SKU: JK.01409

Doctrine and Covenants 76:22-24.

Restoration anthem for double mixed chorus (SSAATTBB) by Gates.
Reference:
Doctrine and Covenants 76:22-24

SKU: JK.00545

Alma 30:44.

Original choral arrangement for two-part treble chorus (SA) and piano, bearing testimony of the scriptures: Friend of mind, may you see so bright. Plant these messages into your heart.... I know these scriptures I read are true. And a leatherbound book waits for you. Highest note: D.
Composer: Lynnette Shaw Loughton
Lyrics: Lynnette Shaw Loughton
Difficulty: Medium
Performance Time: 4:00
Reference: Alma 30:44.

SKU: BR.OB-5294-19

The Six Three-Part Preludes and Fugues are regarded as a unique testimony to Mozart's profound interest in the works of Bach.

ISBN 9790004338025. 9 x 12 inches.

The Six Three-Part Preludes and Fugues are regarded as a unique testimony to Mozart's profound interest in the works of Bach. Or was it a brilliant contemporary of his who arranged the two preludes and five fugues by Johann Sebastian, and one fugue by Wilhelm Friedemann for string trio and supplemented the collection with further preludes? The new editions put the music text of Johann Nepomuk David's edition of the parts to the test, especially the editor's practical arrangement, which reflected the performance style of his time. These new editions go one step further, also in a performance-practical sense. The publication of the score and (orchestral) parts also enables string orchestras to play this piece for the first time - an instrumental possibility that is perfectly legitimate, both musically and historically. It is a fascinating addition to the repertoire that one can recommend to every chamber orchestra.Contents:No. 4 Adagio Mozart's arrangement of Johann Sebastian Bach, Adagio e dolce from the Sonata for Organ III BWV 527 Fuga Mozart's arrangement of Johann Sebastian Bach, Contrapunctus 8 from the Art of Fugue BWV 1080No. 5 Largo Mozart's arrangement of Johann Sebastian Bach, Largo from the Sonata for Organ II BWV 526 Fuga Mozart's arrangement of Johann Sebastian Bach, Allegro from the Sonata for Organ II BWV 526No. 6 Adagio by Wolfgang Amadeus Mozart Fuga Mozart's arrangement of Wilhelm Friedemann Bach, Fuga in F minor Falk No. 31/8.

SKU: BR.EB-32083

With supplementary violoncello part marked by Maria Kliegel

ISBN 9790004186299. 9 x 12 inches.

There are many composers about whom it is believed, today, that they composed conservatively, or against the taste of their time. The question is also raised, today, which extract of this large amount of effective and high-quality music, unknown for the most part, should receive our attention; which of it is worth rediscovering or re-editing. Camillo Schumann is one of the most important representatives of these composers, but his works are still largely unknown today. He was born on 10 March 1872 in Konigstein, Saxony. His musical language combines the sound world of Brahms with the grand, late-romantic Liszt School. He wrote piano parts of incredible power and virtuosity, approaching the sounds of Rachmaninoff. His wonderfully individual melodic language makes these works a valuable testimony to a composer who never had his due recognition. The cello sonatas Opp. 59 (EB 32082) and 99 (EB 32083) are the first of three works for this combination. Op. 59 was composed around 1905/06, Op. 99 followed in 1932. Nothing is known so far of the circumstances of the composition of this work, including for whom it was composed. However, it is quite evident that Schumann wrote it, like most of his works, primarily for his own concerts and befriended musicians. The extensive entries in the piano part bear witness to a considerably practical approach. Crossed-out bars, notes added or crossed out in chords as well as a number of revisions of other kinds are more the rule than the exception. The composer's own fingerings written in the piano part also underline this assumption. The present edition contains two solo-parts each. One clean Urtext-part free of any additions from the editor and a second one with bowing marks and fingerings by Maria Kliegel who recorded both sonatas for the first time with the label Naxos. Both sonatas show evident resemblance to the works of this combination by Johannes Brahms and are therefore a must have for ambitious cellists.

With supplementary violoncello part marked by Maria Kliegel.

SKU: CA.3113205

ISBN 9790007103163. Language: German/English.

Bach's cantata BWV 132 was written for the 4th Sunday in Advent, and the autograph score is dated 1715. It was composed while Bach was at Weimar, to a libretto by the Weimar Court Preacher Salomon Franck. Its subject matter is the testimony of John the Baptist addressed to the Christian community and to individual believers. Since the original concluding chorale, the fifth verse of the hymn Herr Christ der einig Gotts Sohn (Elisabeth Cruziger), has been lost, here the cantata ends with the last movement (transposed from B flat to A major), to the same words, of the cantata BWV 164. Score available separately - see item CA.3113200.

SKU: CA.3113213

ISBN 9790007207946. Language: German/English.

Bach's cantata BWV 132 was written for the 4th Sunday in Advent, and the autograph score is dated 1715. It was composed while Bach was at Weimar, to a libretto by the Weimar Court Preacher Salomon Franck. Its subject matter is the testimony of John the Baptist addressed to the Christian community and to individual believers. Since the original concluding chorale, the fifth verse of the hymn Herr Christ der einig Gotts Sohn (Elisabeth Cruziger), has been lost, here the cantata ends with the last movement (transposed from B flat to A major), to the same words, of the cantata BWV 164. Score and part available separately - see item CA.3113200.

SKU: WD.080689638176

UPC: 080689638176.

From Word Music & Church Resources ~ featuring the dynamic creative team of Bradley Knight and Johnathan Crumpton ~ comes Our Living Hope, new for Easter!

Filled with the joy and promise of a world redeemed by the love and victorious resurrection of our great Savior, Our Living Hope is the perfect foundation for what just might be your most powerful and compelling Easter service ever!

Featuring powerfully explosive songs of worship and praise and filled with testimony of the impact of God’s love and mercy on our lives, Our Living Hope sets a new standard of excellence for contemporary, evangelical worship choirs everywhere! Your choir will love singing these masterful Bradley Knight arrangements, such as the opening refrain of Were You There? in a medley with Kari Jobe’s Forever (We Sing Hallelujah), breathtaking new songs like Mercy Has Changed Me (a new “instant classic” first introduced by TaRanda Greene), a soulful Nothing but the Blood Medley, the new worship anthem, Living Hope, and much more!

SKU: JK.01809

Majestic hymn anthem for mixed chorus (SATTBB) and piano on the Second Coming of the Lord.
Composer: Ralph B. Woodward
Lyricist: Marvin R. VanDam
Difficulty: Medium-difficult
Performance time: 3:30
Reference: Doctrine and Covenants 39:17-24, Doctrine and Covenants 133:7-10.