SATB choir, cantor, assembly, keyboard accompaniment, flute, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, trombone, violin 1, violin 2, cello, guitar - Early intermediate

SKU: GI.G-10297

Composed by Peter M. Kolar. Mass. Sacred. Octavo. With guitar chord names. 64 pages. GIA Publications #10297. Published by GIA Publications (GI.G-10297).

UPC: 785147029717. English, Spanish. Text Source: Revised Order of Mass 2010, Lectionary for Mass. Misal Romano, tercera edición

A versatile Mass setting for use throughout the liturgical year, Mass of the Sun of Justice / Misa Sol de Justicia is fully bilingual, singable entirely in English or in Spanish, or any pastoral combination of both languages. At its core, this setting is built on assembly-minded melodies. Much of the choral writing is two-part, albeit spelled out in four voices, whereby the basses frequently double the soprano melody, and the alto and tenor lines essentially share a single harmony in their respective ranges, splitting only at cadence points for a fuller effect. Optional descants and divisi further expand the voicing possibilities. The additional instrumentation is particularly spirited, further enhancing these sung texts for solemn occasions. “Sun of justice” is a term used to reference Christ with respect to his second coming, as found in the ancient “O” antiphons. This title appears in the Lectionary among the Alleluia options for the common of the Blessed Virgin Mary, and is, in fact, assigned to the feast of Our Lady of Guadalupe, celebrated within the Advent season. As such, the music is “Advent-like” in nature—joyful and filled with hope.  ~~~~~ Una Misa versátil para usar durante todo el año litúrgico, Mass of the Son of Justice / Misa Sol de Justicia es completamente bilingüe, se puede cantar completamente en inglés o en español, o en cualquier combinación pastoral de ambos idiomas. En esencia, este arreglo se basa en melodías para la asamblea. Gran parte de la escritura coral es de dos partes, aunque escrito para cuatro voces, por lo que los bajos con frecuencia duplican la melodía de soprano, y las líneas de alto y tenor comparten esencialmente una sola armonía en sus respectivos rangos, dividiéndose solo en los puntos de cadencia para una melodía más completa. Los discante y divisi opcionales amplían aún más las posibilidades de sonorización. La instrumentación adicional es particularmente animada, mejorando aún más estos textos cantados para ocasiones solemnes. Sol de justicia es un término que se usa para referirse a Cristo con respecto a su segunda venida, como se encuentra en las antífonas O antiguas. Este título aparece en el Leccionario entre las opciones de Aleluya para el común de la Santísima Virgen María y, de hecho, está asignado a la fiesta de Nuestra Señora de Guadalupe, celebrada dentro del tiempo de Adviento. Como tal, la música es en esencia de adviento—alegre y llena de esperanza. ~~~~~ Preview select songs from this mass setting in the video below:.

Basso (cello/double bass) (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc)

SKU: BR.OB-32034-26

Cantata for Easter - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 9'. Breitkopf and Haertel #OB 32034-26. Published by Breitkopf and Haertel (BR.OB-32034-26).

ISBN 9790004350935. 10 x 12.5 inches.

The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring.

(Complete Trumpet Parts to 90 Orchestral Masterworks on CD-ROM) For trumpet. Includes CD-ROM (Windows and Mac). With standard notation. Classical. Series: The Orchestra Musician's CD-ROM Library. 9x12 inches. Published by Hal Leonard.

SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, bassoon, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107514

Cantata for the 1st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Die Elenden sollen essen. Sacred vocal music, Cantatas, Easter and Eastertide, Trinity, Praise and thanks. Single Part, Cello/Double Bass. Composed 1723. BWV 75. 20 pages. Duration 40 minutes. Carus Verlag #CV 31.075/14. Published by Carus Verlag (CA.3107514).

ISBN 9790007044886. Key: E minor / g minor. Language: German/English.

Score available separately - see item CA.3107500.

(Complete Flute and Piccolo Parts to 90 Orchestral Masterworks on CD-ROM) For flute and piccolo. Includes CD-ROM (Windows and Mac). With standard notation. Classical. Series: The Orchestra Musician's CD-ROM Library. 9x12 inches. Published by Hal Leonard.

By C. Ph. E. Bach (1714-1788). For Flute. DOWANI 3 Tempi Play Along - Flute. Artist: Alexandre Dardykin - Cello; Leonid Lebedev - Flute; Tatyana Gevorkova - Harpsichord,Piano. Level: Intermediate. Sheet Music with CD (3 Tempi Play Along). Published by Dowani International.

ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'amore, 2 violins, viola, basso continuo - Level 3

SKU: CA.3108114

Cantata for the 4th Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Jesus schlaft. Sacred vocal music, Cantatas, Epiphany. Single Part, Cello/Double Bass. Composed 1724. BWV 81. 8 pages. Duration 19 minutes. Carus Verlag #CV 31.081/14. Published by Carus Verlag (CA.3108114).

ISBN 9790007045494. Key: E minor. Language: German/English.

Bach composed the cantata Jesus schlaft, was soll ich hoffen [Jesus sleeps, what hope have I] BWV 81 for the fourth Epiphany Sunday, 1724. The cantata is structured as a little drama: In the beginning, fear prevails. The seas rage and Jesus is asleep. The threateningly foaming waves are vividly depicted in the soughing string accompaniment of the tenor aria. Jesus's words Ihr Kleinglaubigen, warum seid ihr so furchtsam? [You of little faith, why are you so fearful?] are set as a bass arioso at the center of the cantata; they provide the turning point. In the subsequent bass aria, the towering seas are silenced. A recitative - Wohl mir [Well for me] - leads into the closing chorale with its certainty Unter deinen Schirmen bin ich vor den Sturmen aller Feinde frei [Under Your protection I am spared the tempests of my enemies]. Score and part available separately - see item CA.3108100.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3103814

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Hymns by Martin Luther: Aus tiefer Not schrei ich zu dir. German title: Aus tiefer Not. Sacred vocal music, Cantatas. Single Part, Cello/Double Bass. Composed 1724. BWV 38. 8 pages. Duration 21 minutes. Carus Verlag #CV 31.038/14. Published by Carus Verlag (CA.3103814).

ISBN 9790007042820. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.

The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score and part available separately - see item CA.3103800.

SAT vocal soli, SATB choir, 2 flutes, 2 oboe d'amore, 2 violins, viola, 2 viola da gamba, 2 lutes, basso continuo (organ, cello/bassoon/violins)

SKU: CA.1036512

Version Koch. Composed by Johann Sebastian Bach and Johannes H. E. Koch. German title: Markus-Passion. Sacred vocal music. Single Part, Violin 2. Composed 1723. BWV 247. 16 pages. Carus Verlag #CV 10.365/12. Published by Carus Verlag (CA.1036512).

ISBN 9790007190460. Language: German.

Reconstruction (based parodies) of Bach's St. Mark Passion by Diethard Hellmann (1964), with new composed recitatives (texts of the evangelium) and turba choirs by Johannes Koch (1999). The words of Jesus are accompanyed by 2 gambas and organ. Score and part available separately - see item CA.1036500.

Orchestra; Early Music (Violin principale, Violin I [2], Violin II [2], Alto Viola [2], Tenor Viola [2], Cello [2], Basso continuo)

SKU: UT.ACC-66B

Vol. II: Concerto II in E minor, Op. 2 No. 4. Critical Edition. Composed by Tomaso Giovanni Albinoni. Edited by Fabrizio Ammetto and Gioia Filocamo. Saddle stitching. Classical. Set of Parts. 36 pages. Ut Orpheus #ACC 66B. Published by Ut Orpheus (UT.ACC-66B).

ISBN 9790215314320. 9 x 12 inches.

Solo bass voice, SATB choir, [flute, clarinet], 2 horns, 2 violins, [viola], basso continuo

SKU: CA.2711514

Graduale Exaudi, Dominum und Offertorium Lauda anima mea Dominum fur die Messe in Es-Dur op. 107. Composed by Anton Diabelli. Graduale + Offertorium Zur Missa In Es. Sacred vocal music, Mass sections. Single Part, Cello/Double Bass. Op. 110. 4 pages. Duration 5 minutes. Carus Verlag #CV 27.115/14. Published by Carus Verlag (CA.2711514).

ISBN 9790007200718. Language: Latin.

To commemorate the 150th anniversary of the death of Anton Diabelli we are publishing the two additional movements of his first Country Mass, the remainder of which is already available. These two movements, suitable for use during any period of the Church year, are further cause to perform at church services and in concerts the Mass in E flat major, which despite its simplicity can be impressive in effect. The flexibility in the size of the orchestra intended by the composer makes this work ideal for churches whatever their instrumental resources are. Score and part available separately - see item CA.2711500.

(Complete Harp and Keyboard Parts to 90 Orchestral Masterworks on CD-ROM) For harp and keyboard. Includes CD-ROM (Windows and Mac). With standard notation. Classical. Series: The Orchestra Musician's CD-ROM Library. 9x12 inches. Published by Hal Leonard.