| Concertino in Russian Style Opus 35 Violin and Piano [Sheet music + Audio access] - Easy De Haske Publications
Violin and Piano - early intermediate SKU: BT.DHP-1043625-404 Composed by...(+)
Violin and Piano - early intermediate SKU: BT.DHP-1043625-404 Composed by Alexei Janschinow. De Haske Study and Play. Educational Tool. Book with Part and Audio-Online. Composed 2021. 16 pages. De Haske Publications #DHP 1043625-404. Published by De Haske Publications (BT.DHP-1043625-404). ISBN 9789043161763. 9x12 inches. English-German-French-Dutch. Study and Play is ideal for developing your playing in an enjoyable and musically sound way. Each edition within this concept features audio recordings to add something extra to your study routine.When you play thisConcertino you will be able to practise at a slower study tempo, as well as the normal tempo, so that you can work on your violin playing in a more concentrated way whilst improving your insight into the music. You cancontinue to study in this goal-orientated way until you have achieved the desired result. The title of this piece suggests a concert situation: playing a solo partwith accompaniment. There are thousands of such works for theviolin but many of these cannot be tackled until you have been playing for a considerable time. Concertino in Russian Style Opus 35 enables you to gain necessary experience for this type of playing: namely having sufficientmusical and technical control over your instrument whilst having the support of an accompanist during performance. This carefully chosen concertino will enrich your repertoire.
Dit fraaie concertino in Russische stijl van Alexei Janschinow is leerzaam én prachtig om te spelen. Kortom, een fraaie aanvulling op uw repertoire. Deze boeken zijn gemaakt binnen het Study and Play-concept, dat de leerlinghelpt om zijn/haar spel op een plezierige en verantwoorde manier te ontwikkelen. Bij elke uitgave onder deze noemer worden begeleidingsopnames meegeleverd die iets extraââ¬â¢s toevoegen aan de studie-methode. Deze opnames bieden demogelijkheid om te studeren in zowel het gewone tempo als een rustig oefentempo. De verzorgde set bestaat verder steeds uit een vioolpartij en pianopartij.
Study and Play ist das ideale Konzept, um auf vergnügliche und sinnvolle Weise ein gutes Spiel zu entwickeln. Jedem Buch mit diesem Konzept sind Begleitaufnahmen beigefügt, welche die tägliche ÃÅbungsroutine individuellergänzen. Mit Hilfe dieser Aufnahmen kann das Concertino im langsameren ÃÅbetempo sowie auch im normalen Tempo gespielt werden, sodass man sich zunächst ganz auf das Violinspiel konzentrieren kann und dabei die Musik kennenlernt. So kann zielgerichtet geübt werden, bis das gewünschte Ergebnis erreicht wird. Der Titel dieses Stückes beschreibt die Situation in einem Konzert: Es wird ein Solo mit Begleitung gespielt. Solche Werke gibt es zutausenden für Violine, viele können jedoch erst nach vielen Jahren Spielerfahrung gemeistert werden. Mit Concertino in Russian Style Opus 35 kann man wichtige Erfahrungen mit genau dieser Art des Spiels sammeln, nämlichausreichend musikalische und technische Beherrschung über das Instrument zu erlangen und gleichzeitig mit der Unterstützung eines Pianisten spielen zu können. Dieses sorgfältig ausgewählte Concertino ist auf jeden Fall eineBereicherung Ihres Repertoires.
