SKU: LO.99-2315L
UPC: 000308117745.
Starting with a soulful gospel arrangement of “Amazing Grace!†(NEW BRITAIN), this dynamic medley segues into joyous, toe-tapping renditions of two more “heaven†favorites before returning to the broad and resounding refrain: “When we’ve been there ten thousand years . . .†Guaranteed to bring smiles to young and old alike, it is a resounding proclamation of eternal hope and joy! (From the cantata “The Church’s One Foundation†SATB – 45/1142L; SAB – 45/1143L.).
SKU: SU.80200305
Sacred but nonsectarian; commissioned for 9/11 memorial 2222; 2221; timp, 3 perc; stgs Duration: 25'40 Text: William Cullen Bryant (1794-1878) Choral octavo: available for sale (#80200304) Set of instrumental parts: available for sale (#80200306) Published by: Dunstan House.
SKU: CA.3910813
ISBN 9790007055448. Key: G minor. Language: German/English.
The baroque cantata libretto by Erdmann Neumeister focuses upon the aged Simeon in the Temple, who desires to leave this world and is longing for the hereafter. Telemann's setting is appealing through its poetry, warmth and ardor, and through the exemplary balance of its overall form. The two chorales which begin and end this seven-movement work are fashioned with particular artistry and care. Formally, the center and heart of the work is a motet-like choral movement to the words Selig sind die Toten, die in dem Herrn sterben (Revelation 14:13) - Also suitable as a cantata for Eternity Sunday, and for funerals and memorial services. Score and part available separately - see item CA.3910800.
SKU: CA.2730392
Language: Latin.
Among Verdi's many compositions, as a work of sacred music, the Requiem remains unique. It was composed as a musical memorial for the Italian national poet Allessandro Manzoni, deeply admired by Verdi, and was first performed on the first anniversary of his death on 22 May 1874 in Milan Cathedral. The exploration of many extremes places Verdi's tonal language with musical means wholly in the service of a dramatized liturgy. The edition is based on the autograph as the primary source and makes accessible one of the most important requiem settings of the 19th century in a modern scholarly edition. In addition to the musical text the score contains a detailed foreword in three languages, a critical report with information on the source situation, the edition and the various readings. The complete performance material will be available for sale. This work is now available in carus music, the choir app! Score available separately - see item CA.2730300.
SKU: CL.012-4705-01
Marking the centennial of World War I, also known as The Great War, this medley highlights seven songs popular during this era: It’s A Long Way To Tipperary, Good Morning, Mr. Zip-Zip-Zip, Roses Of Picardy, How Ya Gonna Keep ‘Em Down On The Farm? Keep The Home Fires Burning, Pack Up Your Troubles In Your Old Kit Bag, and Over There! Perfect for Veteran’s Day, Memorial Day, or any concert situation, and especially well-suited for adult community bands. First class!
SKU: BT.RICL00002100
English.
In the year 200 The Souls of the Righteous was privately commissioned as a memorial to a member of the congregation at Winchester Cathedral. The solo part was performed during a BBC broadcast of Choral Evensong.
SKU: GI.G-8617
UPC: 785147861706. English. Text by Fred Pratt Green.
Fred Pratt Green’s hymn text paints a portrait of saints that conveys to us how, by following their model of self-giving, we can be led to God. The memorable melody and simple rhythmic flow complement the text, fashioning a worthy hymn of praise that is perfect for memorial services or All Saints Day.
SKU: CA.3979812
ISBN 9790007056681. Language: all languages.
Mourning music consisting of free and chorale-based instrumental movements (Nun lasset uns den Leib begrab'n - Christus, der ist mein Leben) from Telemann's funeral music for the Hamburg mayors Schroder (1723) and Stockfleth (1739). - Music for Eternity Sunday or for funeral and memorial services. Score and part available separately - see item CA.3979800.
SKU: BT.AMP-028-140
English-German-French-Dutch.
