May 1976 and recorded it for the Columbia de Barcelona label in 1977. Anna Maria Piera
Comentarios del Espanol: La obra Empuries es fruto del interes que el maestro Ruera demostro a lo largo de su vida por la cultura y la musica de la antigua Grecia. Como el mismo escribe en la cabecera de la composicion: Los motivos generadores de esta obra estan inspirados en la contemplacion y en el analisis del melos de la antigua Grecia. Las pocas melodias que hasta el momento se han podido descubrir de aquellos tiempos remotos sugieren al autor de Empuries la realizacion de esta obra, concebida pensando en el sistema modal griego, adaptado a los instrumentos y gustos modernos. Los tetracordes y pentacordes de dichas modalidades son las celulas en las que se basa la obra. El sentido descendiente de la cadencia, la prioridad armonica de la notas extremas de los tetracordes y el desplazamiento de estos acordes a varias alturas acusticas, hacen que no sea posible precisar el clasico concepto de una tonalidad determinada y que lleven, dentro del funcionamiento contrapuntistico, a una musica naturalmente intertonal o atonal. Empuries vio la luz en el ano 1971, ganando el Premio Ciutat de Barcelona, grupo A, pero en realidad tenemos que retroceder hasta los anos 30 para encontrar sus verdaderos origenes. La primera incursion en el tema de la antigua Gracia la hizo con la sardana Empuries, la grega, con la que gano el primer premio en los Jocs Florals de Gerona del ano 1931. Poco despues escribio una pieza para organo titulada Bucolics, en el estilo modal griego, que fue destruida durante la Guerra Civil espanola. Ruera continuo trabajando en el tema y en el ano 1936 presento su obra Tres moviments simfonics, en version para gran banda, inspirada en las antiguas modalidades griegas, en el XIV Festival Internacional de la SIMC que se celebro en Barcelona. La obra fue escogida para ser estrenada en el concierto inaugural de dicho festival, el 19 de abril de 1936, en el Palacio de Bellas Artes de Barcelona. En el 1959, Ruera gano el Premio Pau Casals en los Jocs Florals de la Llengua Catalana celebrados en la Sorbona de Paris con la obra Empuries: poema per a cobla i orquestra, que sera con el paso del tiempo el cuarto movimiento de Empuries. Nueve anos mas tarde, en 1968, la Orquestra Ciutat de Barcelona, bajo la direccion de Antoni Ros Marba, interpreto en Granollers la primera audicion del poema sinfonico Pastoral, pensado como primer movimiento de Empuries. El ultimo eslabon fue terminar definitivamente la obra, ganar el Premio Ciutat de Barcelona, estrenarla en Granollers el 2 de mayo de 1976 y grabarla para la casa discografica Columbia de Barcelona, en 1977. $42.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Easiest Keyboard Collection: Top Chart Hits Piano solo Music Sales | | |
| Gaudete, gaudete Choral SATB SATB, Organ CanticaNOVA Publications
Composed by Colin Brumby. Delightfully easy Christmas anthem. Christmas. Octavo....(+)
Composed by Colin Brumby. Delightfully easy Christmas anthem. Christmas. Octavo. Published by CanticaNOVA Publications (C5.5059).
$1.25 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| La cultura del Fortepiano (The Culture of the Fortepiano) Ut Orpheus
Books and Journals; Piano SKU: UT.QC-3 Die Kultur des Hammerklaviers 1...(+)
Books and Journals; Piano SKU: UT.QC-3 Die Kultur des Hammerklaviers 1770-1830. Atti del Convegno internazionale di studi (Rome, 26-29 May 2004). Free bonus CD. Edited by Richard Bösel. Hardback (Cloth Hard Cover with Jacket). Quaderni Clementiani. Classical. Books and Journals. Ut Orpheus #QC 3. Published by Ut Orpheus (UT.QC-3). ISBN 9788881094639. 6.5 x 9.5 inches. Performed by Arthur Schoonderwoerd. Saggi di Rudolf Angermüller, Bianca Maria Antolini, Luca Aversano, Otto Biba, Ala Botti Caselli, Anik Devriès-Lesure, Arnfried Edler, Markus Engelhardt, Christoph Flamm, Anselm Gerhard, Rudolf Hopfner, Roberto Illiano, Janina Klassen, Laurence Libin, Elena Previdi, Rudolf Rasch, Massimiliano Sala, Guido Salvetti, Duane White, Christian Witt-Dörring
This volume offers the reader a journey into the highways and byways of the culture of the pianoforte, covering certain new aspects. The range of themes treated is vast, proof of the central nature of the instrument in European musical life on the cusp of the eighteenth and nineteenth centuries. On the basis of original research, investigations have been made into the different ways in which the spread of instruments and printed music occurred; into the movements of musicians circulating from one end of Europe to the other; into the circulation of genres, forms, musical styles and stylistic elements conveyed including through the teaching of the instrument; into the presence of the pianoforte in the European literature and the arrangements for instruments at the beginning of the nineteenth century; into the role of the pianoforte in certain important centres in Europe and the United States. A rich period for European music, therefore, in which the opportunities for contact and mutual exchange among the musicians were particularly intense and in which the pianoforte acted as a catalyst in private and public musical life in all the cities of Europe. The volume comes with the bonus of a CD, appositely providing pianoforte sonatas by Cramer, Hummel, Eberl and Beethoven. $103.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Solvite, solvite ClarNan Editions
By Maria Xaveria Peruchona (1652-1709). Edited by Barbara Jackson. Soprano voice...(+)
By Maria Xaveria Peruchona (1652-1709). Edited by Barbara Jackson. Soprano voice, 2 violins, organ continuo. For Soprano voice, 2 violins, organ continuo. Solo motet for Soprano, 2 violins, and organ. Solo motet with Latin text. Sacred, Baroque. Adult. Sh. Sacred, Baroque.
