SKU: HP.8875
UPC: 763628188757.
Lent/Easter Musical This 30-minute musical reflects on Jesus's ministry and life on earth, and looks at the monumental effect his name has had on history. Told through six choral anthems with narration this work traces Jesus' life from his first preaching to the final momentous events of his passion. The music is mostly original and covers a range of styles. Accompaniment can be provided by just piano, CD or ED Hogan's orchestration. The half-hour length makes it ideal for including in a worship service anytime during Lent, or Holy Week, and it would be particularly poignant on Palm Sunday. Orchestrations: Conductor's Score, Flute, Oboe (or Soprano Sax* or Clarinet*), Horn (or Alto Sax* or Clarinet*), Trumpet (or Alto Sax*), Trombone (or Tenor Sax* or Baritone T. C. *), Percussion, Piano, Synth, Electric Bass, Harp, Violins 1 & 2, Viola (or Clarinet*), Cello/Bassoon (or Bass Clarinet*). *Parts are included on the CD-Rom890.
SKU: HP.8873
UPC: 763628188733.
SKU: CA.3118219
ISBN 9790007136949. Key: A major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score and parts available separately - see item CA.3118200.
SKU: HP.8878
UPC: 763628188788.
SKU: LO.10-5251L
ISBN 9780787764692.
This Palm Sunday creation from Anna Laura Page and Jean Anne Shafferman has flexibility written all over it! Suitable for SATB or two-part mixed choirs, it will be readily learned and enthusiastically embraced by choirs and congregations alike. The optional handbells and hand drum add intriguing elements to this delightful anthem.
SKU: BA.TP01039
ISBN 9790006205295. 22.5 x 16.5 cm inches. Language: German. Preface: Antje Wissemann.
This cantata for the First Sunday after Trinity, first performed in 1726, is one of the most musically attractive compositions composed by Bach during his time as cantor at St. Thomas Church, Leipzig. In its alternating scoring for oboes, recorders and strings, the opulently-structured opening chorus describes the gesture of the breaking of bread. The arias and recitatives for the two soloists, alto and tenor show Bach at the peak of his compositional powers. The two-part cantata concludes with a simple chorus.- Urtext edition based on theNew Bach Edition- Richly coloured scoring using recorders and oboes- Vocal score (Ger/Eng), foreword (Ger/Eng)
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.3118212
ISBN 9790007050290. Key: A major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.
Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score and part available separately - see item CA.3118200.
SKU: LO.30-2651L
UPC: 000308125962.
With pulsating energy, Pepper Choplin's creative genius vividly conveys the excitement and the tension of the crowd as Jesus rode through the Jerusalem streets. There are opportunities for soloists in this anthem and the option of using trumpet and percussion or full orchestra for accompaniment. Questions from the people are answered with shouts of affirmation in this perfect choice for Palm Sunday. (From the cantata Come, Touch the Robe SATB--55/1123L; SAB--55/1124L) The orchestra includes a Conductor's Score and parts for Flute, Oboe, Clarinet, 2 Horns, 2 Trumpets, 2 Trombones, 2 Percussion, Piano, Guitar (nylon strings), 2 Violins, Viola, Cello, and Bass.
SKU: HP.2874
UPC: 763628128746.
Nine popular hymns This 60-page collection includes 15 of our best-selling arrangements of recent years, for 2-3 octaves, Level 2.These solid, traditional settings come from an array of composers and arrangers, represent a wide range of styles, and are useful throughout the church year. Single copies of these 15 titles exceed the cost of this one book, which you can then reproduce for all your ringers!.
SKU: CA.3118249
Key: A major. Language: German/English. Text: Franck, Salomo.
SKU: HP.8874
UPC: 763628188740.
SKU: CA.3107307
ISBN 9790007044640. Key: G minor / c minor. Language: German/English.
In 1724, Bach composed the cantata Herr, wie du willt, so schicks mit mir [Lord, as you will, do unto me] BWV 73 for the third Epiphany Sunday. Like in some other cantatas from the first annual cycle, the opening movement contains a part for corno which would in fact have been unplayable on an instrument of that era - probably also a reason why Bach allocated this part to the organ in a repeat performance (both variants can be performed using the Carus edition). The unusual choral movement, interrupted by recitatives, is based quite substantially on a short four-note motive which is introduced by the horn; at the end of the chorus, the choir sings it to the words Herr, wie du willt [Lord, as you will] - an avowal which also quite substantially characterizes other movements of the cantata. Score available separately - see item CA.3107300.
