| Flex-Ability Classics -- Solo-Duet-Trio-Quartet with Optional Accompaniment Flexible Instrumentation [Sheet music] Alfred Publishing
(Trombone/Baritone/Bassoo n/Tuba). Arranged by Victor López. For Trombone/Bar...(+)
(Trombone/Baritone/Bassoon/Tuba). Arranged by Victor López. For Trombone/Baritone/Bassoon/Tuba. Mixed Instruments - Flexible Instrumentation. Flex-Ability Series. Book. 24 pages
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| Giuseppe Verdi: Prelude Orchestra [Score and Parts] - Intermediate Alfred Publishing
(To Act I of La Traviata) Composed by Giuseppe Verdi (1813-1901), arranged by Ja...(+)
(To Act I of La Traviata) Composed by Giuseppe Verdi (1813-1901), arranged by Jack Bullock. Conductor's score and set of performance parts for orchestra (2 - flute, 2 - oboe, 1 - 1st clarinet, 1 - 2nd clarinet, 2 - bassoon, 4 - horn in F, 1 - 1st trumpet, 1 - 2nd trumpet, 3 - trombone, 1 - tuba, 1 - timpani, 8 - 1st violin, 8 - 2nd violin, 5 - 3rd violin/viola (treble clef), 5 - viola, 5 - cellow, 5 - string bass). With performance notes and program
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| Truimphal March from Aida for Brass Ensemble, Timpani and Percussion Brass ensemble [Score and Parts] Cherry Classics
By Giuseppe Verdi (1813-1901). Arranged by Angus Armstrong. For brass ensemble w...(+)
By Giuseppe Verdi (1813-1901). Arranged by Angus Armstrong. For brass ensemble with timpani and percussion. Romantic Italian opera. Advanced. Score and parts. Published by Cherry Classics
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| 43 Bel Canto Studies for Tuba or Bass Trombone Leduc, Alphonse
Bass Trombone, Tuba SKU: HL.48185242 Music for Brass No. 281. Comp...(+)
Bass Trombone, Tuba SKU: HL.48185242 Music for Brass No. 281. Composed by Giulio Marco Bordogni. Robert King. Classical. Softcover. 56 pages. Alphonse Leduc #AL28604. Published by Alphonse Leduc (HL.48185242). UPC: 888680788407. 9x12 inches. 43 Bel Canto Studies by Marco Bordogni (1789-1856) is a set compiled and edited by Chester Roberts. Initially composed for vocalists, it was transcribed and adapted for tuba or bass trombone. Ideal for developing the range of the tessiture, it also has a strong musicality. Bass trombone players could also find it hugely beneficial for developing their technique. Marco Bordogni (1789-1856) was an Italian operatic tenor and a singing professor who was based in Paris. He performed in several of Rossini's operas and was awarded the Légion d'Honneur in 1839. He also had a lot of influence on one of his famous students, the English tenor Sims Reeves. $22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Prelude And Allegro (double Bass/tuba/saxhorn/trombone And Piano) Trombone Leduc, Alphonse
Trombone SKU: HL.48181565 Composed by Eugene Bozza. Leduc. Softcover. 8 p...(+)
Trombone SKU: HL.48181565 Composed by Eugene Bozza. Leduc. Softcover. 8 pages. Alphonse Leduc #AL21259. Published by Alphonse Leduc (HL.48181565). UPC: 888680844066. 9.0x12.0x0.061 inches. Composed by Eugene Bozza, Prelude and Allegro can be played by Double Bass, Tuba, or Saxhorn with a Piano accompaniment. Written in F for the Double Bass, Tuba or Saxhorn, this piece has an intermediate level of difficulty. Really enjoyable for the players and audiences, Prelude and Allegro would be ideal for a recital. Eugene Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He composed several operas, chamber works and ballets among others.. $20.55 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Concerto for Tuba with Wind Ensemble Concert band [Score and Parts] - Advanced Cherry Classics
Solo Tuba & Concert Band - advanced SKU: CY.CC2470 Composed by Johann B W...(+)