$12.00 - See more - Buy online | | |
| Te Deum in D a due cori Choral SATB Carus Verlag
SSATB vocal soli, SATB/SATB choir, 2 flutes, 2 oboes, 4 trumpets, timpani, 2 vio...(+)
SSATB vocal soli, SATB/SATB choir, 2 flutes, 2 oboes, 4 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.2719712 Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition. Violin 2. Sacred vocal music, Praise and thanks. Single Part, Violin 2. ZWV 146. 16 pages. Duration 28 minutes. Carus Verlag #CV 27.197/12. Published by Carus Verlag (CA.2719712). ISBN 9790007200954. Language: Latin. Two settings of the Te Deum by Jan Dismas Zelenka have been survived: the Te Deum in D major ZWV 145 of ca. 1724 and the present Te Deum a due cori in D major ZWV 146, which was composed in 1731. Whereas the Te Deum ZWV 145 is scored for five voices (soli e tutti) and an orchestra including two trumpets and timpani, the setting of the Te Deum a due cori, which includes five soloists and two four-part choirs, as well as four trumpets and timpani, and soloistic flauti traversi is magnificently realized in a more decisive manner. The large, solemn scoring suggests that the work was composed for a worship service on the occasion of the birth of the Electoral Princess Maria Josepha of Saxony. Score and part available separately - see item CA.2719700. $9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Te Deum in D a due cori Choral SATB Carus Verlag
SSATB vocal soli, SATB/SATB choir, 2 flutes, 2 oboes, 4 trumpets, timpani, 2 vio...(+)
SSATB vocal soli, SATB/SATB choir, 2 flutes, 2 oboes, 4 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.2719749 Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition. Organ. Sacred vocal music, Praise and thanks. Single Part, Organ. ZWV 146. 20 pages. Duration 28 minutes. Carus Verlag #CV 27.197/49. Published by Carus Verlag (CA.2719749). ISBN 9790007164874. Language: Latin. Two settings of the Te Deum by Jan Dismas Zelenka have been survived: the Te Deum in D major ZWV 145 of ca. 1724 and the present Te Deum a due cori in D major ZWV 146, which was composed in 1731. Whereas the Te Deum ZWV 145 is scored for five voices (soli e tutti) and an orchestra including two trumpets and timpani, the setting of the Te Deum a due cori, which includes five soloists and two four-part choirs, as well as four trumpets and timpani, and soloistic flauti traversi is magnificently realized in a more decisive manner. The large, solemn scoring suggests that the work was composed for a worship service on the occasion of the birth of the Electoral Princess Maria Josepha of Saxony. Score and part available separately - see item CA.2719700. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Te Deum in D a due cori Choral SATB Carus Verlag
SSATB vocal soli, SATB/SATB choir, 2 flutes, 2 oboes, 4 trumpets, timpani, 2 vio...(+)
SSATB vocal soli, SATB/SATB choir, 2 flutes, 2 oboes, 4 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.2719714 Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition. Basso continuo. Sacred vocal music, Praise and thanks. Single Part, basso continuo. ZWV 146. 12 pages. Duration 28 minutes. Carus Verlag #CV 27.197/14. Published by Carus Verlag (CA.2719714). ISBN 9790007200978. Language: Latin. Two settings of the Te Deum by Jan Dismas Zelenka have been survived: the Te Deum in D major ZWV 145 of ca. 1724 and the present Te Deum a due cori in D major ZWV 146, which was composed in 1731. Whereas the Te Deum ZWV 145 is scored for five voices (soli e tutti) and an orchestra including two trumpets and timpani, the setting of the Te Deum a due cori, which includes five soloists and two four-part choirs, as well as four trumpets and timpani, and soloistic flauti traversi is magnificently realized in a more decisive manner. The large, solemn scoring suggests that the work was composed for a worship service on the occasion of the birth of the Electoral Princess Maria Josepha of Saxony. Score and part available separately - see item CA.2719700. $9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Te Deum in D a due cori Choral SATB Carus Verlag