The piece reflects the composer's fascination with the origins of the universe and deep space in general. The title comes from a theory, formulated by Pythagoras, that the cosmos was ruled by the same laws he had discovered that govern the ratios of note frequencies of the musical scale. (‘Harmonia’ in Ancient Greek, which means scale or tuning rather than harmony - Greek music was monophonic). He also believed that these ratios corresponded to the distances of the six known planets from the sun and that the planets each produced a musical note which combined to weave a continuous heavenly melody (which, unfortunately, we humans cannot hear). In this work, these six notesform the basis of the sections MUSIC OF THE SPHERES and HARMONIA. The pieces opens with a horn solo called t = 0, a name given by some scientists to the moment of the Big Bang when time and space were created, and this is followed by a depiction of the BIG BANG itself, as the entire universe bursts out from a single point. A slower section follows called THE LONELY PLANET which is a meditation on the incredible and unlikely set of circumstances which led to the creation of the Earth as a planet that can support life, and the constant search for other civilisations elsewhere in the universe. ASTEROIDS AND SHOOTING STARS depicts both the benign and dangerous objects that are flying through space and which constantly threaten our planet, and the piece ends with THE UNKNOWN, leaving in question whether our continually expanding exploration of the universe will eventually lead to enlightenment or destruction. Dit werk weerspiegelt de fascinatie van de componist voor het heelal. Het begint met een hoornsolo met de naam t = 0, waarmee sommige wetenschappers de oerknal aanduiden. Dan volgt een weergave van de oerknal zelf. Het volgendegedeelte, The Lonely Planet, is een meditatie over het ongelooflijke samenspel van omstandigheden dat leidde tot het ontstaan van de Aarde. Asteroids and Shooting Stars beschrijft objecten in de ruimte. Het werkeindigt met The Unknown, waarmee we in het ongewisse blijven over de gevolgen van onze verdere verkenning van het universum. In 2005 won Philip Sparke met Music of the Spheres de National Band Association/William D.Revelli Memorial Band Composition Contest.Dieses Werk handelt vom Weltall und unserem Platz im Universum, auf dem Weltbild von Pythagoras basierend. Am einfachsten lässt sich diese außergewöhnliche Komposition wohl als Filmmusik ähnliches Stück beschreiben ? Musik zu einem Science-Fiction-Film eines Ripley Scott oder Steven Spielberg oder auch Musik, wie sie ein John Williams oder Danny Elfman schreiben würde: absolut stimmungsvoll, brillant instrumentiert mit Klangfarben, Strukturen, Effekten und Timbres, gemischt mit fließenden musikalischen Linien, die die Substanz des Themas auf den Punkt treffen. Dieses atemberaubende neue Stück hebt Ihr Blasorchester auf ein höheres Niveau, sowohl im technischen als auchmusikalischen Sinn. La fresque Music of the Spheres (“La musique des sphèresâ€) souligne la fascination qu’éprouve le compositeur pour les origines de l’univers. L’orchestration est proche de la musique de film. Le climat musical est ample, sonore et contrasté. Music of the Spheres evidenza il fascino che le origini dell’universo esercitano su Philip Sparke. Il titolo proviene da una teoria del matematico greco Pitagora, secondo la quale il cosmo è retto dalle stesse leggi che governano i rapporti di frequenza tra le note della scala musicale. Questa composizione inizia con un assolo di corno chiamato t = 0, nozione che definisce il momento del big-bang. The Lonely Planet (Il pianeta solitario) è una meditazione sulle circostanze che hanno portato alla creazione della terra. Asteroids and Shooting Stars (Asteroidi e Stelle cadenti) descrive i molteplici oggetti che si muovono nello spazio e che rappresentano unrischio per il nostro pianeta. Le battute finali portano verso l’ignoto (The Unknown) sollevando una domanda la cui risposta resta in sospeso: la nostra continua avanzata nell’esplorazione dell’Universo porter un giorno alla scoperta o alla distruzione?
SKU: SU.80200304
Sacred but nonsectarian; commissioned for 9/11 memorial 2222; 2221; timp, 3 perc; stgs Duration: 20'40 Text: William Cullen Bryant (1794-1878) Conductor's score: available for sale (#80200305) Set of instrumental parts: available for sale (#80200306) Published by: Dunstan House Minimum order quantity: 8 copies. Perusal copies are available by contacting office@DunstanHouse.com (include the organization name with your request). To order quantities fewer than 8.
SKU: CL.LDP-7177-00
This magnificent piece is based on the Sine Nomine melody of Ralph Vaughan Williams. Brilliant fanfares and grand sonorous melodies come pouring out of this powerful work. A stunning addition to any concert.
SKU: CA.2730391
SKU: HL.48020691
UPC: 884088410278. 9.0x12.0x0.394 inches.
Composed as a memorial, To Dream in Brushstrokes is a sensitive and lyrical setting for band filled with emotion as well as beauty. Contrasting colors and textures contribute to the overall effectiveness of this work for young bands. Dur: 4:30 Recorded by the Virginia Wind Symphony – Dennis Zeisler, conductor.
SKU: LO.10-5713L
ISBN 9780787777449.
This original anthem from Stan Pethel is full of joy and hope! In true southern gospel style, your basses will relish the moving lines, and each section of the choir is given fun, idiomatic part-writing. The bouncy piano accompaniment complements the package. This is one that you'll return to many times during the church year!
SKU: AP.36-52703557
ISBN 9781628760323. UPC: 746241208552. English.
Don't let this title fool you...this collection of ten meditative preludes is useful for more than just weddings. Â For service introits, communion gatherings, memorials, funerals or prayer interludes these lovely settings will find a way to your folder throughout the year in church or concert venues.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: SU.80101464
Truly the Light Is Sweet (2010), a setting of verses from Ecclesiastes, was written in celebration of the restoration of Appleton Chapel, The Memorial Church, Harvard University. Instrumentation: SATB and Organ Duration: 3'30 Composed: 2010 Published by: Zimbel Press.
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