Solo Tuba & Concert Band - advanced SKU: CY.CC2470 Composed by Johann B Wanhal. Arranged by Janet Yarbrough. Classical. Score and parts. Published by Cherry Classics (CY.CC2470). Johann Wanhal (Vanhal) was an important classical composer from Bohemian/Czech heritage (1739-1813). His main living was as an organist and choirmaster, however Wanhal's musical output as a composer includes over a dozen concerti, many symphonies, chamber music, operas and much sacred music including 58 masses. Wanhal is rumored to have played chamber music with Mozart, Haydn and Dittersdorf, with Wanhal on the cello. In the 1770's Wanhal met the contrabassist Johannes Matthias Sperger and wrote a double bass concerto for him. The Concerto is in the key of E-Flat (original key of D for the double bass) in three movements and has been expertly arranged for Tuba and classical wind ensemble by Ms. Janet Yarbrough of Duke University. This work will also be available soon with a piano reduction. $157.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Belshazzar's Feast Choral SATB [Study Score / Miniature] Oxford University Press
Composed by William Walton (1902-1983). Edited by Steuart Bedford. For mixed cho...(+)
Composed by William Walton (1902-1983). Edited by Steuart Bedford. For mixed choir, baritone voice solo, and orchestra (piccolo, 2 flutea, 2 oboea, english horn (opt.), 2 clarinets, bass clarinet, alto saxophone, 2 bassoons, contrabassoon, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, percussion, mixed chorus, baritone solo, piano, organ, 2 harps, strings; 2 brass bands). Oratorios. William Walton Edition. Pieces and Studies. Level D (difficult). Study score. 176 pages. Duration 35'. Published by Oxford University Press
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| Encyclopedie de l'Opera Brass ensemble [Score and Parts] Editions Marc Reift (Swiss import)
By K. Sturzenegger. Brass Ensemble. For brass quintet: 2 trumpets, horn, trombon...(+)
By K. Sturzenegger. Brass Ensemble. For brass quintet: 2 trumpets, horn, trombone & tuba. Swiss import. Level: 4. Score and parts. Published by Editions Marc Reift. (EMR 5269)
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| The Band At the Opera Concert band [Score and Parts] - Easy Carl Fischer
(Full Score and Parts). By Various. Arranged by Joseph Compello. Concert Band. F...(+)
(Full Score and Parts). By Various. Arranged by Joseph Compello. Concert Band. For Flute, Piccolo, Oboe, Flute II, Clarinet I, Clarinet II, Bass Clarinet, Bassoon, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Horn, Tenor, Euphonium, Tuba, Bells, Xylophone, Timpani, Snare Drum, Bass Drum, Triangle, Anvil. Carl Fischer Young Performance Series. Grade 2-2.5. Score and Set of Parts. Standard notation. 32 pages. Published by Carl Fischer
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| Gioachino Rossini: William Tell Overture Orchestra [Score and Parts] - Intermediate/advanced Carl Fischer
By Gioachino Rossini. Edited by Tommy J. Fry. Arranged by Erik W. G. Leidzen. Co...(+)
By Gioachino Rossini. Edited by Tommy J. Fry. Arranged by Erik W. G. Leidzen. Concert Band. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, English Horn, Clarinet I, Clarinet II, Clarinet III, Bass Clarinet, Bassoon I, Bassoon II, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Trumpet III, Trumpet IV, Horn I, Horn II, Horn III, Horn IV, Tenor I, Tenor II, Tenor III, Euphonium, Tuba, Contrabass, Timpani, Snare Drum, Xylophone, Triangle, Suspended Cymbal, Bass Drum. Carl Fischer Classic Band Editions. Level: Grade 6. Score and Set of Parts. 79 pages. Duration 3:15. Published by Carl Fischer.