Study and Play est le concept idéal pour développer votre jeu dans un environnement plaisant et solidement structuré. Chaque recueil basé sur ce concept est accompagné des enregistrements audio qui apportent un plus votreroutine de travail. Ces enregistrements vous permettent de jouer ce Concertino tant dans le tempo normal que dans un tempo dââ¬â¢Ã©tude plus lent afin que vous puissiez vous concentrer plus amplement sur votre technique de jeutout en ayant un meilleur aperçu de la structure de la pièce. Vous pouvez continuer travailler dans cette optique jusquââ¬â¢ ce que vous ayez atteint le résultat souhaité. Le titre de la pièce évoque le contexte dââ¬â¢unconcert : lââ¬â¢interprétation dââ¬â¢une partie soliste avec accompagnement. On compte des milliers dââ¬â¢oeuvres similaires pour violon mais un grand nombre dââ¬â¢entre elles ne peuvent être abordées sans expérience et pratique musicalesconsidérables. Concertino in Russian Style Opus 35 vous permet dââ¬â¢acquérir lââ¬â¢expérience nécessaire lââ¬â¢interprétation de ce genre de pièces, cââ¬â¢est- -dire être capable de dominer les aspects techniques et musicaux propres votre instrument tout en ayant le soutien dââ¬â¢un accompagnateur lors de lââ¬â¢interprétation. Choisi avec soin, ce Concertino enrichira votre répertoire.
Study and Play è il concetto ideale per sviluppare il vostro modo di suonare in un contesto piacevole e solidamente strutturato. Le registrazione di accompagnamento vi permettono di suonare sia a tempo normale che più lento,al fine di migliorare la concentrazione sullo studio della tecnica e avere un migliore approccio con le varie parti del brano. Le parti dellââ¬â¢accompagnamento al pianoforte incluse nelle pubblicazioni (versione cartacea) vipermettono di suonare con un pianista accompagnatore. $25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Indian Concertino Violin [Sheet music + CD] - Easy De Haske Publications
Composed by George Perlman. De Haske Study and Play. Book with CD. Composed 20...(+)
Composed by George Perlman.
De Haske Study and Play. Book
with CD. Composed 2005. 24
pages. De Haske Publications
#DHP 1053792-400. Published
by De Haske Publications
$26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Six Easy Sonatas for Piano Piano solo - Easy Barenreiter
Piano - Level 2 SKU: BA.BA11565 Composed by Leopold Kozeluch. Edited by C...(+)
Piano - Level 2 SKU: BA.BA11565 Composed by Leopold Kozeluch. Edited by Christopher Hogwood. This edition: urtext edition. Stapled. Barenreiter Urtext. Performance score, anthology. Baerenreiter Verlag #BA11565_00. Published by Baerenreiter Verlag (BA.BA11565). ISBN 9790260109100. 31 x 24.3 cm inches. Preface: Hogwood, Christopher / Mark, Ryan. Leopold Koželuch (also Koželuh) was among the leading musical figures of 18th-century Vienna, well-known in his day as an excellent pianist and piano teacher.
Six delightful sonatas have been selected from the complete edition of his piano sonatas published by Bärenreiter – namely the easiest, as this album is specifically aimed at beginner and moderately advanced pianists. The edition includes Piano Sonatas No. 37 in G major, No. 47 in E-flat major, No. 7 in D major, No. 46 in C major, No. 10 in F major and No. 14 in G major, inviting pianists to explore the piano music of the Viennese Classic.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$20.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Assortment of Solo Jazz Piano Pieces Piano solo Play Music Publishing
Piano SKU: BT.MUSME0180 Jazz. Book and DVD. Composed 2015. Play Music Pub...(+)
Piano SKU: BT.MUSME0180 Jazz. Book and DVD. Composed 2015. Play Music Publishing #MUSME0180. Published by Play Music Publishing (BT.MUSME0180). English. This assortment solely comprises solo jazz piano pieces. Here the objective is not to play with a complete band, but to learn how to bravely hold the fort alone - and that in a musical style which best suits soloing, namely jazz. The assortmentincludes a number of particularly original musical pieces, veritable etudes, which will give you the opportunity to study the harmonies, rhythms and tone colors typifying jazz and its numerous variants such as swing, bebop, bossa nova, blue jazz orragtime. You may rest assured that here you will find something for all tastes and ages! Here you are taught which fingering is best suited to a specific playing situation. In so doing, you learn how to perform the many musical pieces that are partof this assortment in a technically flawless manner. The DVD pertaining to this tutorial gives you the possibility to carefully observe the jazz piano pieces treated therein, but above all it gives you the possibility to discover what their exactperformance style should be. $24.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Huit Chansons de Fleurs High voice, Piano [Score] Theodore Presser Co.
