By Grayston Ives. For Voices: SATB. Organ. Royal School of Church Music Sacred. Level: easy. 3 pages. Published by GIA Publications.

Kinderchor (Children's Choir)/Frauenchor

SKU: CA.334880

Composed by Grayston Ives and Severus Gastorius. Separate edition with choral collection. Sacred vocal music, Hymn settings, Whole church year / Omni tempore. Full score. 1 pages. Carus Verlag #CV 03.348/80. Published by Carus Verlag (CA.334880).

ISBN 9790007185961. Key: F major. Language: German. Text: Rodigast, Samuel.

Composed by Victor C Johnson. For SATB choir, piano accompaniment. Secular Christmas. Octavo. Heritage Music Press #15/3177H. Published by Heritage Music Press

By Victor C. Johnson. For 2-part voices and piano. New Horizons Series. Concert. Octavo. Published by Heritage Music Press

(Mixed Choir)

SKU: HL.14065722

Composed by Grayley. Choral. General Merchandise. Duration 240 seconds. Music Sales #JC66031. Published by Music Sales (HL.14065722).

By Russell, Foster & Graydon. Arranged by James Sochinski. Marching Band. Score and set of parts. Composed 1985. Published by C.L. Barnhouse.

Fanfare Band - Grade 1

SKU: BT.CMP-0404-00-020

Composed by Graydon A. Toms. Accolade Series. Original Light Music. Set (Score & Parts). Composed 2000. Curnow Music #CMP 0404-00-020. Published by Curnow Music (BT.CMP-0404-00-020).

Concert band concert band

SKU: BC.19052

Composed by Grayson. Band Music. Conductor's Score. Published by Bourne Music (BC.19052).

2-part children's choir, (organ) - Level 2

SKU: CA.326190

Composed by Grayston Ives and Severus Gastorius. Separate edition with choral collection. Sacred vocal music, Fear and trust, Peace and justice. Full score. Composed 2012. Duration 2 minutes. Carus Verlag #CV 03.261/90. Published by Carus Verlag (CA.326190).

ISBN 9790007179649. Key: E flat major. Language: German. Text: Rodigast, Samuel.

SAM choir, [organ] - Level 2

SKU: CA.324820

Composed by Grayston Ives and Severus Gastorius. Separate edition with choral collection. Sacred vocal music, Praise and thanks. Full score. Composed 2012. Duration 2 minutes. Carus Verlag #CV 03.248/20. Published by Carus Verlag (CA.324820).

ISBN 9790007178925. Key: E flat major. Text language: German. Text: Rodigast, Samuel.

String Orchestra

SKU: BT.PWM4901

Composed by Grazyna Bacewicz. Classical. Score Only. Composed 2000. 68 pages. Polskie Wydawnictwo Muzyczne #PWM4901. Published by Polskie Wydawnictwo Muzyczne (BT.PWM4901).

Concerto for String Orchestra - the magnum opus of Grayna Bacewicz (1909-1969), the outstanding composer and violinist - was composed in 1948 and at once became one of the most frequently performed works of this Polish artist. This masterpieceof neoclassicism fascinates as much by its invention and virtuosic briliance as its harmonious combination of formal elements of a traditional nature with new tonal ideas. The form of the three-movement Concerto oscillates between that of the baroqueconcerto grosso and the early classical sonata cycle. The neoclassical tendency is evident, above all, in the articulation of the musical structure in keeping with the rigours of periodicity and the manner of developing thematic threads derived fromthem, while the concertato character of particular movements and the generally linear texture indicate baroque connections. The first movement (Allegro) - in the form of an early classical sonata allegro - begins with a subject with energeticfigurations, emblematic for the whole piece and based on a constant, pendulum-like semiquaver movement anchored securely on D. It is precisely because of the nature of this subject that Bacewiczs work has been compared to the Brandenburg Concertosby Jan Sebastian Bach The second movement (Andante), while retaining its concertato charakter, is, at the same time, an example of the composers ability to create emotionally serene lyrical moods, and her sense of cantilena derived from the spiritof romantic song (a motto-subject presented at the beginning by cello solo). In this movement it is both the process of evolution and the instrumental colouring which constitute the constructional agents forming here a self-containedvalue. In thethird movement (Vivo) the composer returns to her favourite type of music, understood as an expression of pure motion in the form of figural motives with infinite transformational possibilities. The spontaneity of the music, the constant mutabilityof the tonal situations, and the sophisticated, acerbic harmonies - as Witold Lutosawski described them - form a colourful mosaic built in the structural skeleton of a sonata rondo. Concerto for String Orchestra is not only proof of thestylizing tendency of the composer but also of an unerring intuition concerning the technical and expressive possibilities inherent in a string instruments ensemble. [Magorzata Gsiorowska, translated by Ewa Cholewka].