SKU: HL.14020255
6.5x9.75x0.134 inches.
This work was commissioned by the Chester Summer Music Festival for Stephen Wilkinson and the BBC Northern Singers. The first performance was given as part of a concert at Chester Town Hall on 23 July 1980.
SKU: HL.1361688
UPC: 196288192985. 6.75x10.5x0.029 inches.
This upbeat song from Rio 2 is pure joy! Celebrate the uniqueness in all of us as we're reminded, like a tapestry of colors, beauty is found in every part, and that have more in common with one another than we realize.
SKU: HL.194659
ISBN 9781495073892. UPC: 888680641757. 9.0x12.0x0.262 inches.
It's super easy! This series features accessible arrangements for piano, with simple right-hand melody, letter names inside each note, basic left-hand chord diagrams, and no page turns. This edition includes 60 hymns: All Creatures of Our God and King • Amazing Grace • Be Thou My Vision • Beautiful Savior • The Church's One Foundation • Crown Him with Many Crowns • For the Beauty of the Earth • I Love to Tell the Story • It Is Well with My Soul • Just As I Am • A Mighty Fortress Is Our God • Nearer, My God, to Thee • O Worship the King • Rock of Ages • 'Tis So Sweet to Trust in Jesus • We Gather Together • What a Friend We Have in Jesus • When I Survey the Wondrous Cross • and many more.
SKU: LO.99-2636L
UPC: 000308124125.
Craig Curry has transformed the traditional hymn All Creatures of Our God and King into a fresh anthem for today's choirs in this relaxed rhythm and blues arrangement. With accessible vocal parts and an outstanding arrangement for instrumental ensemble and rhythm section, this new setting surely will bring sparkle into a classic.
SKU: MN.50-7053
UPC: 688670570537. Scripture: Psalms 100.
A combination of two traditional texts: Psalm 100, All creatures that on earth do dwell, and Flower Carol from Piae Cantiones, 1582 as translated in the Oxford Book of Carols. The composer opens the setting with the OLD HUNDREDTH tune set in a triple meter, then quickly moves to an original melody as the Flower Carol text begins. This anthem can be used as a way to combine youth or children choirs with adult choirs. A creative setting.
SKU: PR.114419980
UPC: 680160681723. 9 x 12 inches.
The ancient Egyptian empire began around 3100 B.C. and continued for over 3000 years until Alexander the Great conquered the country in 332 B.C. Over the centuries, the Egyptian empire grew and flourished into a highly developed society. They invented hieroglyphics, built towering pyramids (including the Great Pyramid of Giza, the oldest of the Seven Wonders of the World), and the created many household items we still use today, including toothbrushes, toothpaste, eyeliner, black ink, and the forerunner of modern-day paper. Included among their achievements were a series of highly developed funerary practices and beliefs in the Afterlife. As the average lifespan of an Egyptian hovered around 30 years, living past the death of oneAs physical body was a legitimate concern. Egyptians believed that upon death, their souls would undertake a harrowing journey through the Netherworld. If they survived the horrific creatures and arduous trials that awaited them, then their souls would be reunified with their bodies (hence the need to preserve the body through mummification) and live forever in a perfect version of the life they had lived in Egypt. To achieve this, Egyptians devised around 200 magical spells and incantations to aid souls on the path to the Afterlife. These spells are collectively called The Book of the Dead. Particular spells would be chosen by the family of the deceased and inscribed on the tombAs walls and scrolls of papyrus, as well as on a stone scarab placed over the deceasedAs heart. Subsequent collections of spells and mortuary texts, such as The Book of Gates, assisted a soul in navigating the twelve stages of the Netherworld. Not only did these spells protect and guide the soul on this dangerous path, but they also served as a safeguard against any unbecoming behavior an Egyptian did while alive. For instance, if a person had robbed another while alive, there was a spell that would prevent the soulAs heart from revealing the truth when in the Hall of Judgment. Rites for the Afterlife follows the path of a soul to the Afterlife. In Inscriptions from the Book of the Dead (movement 1), the soul leaves the body and begins the journey, protected by spells and incantations written on the tombAs walls. In Passage though the Netherworld (movement 2), the soul is now on a funerary barque, being towed through the Netherworld by four of the regionAs inhabitants. We hear the soul slowly chanting incantations as the barque encounters demons, serpents, crocodiles, lakes of fire, and other terrors. The soul arrives at The Hall of Judgment in movement 3. Standing before forty-two divine judges, the soul addresses each by name and gives a A!negative confessionA(r) connected to each judge (i.e. A!I did not rob,A(r) A!I did not do violence,A(r) and so on). Afterwards, the soulAs heart is put on a scale to be weighed against a feather of MaAat, the goddess of truth. If the heart weighs more than the feather, it will be eaten by Ammut, a hideous creature that lies in wait below the scale, and the soul will die a second and permanent death (this was the worst fear of the Egyptians). But if the heart is in balance with the feather, the soul proceeds onward. The final stage of the journey is the arrival at The Field of Reeds (movement 4), which is a perfect mirror image of the soulAs life in ancient Egypt. The soul reunites with deceased family members, makes sacrifices to the Egyptian gods and goddess, harvests crops from plentiful fields of wheat under a brilliant blue sky, and lives forever next to the abundant and nourishing waters of the Nile. Rites for the Afterlife was commissioned by the Barlow Endowment on behalf of the Akropolis Reed Quintet, Calefax Reed Quintet, and the Brigham Young University Reed Quintet. -S.G.
SKU: HL.49045423
ISBN 9784890664900. 9.0x12.0x0.104 inches.
Suite “Carapace†consists of 15 pieces composed between 2005 and 2015 collected chronologically in three volumes. The first of these volumes includes three works composed and premiered at Tokyo College of Music in 2005, Horseshoe Crab, Odontodactylus japonicus, and Fiddler Crab, and two works composed in 2007 and premiered at Yokosuka City Culture Hall, Pistol Shrimp and Japanese Spider Crab. Each of these works in this volume was inspired by the name or appearance of a particular carapace, as suggested by the titles. Through the music, we are able to examine each creature in detail with a variety of characteristic rhythms and harmonies arising from the composer's deep interest and imagination.
SKU: SU.80101358
A setting of a text by Hildegard von Bingen, exploring the divine mystery of God's knowledge of every creature before they were called into being, and of God's creation of humankind. Recorded on the CD The Welcome News: Choral Music of Carson Cooman (Gothic)SATB Chorus, a cappella Composed: 2010 Published by: Zimbel Press Minimum order quantity: 8 copies. Perusal copies are available by contacting perusalrequest@subitomusic.com (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440.
SKU: LO.99-2885L
UPC: 000308129960.
The stellar text of this anthem has been placed in an absolutely gorgeous arrangement by Lloyd Larson. The themes are that God speaks in every language, through every creature, and that wherever love is spoken, the voice of God is found. The beautiful accompaniment is subtly nuanced to reflect the text imagery, and the optional cello obbligato is a dramatic touch.
SKU: HL.49045420
ISBN 9784890664870. 9.0x12.0x0.088 inches.
SKU: CL.RWS-2030-01
Ghillie Dhu (Gill-e Dew) Elf of the Forest is inspired by a friendly but often wild creature from Scottish Folklore. This mythical being is given life through the captivating writing of Joseph Benjamin Earp. A wonderful teaching tool for instrumental ensembles focused on polyrhythms and compound time signatures. Appropriate for any concert or festival performance.
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