SSATB vocal soli, SATB/SATB choir, 2 flutes, 2 oboes, 4 trumpets, timpani, 2 vio...(+)
SSATB vocal soli, SATB/SATB choir, 2 flutes, 2 oboes, 4 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.2719709 Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Arranged by Paul Horn. This edition: urtext. 1x 27.197/21 flute 1, 1x 27.197/22 flute 2, 1x 27.197/23 oboe 1, 1x 27.197/24 oboe 2, 5x 27.197/31 trumpet 1-4 and timpani. Stuttgart Urtext Edition. Harmony parts. Sacred vocal music, Praise and thanks. Set of Orchestra Parts. ZWV 146. Duration 28 minutes. Carus Verlag #CV 27.197/09. Published by Carus Verlag (CA.2719709). ISBN 9790007200930. Language: Latin. Two settings of the Te Deum by Jan Dismas Zelenka have been survived: the Te Deum in D major ZWV 145 of ca. 1724 and the present Te Deum a due cori in D major ZWV 146, which was composed in 1731. Whereas the Te Deum ZWV 145 is scored for five voices (soli e tutti) and an orchestra including two trumpets and timpani, the setting of the Te Deum a due cori, which includes five soloists and two four-part choirs, as well as four trumpets and timpani, and soloistic flauti traversi is magnificently realized in a more decisive manner. The large, solemn scoring suggests that the work was composed for a worship service on the occasion of the birth of the Electoral Princess Maria Josepha of Saxony. Score and parts available separately - see item CA.2719700. $49.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Te Deum in D a due cori Choral SATB Carus Verlag
SSATB vocal soli, SATB/SATB choir, 2 flutes, 2 oboes, 4 trumpets, timpani, 2 vio...(+)
SSATB vocal soli, SATB/SATB choir, 2 flutes, 2 oboes, 4 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.2719711 Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition. Violin 1. Sacred vocal music, Praise and thanks. Single Part, Violin 1. ZWV 146. 16 pages. Duration 28 minutes. Carus Verlag #CV 27.197/11. Published by Carus Verlag (CA.2719711). ISBN 9790007200947. Language: Latin. Two settings of the Te Deum by Jan Dismas Zelenka have been survived: the Te Deum in D major ZWV 145 of ca. 1724 and the present Te Deum a due cori in D major ZWV 146, which was composed in 1731. Whereas the Te Deum ZWV 145 is scored for five voices (soli e tutti) and an orchestra including two trumpets and timpani, the setting of the Te Deum a due cori, which includes five soloists and two four-part choirs, as well as four trumpets and timpani, and soloistic flauti traversi is magnificently realized in a more decisive manner. The large, solemn scoring suggests that the work was composed for a worship service on the occasion of the birth of the Electoral Princess Maria Josepha of Saxony. Score and part available separately - see item CA.2719700. $9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Te Deum in D a due cori Choral SATB Carus Verlag
SSATB vocal soli, SATB/SATB choir, 2 flutes, 2 oboes, 4 trumpets, timpani, 2 vio...(+)
SSATB vocal soli, SATB/SATB choir, 2 flutes, 2 oboes, 4 trumpets, timpani, 2 violins, viola, basso continuo SKU: CA.2719700 Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition. Sacred vocal music, Praise and thanks. Full score. ZWV 146. Duration 28 minutes. Carus Verlag #CV 27.197/00. Published by Carus Verlag (CA.2719700). ISBN 9790007164133. Language: Latin. Two settings of the Te Deum by Jan Dismas Zelenka have been survived: the Te Deum in D major ZWV 145 of ca. 1724 and the present Te Deum a due cori in D major ZWV 146, which was composed in 1731. Whereas the Te Deum ZWV 145 is scored for five voices (soli e tutti) and an orchestra including two trumpets and timpani, the setting of the Te Deum a due cori, which includes five soloists and two four-part choirs, as well as four trumpets and timpani, and soloistic flauti traversi is magnificently realized in a more decisive manner. The large, solemn scoring suggests that the work was composed for a worship service on the occasion of the birth of the Electoral Princess Maria Josepha of Saxony. $114.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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