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| Nabucco (Overture To The Opera) Brass ensemble [Score and Parts] Editions Marc Reift (Swiss import)
By Giuseppe Verdi. Brass Ensemble. For 4 trumpets, horn, 4 trombones & tuba. Swi...(+)
By Giuseppe Verdi. Brass Ensemble. For 4 trumpets, horn, 4 trombones & tuba. Swiss import. Level: 4. Score and parts. Published by Editions Marc Reift. (EMR 5344)
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| The Band At the Opera Concert band [Score] - Easy Carl Fischer
(For Band). By Guiseppe F Verdi Georges Bizet. Arranged by Joseph Compello. Conc...(+)
(For Band). By Guiseppe F Verdi Georges Bizet. Arranged by Joseph Compello. Concert Band. For Flute, Piccolo, Oboe, Clarinet I, Clarinet II, Bass Clarinet (in Bb), Bassoon, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II, Horn, Tenor, Baritone (Treble Clef in Bb), Baritone (Bass Clef), Tuba, Mallet Percussion, Timpani, P. This edition: Easy Band. Carl Fischer Young Performance Series. Classical. Grade 2-2.5. Full Score. Standard notation. 32 pages. Published by Carl Fischer
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| Osud (Fate) Choral SATB - Intermediate/advanced Barenreiter
4 soprano voice solos/alto voice solo/2 tenor voice solos/baritone voice solo/ba...(+)
4 soprano voice solos/alto voice solo/2 tenor voice solos/baritone voice solo/bass voice solo/SATB choir/piccolo/3 flutes/2 oboes/english horn/2 clarinets/bass clarinet/2 bassoons/contrabassoon/4 horns/3 trumpets/4 trombones/tuba/timpani/triangle/bass dru (solo voices, SATB Choir, Fl-picc, 3Fl, 2 Ob, EnglHn, 2 clarinet, clarinet-B, 2 bassoon, bassoon-Co, 4Hn, 3Trp, 4trombone, Tb, timpani, Tri, Tr-Gr, Tam, Be, Xyl, Gl, harp, Org, piano, 2 Violin, Viola, Cello, Double Bass, (2 Va-dam), Kindertrompete, Tr-Kl) - Level 4 SKU: BA.BA09562-01 Three novel-like scenes. Composed by Leos Janacek. Edited by Jirà Zahrádka. This edition: complete edition, urtext edition. Linen. Complete edition, Score. Baerenreiter Verlag #BA09562_01. Published by Baerenreiter Verlag (BA.BA09562-01). ISBN 9790260107380. 34 x 27.5 cm inches. Text Language: Czech, English, German. Preface: Zahrádka, JirÃ. Text: BartoÅ¡ová, Fedora. Janacek's operaOsudis an extraordinary example of the creative boldness of the composer and presents demanding dramaturgical challenges. This new critical edition is based on a thorough comparison of all surviving sources. The principle source is a copyist's copy of authorised by Janacek in which all revisions are marked. Further sources include a manuscript copy of the vocal score together with the orchestral parts and various copies of the libretto. The score of this new edition will be published as part of theComplete Critical Edition of the Works of Leos Janacek.
* First critical edition of this opera * Foreword on the genesis of the work and its reception by Jiri Zahradka (Cz/Eng/Ger) * New idiomatic piano reduction by Rasmus Baumann * Singable German translation
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
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| Spring in Dresden [Score] Theodore Presser Co.
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, F...(+)
Orchestra Bass Drum, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Marimba, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tam-tam, Trombone 1 and more. SKU: PR.11641963S Composed by Chen Yi. Full score. 58 pages. Duration 20 minutes. Theodore Presser Company #116-41963S. Published by Theodore Presser Company (PR.11641963S). UPC: 680160684472. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer. Full of excitement and inner power, the musical image is vivid, energetic, sometimes lyrical and sometimes dramatic. The major angular thematic material (a three note motive) consists of big leaps in interval (a perfect fourth downward and then a minor seventh upward, first introduced by the violin solo in measures 27-29). Except for the cadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments. The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty. Happy Rain on a Spring Night by Du Fu (712-770 in Tang Dynasty) Happy rain comes in time, When spring is in its prime. With night breeze it will fall, And quietly moisten all. Clouds darken wild roads, Light brightens a little boat. Saturated at dawn, With flowers blooming the town. (English translation by Chen Yi from the original poem in Chinese) The following is the poem in its original Chinese form, and the detailed introduction on the structural plan of the violin concerto Spring in Dresden. It's like the welcome rain on a quiet spring night that nurtures the budding seeds, our new society is pushing us forward to the new future. The music reflects the scenes and the expression according to the meaning of the poem when it's being unfolded line by line. Although the tempo is set 63 quarter notes per minute throughout (played vividly, never slow down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehearsal A and B (measures 39-80) represents the first four lines of the poem. The wind instruments response to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high woodwind gestures. The music in Rehearsal C and D (measures 81-126) represents the next two lines of the poem. It's so dark, a little light in the boat is shimmering on the lake... The breathy sound and key slaps on the flutes create a mysterious atmosphere, in a dialogue with other instruments. The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. The music in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led by the marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G, the