Chamber Music High voice, Piano SKU: PR.111402890 Composed by Ricky Ian G...(+)
Chamber Music High voice, Piano SKU: PR.111402890 Composed by Ricky Ian Gordon. Full score. 44 pages. Duration 20 minutes. Theodore Presser Company #111-40289. Published by Theodore Presser Company (PR.111402890). ISBN 9781491134672. UPC: 680160685264. Whatâ??s in a name? While the title is French for â??Eight Flower Songs,â? the texts are all in English. The poemsâ?? flowers metaphorically evoke fragrance, love and loss, life and death, rebirth and regrowth. Perhaps the texture and beauty of Gordonâ??s music are themselves French. The 20-minute song cycle draws on poems from Wordsworth to Dorothy Parker, as well as from contemporary poets including the composer himself. When So-Chung Shinn came to me with the idea of commissioning a song cycle with her spectacular husband Tony Lee, she had in mind something having to do with flowers. Tony had asked her what she wanted for her birthday, and she said she wanted to be behind the creating of a new work. Lucky me, I was the recipient of the commission. So-Chung sent me a little description of all the flowers she loves, but I had to take the idea and create a narrative in my head.It is always a matter of pleasing the commissioner, yet coming up with something you can get behind and hear music for as well. I already knew I wanted to use my â??Tulipsâ? poem which is really about the arc of a relationship as represented through the life span of the Tulips, and, in many ways, disappointment; and Dorothy Parkerâ??s â??One Perfect Rose,â? which is wry, bitter, cynical, and funny, in a way only Dorothy Parker can so pithily express.I thought of Jane Kenyonâ??s exquisite â??Peonies at Dusk,â? because knowing she died so young (46) of leukemia, the poem has such a particular resonance, almost humanizing the Peonies, casting the moon as a sentient being, illustrating so beautifully how connected everything is, alive here, and revolving around these exquisite blossoms. Then, I remembered her husband Donald Hallâ??s poem â??Her Garden,â? which he wrote after Jane died, his grief intermingled with his inability to care for what she had created, to keep alive what so represented her aliveness, broken as he was, and I felt I already had a story.I found the Wordsworth, because it felt like pure joy to me, but also, if each of the songs has a color in my head, â??The Daffodilsâ? is pure yellow and a good place to start. My partner Kevin and I live on a lake, and every year, the first Daffodils, the shock of yellows, the oranges, the blinding whites, after the long snowy winters, sing of the newness that is about to enfold us in its green miraculousness.At first, the cycle ended with the Langston Hughes poem â??Cycle,â? or â??New Flowers,â? because it was lovely, and about rebirth, which is obviously optimistic, and apt, but then, my friend Telmo Dos Santos, a wonderful Canadian poet whom I met at Banff, sent me his poem â??Afterlife With Lilacs,â? having no idea what I was working on. I felt I had to add it because it is so dazzling, and it immediately felt like the missing link. Finally, there were unfortunately rights issues, namely, we could not, no how, get in touch with the Langston Hughes Estate, after so many happy collaborations.After almost a yearâ??s frustration, I wrote my own text, â??Play, Orpheus,â? which ended up being fortuitous, because the first time I met So-Chung, she entered the room and the most exquisite scent of Lillies of the Valley, Muguet de Bois, filled the room. I went right over to her and rudely put my nose to her neck, for the intoxication of the scent. So â??Play, Orpheusâ? is for So-Chung, to remind us of the precious treasures of this world flowers remind us of. Everything and everyone lives and dies, lives and dies. Death and resurrection.And of course, this is music, this is song, so the inclusion of the God of music, Orpheus, seems apt. Huit Chansons de Fleurs is really about what flowers represent, their radiance, their flickering impermanence, the way they are used to celebrate, as well as to mourn...... and of course, their fragrance. Their fragrance.Ricky Ian GordonJuly 28, 2021. $21.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Shopping Centre Brass ensemble [Score] - Easy Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-000762-130 Composed by William Vean. Sco...(+)
Brass Band - Grade 2 SKU: BT.GOB-000762-130 Composed by William Vean. Score Only. 12 pages. Gobelin Music Publications #GOB 000762-130. Published by Gobelin Music Publications (BT.GOB-000762-130). Many people when asked the question 'Do you have any hobbies?' will answer 'Shopping' (even though the female part of the population may be more interested in this than the male one). Of course it is great fun to walk about in a Shopping Mall, browsing in various small shops, looking for things you have always wanted to possess.
