By Sally K. Albrecht. Octavo for SSA choir and piano accompaniment. Lyrics from William Shakespeares Much Ado About Nothing. F Major. Series: Choral Octavo. 12 pages. Published by Alfred Publishing.

By Mary Lynn Lightfoot. For SSA choir and piano. Choral collection. Published by Heritage Music Press. (45/1134H)

SATB Choir and Piano

SKU: HL.14043700

Composed by Various. Arranged by Gitika Partington. Choral. Pop & Rock. Softcover Audio Online. Composed 2015. Novello & Co Ltd. #NOV165110. Published by Novello & Co Ltd. (HL.14043700).

ISBN 9781783058617. UPC: 888680736491. 9.0x12.0x0.125 inches. English.

Sing Pop A Cappella is a collection of a cappella arrangements of fantastic pop songs old and new, by renowned teacher, singer and director Gitika Partington . Her arrangements are used by choirs across the UK, and she emphasises that being able to read music is not necessary. Rewarding and enjoyable, Book Three continues her project to bring people together through the power of song. What's great about Gitika Partington 's Sing Pop A Cappella series is how she understands that to make great music or to sing a great song, it's not necessary to be able to sight-read. It may be useful, but she has learned that there are other ways to communicate music, namely through ear training,repetition and gesture. Her arrangements, five of which appear in this book, have enabled youth and community choirs to spring up across the country, making singing truly and universally accessible.  Included in this book are wonderfully rich a cappella arrangements of Ain't No Sunshine  by Bill Withers, Black Is The Colour Of My True Love's Hair, Rick Astley's Never Gonna Give You Up, Adele's Rolling In The Deep  and a huge favourite, Sway (Quien Sera) . Vocal scores for these innovative and enjoyable arrangements are included in standard notation, although Partington recommends learning by ear as something equally beneficial. To aid with this, the accompanying download card includes five tracks of audio for each song. One features a full performance demonstration while the other four each focus on either soprano, alto, tenor or bass. The easy download of these tracks makes learning efficient and fun, as you are able to listen wherever you are. The great thing about a cappella singing is that it can be done anywhere, with limited resources, with members who don't necessarily have any musical training. Partington  has created a book that can be used by a cappella choirs who love pop music that sounds great and will thrill audiences. Sing Pop A Cappella is not just a songbook, though, it also includes an extensive.

By Audrey Snyder. Sight-Singing Method. Book. 64 pages. Published by Alfred Publishing.

By Audrey Snyder. Sight-Singing Method. Book and Key Cards. 100 pages. Published by Alfred Publishing.

By Lisandra Brothers. Arranged by Christine H. Davis. For SAB Chorus and Piano (SAB). Sacred. Medium. Octavo. 8 pages. Duration 4:05

By Pepper Choplin. For SAB choir and piano. Dedication, General, Sacred. Sacred Anthem. Published by Monarch Music. (10/3610M)

Piano - Grade 4

SKU: HL.233151

Solo Piano Part. Composed by Poul Ruders. Music Sales America. Classical. Softcover. Composed 2017. 20 pages. Edition Wilhelm Hansen #WH32201C. Published by Edition Wilhelm Hansen (HL.233151).

ISBN 9788759886427. 10.0x14.5 inches. English.

Piano solo part for Paganini Variations - Piano Concerto No.3 by Poul Ruders (2014). Score available: WH32201 Programme note: In 1999 my friend, American guitar virtuoso David Starobin, wanted me to write a concerto for guitar and orchestra. It quickly dawned on me, that this commission presented a golden opportunity to contribute to the time-honoured tradition of composing a series of variations on Nicolo Paganini's famous 24th Caprice for violin solo, a work which itself is a set of variations. The 16 bar (with the first 4 bars repeated) theme is not particularly sophisticated or intricate, but its inherent simplicity and logic just grow on you, almost to the point ofdistraction - and the secret behind it being hauled through the wringer by composers as disparate as Liszt, Brahms, Rachmaninoff and Lutoslawski is perhaps found in its - what I'll call, with a quick nervous look over my shoulder: brilliant banality. You can do anything with that tune, it'll always be recognizable and just there, however much you maul it. The piece (subtitled Guitar Concerto no 2) was written pretty quickly, premiered and subsequently recorded for Bridge Records with David and the Odense Symphony Orchestra conducted by Jan Wagner, and everybody was happy. But the story didn't end there, and it must be the ultimate proof of the durability of the theme, not to mention the flexibility and far-sightedness of David Starobin , when he 14 years later suggested why not transcribe the solo part for piano?. The idea appealed to me immediately. One thing was clear from the beginning: the new version could in no way sound like a transcription. My aim was to end up with a solo-part sounding like were it the one-and-only, the real thing, if you like. The orchestral score remains exactly the same in both cases. Both versions, the two Paganini Variations, are comparable to a set of twins, not quite identical, but almost. And both each others's equal. Poul Ruders.

Additional Material for piano solo. Composed by John Kember. This edition: Saddle stitching. Sheet music. Piano. Educational, Classical. Softcover. 13635. 84 pages. Schott Music #ED13635. Published by Schott Music (HL.49045007).

By Neil Ginsberg. For SAB choir and piano. Concert, Graduation. Octavo. Published by Heritage Music Press. (15/2408H)

Composed by Andrew D. Gordon. Piano Practice Sessions. Latin. Book and digital audio. ADG Productions #ADG234. Published by ADG Productions

By Walter Noona. Piano. Level: Primer. Piano method. Published by Heritage Music Press.

(The followers of Jesus reflect on His final days). By Lloyd Larson. For SAB choir and piano (with optional orchestra). Eastertide, Lent, Sacred. Cantata