SKU: M7.SAE-1-05

ISBN 9790707651513.

This is a unique arrangement for panflute and piano, a work that preserves the beauty of the original work, an icon for classical music repertoire, but at the same time different in essence due to the creative and innovative flavour that was introduced in orchestration on this occasion. The piece has been carefully adapted to suit the technical needs of each instrument, being a smart choice for the players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events.

SKU: FL.FX071510

A rhythmic composition in which the cells quaver / two semiquaver and two semiquaver / quaver are like a leitmotiv until the end of the Piece. The numerous triplets are a wink of Rhapsody in Blues from George Gershwin. My goal was to facilitate the listening, the exchange and the mimicry between the two associated players: no tandem (Temps d'M) without that!

SKU: RM.GERS03510-CO

SKU: MH.1-59913-079-3

ISBN 9781599130798.

Allegro Brillante is the first movement of Dragonland for band. The first performance (under the original title, A Short Symphony) was given by the L.E. Dieruff High School Concert Band, conducted by Raymond S. Becker, Jr., on April 21, 1978. The work was subsequently revised, and first performed in its new version by the University of Wisconsin-Eau Claire Symphony Band, conducted by Donald S. George, on November 23rd, 1980. Allegro Brillante is the first movement of four. The music is almost profligate in its tunefulness, quick to change tack and tempo, and will benefit from an interpretation of headstrong abandon. Ensemble instrumentation: 1 Piccolo, 7 Flute I-II, 2 Oboe I-II, 2 Bassoon I-II, 1 Eb Clarinet, 4 Bb Clarinet I, 4 Bb Clarinet II, 4 Bb Clarinet III, 2 Eb Alto Clarinet, 2 Eb Bass Clarinet, 2 Eb Contra Alto Clarinet, 2 Eb Alto Saxophone I, 2 Eb Alto Saxophone II, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 2 Bb Cornet I, 4 Bb Cornet II-III, 2 Bb Trumpet I-II, 2 F Horn I-II, 2 F Horn III-IV, 2 Trombone I, 4 Trombone II-III, 3 Euphonium B.C., 2 Euphonium T.C., 6 Tuba, 2 String Bass, 1 Timpani, 1 Percussion I, 2 Percussion II, 2 Percussion III, 1 Percussion IV, 2 Percussion V.

SKU: BR.OB-5215-26

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman)

ISBN 9790004332009. 9 x 12 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).