This was what William Vean was doing one day when he came across the idea to write a composition in which several shops could try to sell their wares (and this idea didn't cost him a penny). First, the audience are taken to a 'Jeans store', then a 'Phone shop' is visited, after which a visit is made to a 'Perfumery'. Thefourth part depicts a profession which is practised in several premises, namely that of shoplifter. In the fifth part there is room for a bite to eat at a Chinese restaurant, and finally after a visit to the hairdresser's it's time to go home.
Veel mensen die de vraag krijgen wat voor hobby's ze hebben, zullen als antwoord geven: winkelen (waarschijnlijk zal er een verschil zijn tussen mannen en vrouwen). Natuurlijk is het altijd leuk om door een winkelcentrum te slenteren,allerlei etalages te bekijken, en te dromen van dingen die je graag in je bezit zou willen hebben!
Dit overkwam William Vean ook. Hij wilde een compositie maken waarin verschillende winkels reclame konden maken (zonderdat het hemzelf een cent zou gaan kosten!).
Eerst gaan we naar een jeans store en daarna bezoeken we een telefoonwinkel. Als derde gaan we naar een parfumerie om een lekker geurtje uit te zoeken. In het vierde deelverschijnt een persoon die we niet graag tegenkomen: een dief. Zal hij gepakt worden door de sterke arm? Van al dat winkelen krijgen we trek en we besluiten tot een Chinese maaltijd. Na een bezoek aan de kapper wordt het tijdhuiswaarts te keren!
De componist laat ruimte, vooral voor de slagwerkers, verschillende beroepen uit te beelden door middel van diverse solo-instrumenten en handelingen, in aanvulling op de al zeer creatief geschreven muiek. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Shopping Centre Brass ensemble [Score and Parts] - Easy Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-000762-030 Composed by William Vean. Set...(+)
Brass Band - Grade 2 SKU: BT.GOB-000762-030 Composed by William Vean. Set (Score & Parts). 52 pages. Gobelin Music Publications #GOB 000762-030. Published by Gobelin Music Publications (BT.GOB-000762-030). Many people when asked the question 'Do you have any hobbies?' will answer 'Shopping' (even though the female part of the population may be more interested in this than the male one). Of course it is great fun to walk about in a Shopping Mall, browsing in various small shops, looking for things you have always wanted to possess.
This was what William Vean was doing one day when he came across the idea to write a composition in which several shops could try to sell their wares (and this idea didn't cost him a penny). First, the audience are taken to a 'Jeans store', then a 'Phone shop' is visited, after which a visit is made to a 'Perfumery'. Thefourth part depicts a profession which is practised in several premises, namely that of shoplifter. In the fifth part there is room for a bite to eat at a Chinese restaurant, and finally after a visit to the hairdresser's it's time to go home.
Veel mensen die de vraag krijgen wat voor hobby's ze hebben, zullen als antwoord geven: winkelen (waarschijnlijk zal er een verschil zijn tussen mannen en vrouwen). Natuurlijk is het altijd leuk om door een winkelcentrum te slenteren,allerlei etalages te bekijken, en te dromen van dingen die je graag in je bezit zou willen hebben!
Dit overkwam William Vean ook. Hij wilde een compositie maken waarin verschillende winkels reclame konden maken (zonderdat het hemzelf een cent zou gaan kosten!).