location of the Golden Section, according to the length of the music without cadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), which stands on the energetic peak until the clear cutoff on measure 239, followed by the short, yet powerful solo conclusion with the lingering echo produced by the high string harmonics. On the top, there is a recall of the three note motive in the sound of wonderland, touched by the motor-on vibraphone meaningfully. The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1: xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings. Duration is about 20 minutes. The violin concerto is commissioned by Friends of Dresden Music Foundation for American soloist Mira Wang and the New York Philharmonic and Staatskapelle Dresden as an American commemoration of the reconstruction of the Dresden Frauenkirche, 60 years after its destruction in World War II by American and British Forces. The world premiere is given at the Semperoper in Dresden, Germany, on October 9, 10 & 11, 2005, conducted by Ivan Fischer.Full of excitement and inner power, the musical image is vivid, energetic, sometimeslyrical and sometimes dramatic. The major angular thematic material (a three notemotive) consists of big leaps in interval (a perfect fourth downward and then a minorseventh upward, first introduced by the violin solo in measures 27-29). Except for thecadenzas which stand at the middle (Rehearsal E, measure 127) and the two ends of the piece as a frame, the virtuosic violin solo line is always accompanied by the ever moving and growing textures in the background. The rests between long and short phrases symbolize the space in Chinese paintings. The Beijing Opera reciting tune, and the fingerings to produce sliding tones in the performance of the Chinese fiddle erhu are also borrowed in the writing and the performing of the western instruments.The musical imagination of the violin concerto came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in Tang Dynasty.Happy Rain on a Spring Nightby Du Fu (712-770 in Tang Dynasty)Happy rain comes in time,When spring is in its prime.With night breeze it will fall,And quietly moisten all.Clouds darken wild roads,Light brightens a little boat.Saturated at dawn,With flowers blooming the town.(English translation by Chen Yi from the original poem in Chinese)The following is the poem in its original Chinese form, and the detailed introduction onthe structural plan of the violin concerto Spring in Dresden.It’s like the welcome rain on a quiet spring night that nurtures the budding seeds, our newsociety is pushing us forward to the new future. The music reflects the scenes and theexpression according to the meaning of the poem when it’s being unfolded line by line.Although the tempo is set 63 quarter notes per minute throughout (played vividly, neverslow down), the tension is being built up from the quiet background in the beginning, tothe sustained climax towards the end. The musical image in Rehearsal A and B (measures39-80) represents the first four lines of the poem. The wind instruments response to therustling of fast moving notes on muted string triplets, decorated by occasional strokesproduced by metallic string sound and high woodwind gestures. The music in RehearsalC and D (measures 81-126) represents the next two lines of the poem. It's so dark, a littlelight in the boat is shimmering on the lake... The breathy sound and key slaps on theflutes create a mysterious atmosphere, in a dialogue with other instruments. The celloglissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. Themusic in Rehearsal F, G and H (m 129-202) is a toccata, starting in the orchestra (led bythe marimba), which builds up a big shape, to reach the climax in m. 157 (Rehearsal G,the location of the Golden Section, according to the length of the music withoutcadenzas), and keeps the vivid scene towards the coda (from Rehearsal I, m. 203), whichstands on the energetic peak until the clear cutoff on measure 239, followed by the short,yet powerful solo conclusion with the lingering echo produced by the high stringharmonics. On the top, there is a recall of the three note motive in the sound ofwonderland, touched by the motor-on vibraphone meaningfully.The music is written for 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 French horns (in F), 2 trumpets (in Bb), 3 trombones, tuba, harp, 3 percussion players (Perc. 1:xylophone; Perc. 2: suspended cymbal, Japanese high woodblock, snare drum, bass drum and vibraphone; Perc. 3: marimba and tam-tam), solo violin, and strings.Duration is about 20 minutes. $35.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Karla [Score] Theodore Presser Co.
Orchestra 2 Clarinets (2 dbl. bass Clarinet), 2 Flutes (2 dbl. Piccolo), 2 Horns...(+)
Orchestra 2 Clarinets (2 dbl. bass Clarinet), 2 Flutes (2 dbl. Piccolo), 2 Horns, 2 Oboes (2 dbl. English Horn), 2 Trombones, 2 Trumpets, 2 bassoons, 3 Timpani + tenor Drum (or Tom Tom), High Hat, S, Tuba (Trombone 2 and Tuba may be played by one player), bass Drum SKU: PR.416414360 One-Act Opera. Composed by Leonard Lehrman. Based on Bernard Malamud's Notes From A Lady At A Dinner Party. Tales of Malamud. Opera. Full score. With Standard notation. Composed 1974. 109 pages. Theodore Presser Company #416-41436. Published by Theodore Presser Company (PR.416414360). UPC: 680160606245. 8.5 x 11 inches. Based on Bernard Malamud's Notes From A Lady At A Dinner Party. Based on Bernard Malamud's Notes From A Lady At A Dinner Party. $70.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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