Eerst gaan we naar een jeans store en daarna bezoeken we een telefoonwinkel. Als derde gaan we naar een parfumerie om een lekker geurtje uit te zoeken. In het vierde deelverschijnt een persoon die we niet graag tegenkomen: een dief. Zal hij gepakt worden door de sterke arm? Van al dat winkelen krijgen we trek en we besluiten tot een Chinese maaltijd. Na een bezoek aan de kapper wordt het tijdhuiswaarts te keren!
De componist laat ruimte, vooral voor de slagwerkers, verschillende beroepen uit te beelden door middel van diverse solo-instrumenten en handelingen, in aanvulling op de al zeer creatief geschreven muiek. $98.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Puppets III (little pieces for piano) Piano solo Praha
By Martino Bohuslav. Czech title: Loutky III (nove, revidovane vyd.). Published ...(+)
By Martino Bohuslav. Czech title: Loutky III (nove, revidovane vyd.). Published by Praha.
$18.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Puppets II (little pieces for piano) Piano solo Praha | | |
| Ein Hauch von Unzeit [Score] Breitkopf & Härtel
Voice(s) solo SKU: BR.EB-8424 (Plainte sur la perte de la reflexion mu...(+)
Voice(s) solo SKU: BR.EB-8424 (Plainte sur la perte de la reflexion musicale). Composed by Klaus Huber. Arranged by Klaus Huber. Voice; stapled. Edition Breitkopf. You will need a copy of BG 1002 for each player to perform the version for variable instrumentation (BG 1004). Music post-1945; New music (post-2000). Score. Composed 1972. 8 pages. Duration 20'. Breitkopf and Haertel #EB 8424. Published by Breitkopf and Haertel (BR.EB-8424). ISBN 9790004185254. 9 x 12 inches. World premieres:I version for flute: Wiesbaden, 1972II version for piano: Nyon, 1972III version for var. insts.: Cologne, May 29, 1976VI version for accordeon: Fribourg, June 25, 1987VIII version for violoncello Tokyo: October 14, 1989X version for organ: Stuttgart, March 28, 2018This work (A Breath of the Untimely) was first written for solo Flute and dedicated to Aurele Nicolet. Its bears the subtitle Lament on the Loss of Musical Thought - some Madrigals for Solo Flute or Flute with any other Instruments. This serves as a playing instruction but doubles at the same time as an outmoded programme: it refers back to the musical origin of the opening lamenting motif, a tradition which was once of its time but is not of our time - namely the Lamento genre which gave the title to the Chaconne in Purcell's opera Dido and Aeneas. Almost simultaneously I wrote a second version for Piano (for Piano one-and-a-half hands), which already formulates possible approaches for the performer, in some detail, to the indicated, quasi-canonic version of the piece in the programme. The multiple version Ein Hauch von Unzeit III realizes a concrete version of a formal state which floats between strict canon and aleatoric principles: each of the musicians who are spread throughout the hall introduces their own idiomatic translation of the flute part. And so the music exists, omnipresent, not only spatially throughout the hall, but also formally in a sort of fluctuating simultaneity. For that reason, it was my express wish to any potential interpreter that they should construct entirely their own version of the piece. A healthy number of musicians have responded to my suggestion - versions of the piece have now been made for guitar (Cornelius Schwehr, Gunther Schneider), accordion (Hugo Noth), double bass (Fernando Grillo), violin (Hansheinz Schneeberger), viola, violoncello, and double bass (trio basso, Koln), violoncello (Michael Bach), trombone (Andrew Digby) and, created by myself, a sung version for voice (to words by Georg Wilhelm Friedrich Hegel und Max Bense), and for viola.The most important requirement for the whole piece is absolute stillness, which should as far as possible emanate from the performer. The pauses are occasionally in this respect the most important element. These may, if one can find the necessary stillness, become very long.Ein Hauch von Unzeit (A Breath of the Untimely) - time almost dissolves!(Klaus Huber, 1989/2014 - translation: David Alberman)CD:Jean-Luc Menet (Bass flute)CD Traversieres 120.270Jean-Luc Menet (fl)CD STR 37039Bibliography:Zimmermann, Heidy: Zeitgestaltung im Kompositionsprozess bei Klaus Huber - dargestellt anhand von Skizzen, in: Mnemosyne. Zeit und Gedachtnis in der europaischen Musik des ausgehenden 20. Jahrhunderts, hrsg. von Dorothea Redepenning und Joachim Steinheuer, Saarbrucken: Pfau 2006, S. 90-109. $24.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Ein Hauch von Unzeit Cello [Score] Breitkopf & Härtel
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion musicale). Composed by Klaus Huber. Edited by Michael Bach. Arranged by Michael Bach. Solo instruments; stapled. Edition Breitkopf. You will need a copy of BG 1002 for each player to perform the version for variable instrumentation (BG 1004). Music post-1945; New music (post-2000). Score. Composed 1972. 12 pages. Duration 20'. Breitkopf and Haertel #EB 9074. Published by Breitkopf and Haertel (BR.EB-9074). ISBN 9790004179499. 9 x 12 inches. World premieres:I version for flute: Wiesbaden, 1972II version for piano: Nyon, 1972III version for var. insts.: Cologne, May 29, 1976VI version for accordeon: Fribourg, June 25, 1987VIII version for violoncello Tokyo: October 14, 1989X version for organ: Stuttgart, March 28, 2018This work (A Breath of the Untimely) was first written for solo Flute and dedicated to Aurele Nicolet. Its bears the subtitle Lament on the Loss of Musical Thought - some Madrigals for Solo Flute or Flute with any other Instruments. This serves as a playing instruction but doubles at the same time as an outmoded programme: it refers back to the musical origin of the opening lamenting motif, a tradition which was once of its time but is not of our time - namely the Lamento genre which gave the title to the Chaconne in Purcell's opera Dido and Aeneas. Almost simultaneously I wrote a second version for Piano (for Piano one-and-a-half hands), which already formulates possible approaches for the performer, in some detail, to the indicated, quasi-canonic version of the piece in the programme. The multiple version Ein Hauch von Unzeit III realizes a concrete version of a formal state which floats between strict canon and aleatoric principles: each of the musicians who are spread throughout the hall introduces their own idiomatic translation of the flute part. And so the music exists, omnipresent, not only spatially throughout the hall, but also formally in a sort of fluctuating simultaneity. For that reason, it was my express wish to any potential interpreter that they should construct entirely their own version of the piece. A healthy number of musicians have responded to my suggestion - versions of the piece have now been made for guitar (Cornelius Schwehr, Gunther Schneider), accordion (Hugo Noth), double bass (Fernando Grillo), violin (Hansheinz Schneeberger), viola, violoncello, and double bass (trio basso, Koln), violoncello (Michael Bach), trombone (Andrew Digby) and, created by myself, a sung version for voice (to words by Georg Wilhelm Friedrich Hegel und Max Bense), and for viola.The most important requirement for the whole piece is absolute stillness, which should as far as possible emanate from the performer. The pauses are occasionally in this respect the most important element. These may, if one can find the necessary stillness, become very long.Ein Hauch von Unzeit (A Breath of the Untimely) - time almost dissolves!(Klaus Huber, 1989/2014 - translation: David Alberman)CD:Jean-Luc Menet (Bass flute)CD Traversieres 120.270Jean-Luc Menet (fl)CD STR 37039Bibliography:Zimmermann, Heidy: Zeitgestaltung im Kompositionsprozess bei Klaus Huber - dargestellt anhand von Skizzen, in: Mnemosyne. Zeit und Gedachtnis in der europaischen Musik des ausgehenden 20. Jahrhunderts, hrsg. von Dorothea Redepenning und Joachim Steinheuer, Saarbrucken: Pfau 2006, S. 90-109
World premiere: VIII version for violoncello Tokyo: October 14, 1989. $30.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Mila Und Der Schiffbaum-piano (version In German And French) Piano solo Leduc, Alphonse
Piano SKU: HL.48186486 Composed by Isabelle Aboulker. Leduc. Softcover. 3...(+)
Piano SKU: HL.48186486 Composed by Isabelle Aboulker. Leduc. Softcover. 32 pages. Alphonse Leduc #AL30753. Published by Alphonse Leduc (HL.48186486). UPC: 888680829018. 9x12 inches. “AL 30 753 - MILA AND THE SHIP TREE - Version for piano For decades the French composer Isabelle Aboulker has been very successful with vocal works for children and young people, in whom well-known fairy tales are processed. Now she has once again met with Mila and the Schiffbaum, a work commissioned by the Académie musicale by Villecroze in the course of the project ”“3 composers write for the school”“, and by the French music publishers with the music prize 2015 in the category ”“ Works for young performers ”“. With this composition, Isabelle Aboulker has created a musical story for narrator, children's choir and instrumental accompaniment, which helps children between five and eight years in educational and valuable ways to gain first experiences with music theater and choral singing. Thanks to an excellent German translation, the successful work can now also be found in the German-speaking world. With the deep sensitivity and subtlety that is the secret of her art, Isabelle Aboulker tells of a little girl who succeeds in getting over the loss of a loved one, namely, his grandfather. The highly charming melodies of this piece, written for unanimous children's choir, are joined by an instrumental accompaniment in which tender melancholy and subtle humor alternate - this musical language comes directly from the heart. AL 30 754 - Choral Partitur (German and French text) The work is also available in English translation: AL 30 732 - version for speaker, children's choir and piano (French and English text) AL 30 743 - Choral Partitur (French and English text) As well as with other instrumental accompaniments: AL 30 733 - version for speaker, children's choir and trio (clarinet in B, cello and piano) (French and English text) AL 30 734 - version for spokesman, children's choir and instrumental ensemble (French, English, German, French, Italian, Italian)&rdquo. $17.60 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Mila Und Der Schiffbaum-choral Score (version In German And French) Choral Leduc, Alphonse
Choral (highlights) SKU: HL.48186487 Composed by Isabelle Aboulker. Leduc...(+)
Choral (highlights) SKU: HL.48186487 Composed by Isabelle Aboulker. Leduc. Softcover. 14 pages. Alphonse Leduc #AL30754. Published by Alphonse Leduc (HL.48186487). UPC: 888680829094. 9x12 inches. âAL 30 754 - MILA AND THE SHIP TREE - Choral Partitur For decades the French composer Isabelle Aboulker has been very successful with vocal works for children and young people, in whom well-known fairy tales are processed. Now she has once again met with Mila and the Schiffbaum, a work commissioned by the Académie musicale by Villecroze in the course of the project ââ3 composers write for the schoolââ, and by the French music publishers with the music prize 2015 in the category ââ Works for young performers ââ. With this composition, Isabelle Aboulker has created a musical story for narrator, children's choir and instrumental accompaniment, which helps children between five and eight years in educational and valuable ways to gain first experiences with music theater and choral singing. Thanks to an excellent German translation, the successful work can now also be found in the German-speaking world. With the deep sensitivity and subtlety that is the secret of her art, Isabelle Aboulker tells of a little girl who succeeds in getting over the loss of a loved one, namely, his grandfather. The highly charming melodies of this piece, written for unanimous children's choir, are joined by an instrumental accompaniment in which tender melancholy and subtle humor alternate - this musical language comes directly from the heart. AL 30 753 - version for speaker, children's choir and piano (German and French text) The work is also available in English translation: AL 30 732 - version for speaker, children's choir and piano (French and English text) AL 30 743 - Choral Partitur (French and English text) As well as with other instrumental accompaniments: AL 30 733 - version for speaker, children's choir and trio (clarinet in B, cello and piano) (French and English text) AL 30 734 - version for spokesman, children's choir and instrumental ensemble (French, English, German, French, Italian, Italianandrdquo. $7.40 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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