SKU: HL.35032649
UPC: 888680909543. 5.0x5.0x0.169 inches. J. Paul Williams/Joseph M. Martin. Matthew 21:15, Psalm 100:1, Psalm 33:3, Psalm 47, Psalm 98:4-9.
Based on Psalm 47, this thrilling anthem will encourage congregations to praise the Lord with unabashed joy. Creative chord choices deliver a festive impact and a remarkable ostinato builds the energy to dizzying heights. Perform this powerful anthem with percussion and brass for special Palm Sunday or concert presentations. Now available in a TTBB version! Score and Parts for Full Orchestra (fl 1-2, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-3, tba, perc 1-2, timp, pno, hp, vn 1-2, va, vc, db) and for Brass/Percussion (tpt 1-2, hn, tbn 1-2, sus cym, snare dm) are both available as a digital download. NOTE: Full Performance and Split Track MP3's are for the TTBB voicing only.
SKU: HP.C5631C
UPC: 763628956318. Matthew 21:1-11, Mark 11:1-33, Luke 19:1-47, John 12:1-50.
Original Anthem This dynamic Palm Sunday anthem from Joel Raney is brimming over with excitement. The adult voices begin the musical journey building to . . . Jesus, Redeemer, King, rides in triumphant majesty. Let all creation sing loud hosannas to the King of Glory! At this highpoint, the optional children's choir enters singing, Blessed is he who comes in the name of the Lord, echoed by the adult voices in a very effective exchange. From there the anthem builds to a thrilling hosanna-filled conclusion. The instrument packet contains a Conductor's Score and parts for Flute, French Horn, Percussion (tambourine, triangle, conga or djembe), Bass Guitar & 4 Handbells.
SKU: BR.OB-4521-16
Bach's great ,,Heaviness Cantata - Now with a new piano-vocal score by Matthias Grunert.
ISBN 9790004313114. 9 x 12 inches.
The cantata I had great heaviness of heart BWV 21 is one of the most popular and beloved vocal works of Johann Sebastian Bach. Intended for a performance on the third Sunday after Trinity as well as in ogni tempo (for any occasion), this work occupies a special place within Bach's cantata oeuvre. Particularly unusual is not only its approx. 40-minute duration, but also the work's wealth of forms and sounds. Matthias Grunert, cantor of the Dresden Frauenkirche, put together an entirely new piano-vocal score to this main work from Breitkopf's Bach Cantata series. His work is supplemented by a revised new engraving of the continuo part.Bach's great ,,Heaviness Cantata - Now with a new piano-vocal score by Matthias Grunert.
SKU: BR.OB-4521-15
ISBN 9790004313107. 9 x 12 inches.
SKU: CA.3115414
ISBN 9790007208752. Language: German/English.
The cantata Mein liebster Jesus ist verloren BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, instead of the usual six movements. With a duration of around 15 minutes, it is a concise work. As well as this, at the beginning of the cantata there is an aria instead of the usual opening chorus. A chorale features at the end and in the third movement. Its brevity and straightforward arias make this cantata suitable for inclusion in any church service, and is easy for amateur ensembles to master. Score and part available separately - see item CA.3115400.
SKU: CA.3115449
ISBN 9790007187392. Language: German/English.
SKU: BR.OB-4521-30
ISBN 9790004313145. 9 x 12 inches.
SKU: CA.3115419
ISBN 9790007208769. Language: German/English.
The cantata Mein liebster Jesus ist verloren BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, instead of the usual six movements. With a duration of around 15 minutes, it is a concise work. As well as this, at the beginning of the cantata there is an aria instead of the usual opening chorus. A chorale features at the end and in the third movement. Its brevity and straightforward arias make this cantata suitable for inclusion in any church service, and is easy for amateur ensembles to master. Score and parts available separately - see item CA.3115400.
SKU: CA.3115405
ISBN 9790007187163. Language: German/English.
The cantata Mein liebster Jesus ist verloren BWV 154 was first performed on 9 January 1724, the 1st Sunday after Epiphany. The structure and extent of the work are unusual: it comprises eight, instead of the usual six movements. With a duration of around 15 minutes, it is a concise work. As well as this, at the beginning of the cantata there is an aria instead of the usual opening chorus. A chorale features at the end and in the third movement. Its brevity and straightforward arias make this cantata suitable for inclusion in any church service, and is easy for amateur ensembles to master. Score available separately - see item CA.3115400.
SKU: MN.50-6128
UPC: 688670561283. English.
This 19th-century text is perhaps best known to Lutherans but deserves a wider awareness. In many ways it parallels the ideas in Psalm 23. Set to a graceful original melody, this anthem is perfect for World Communion Sunday or any time when you want the anthem to focus on our personal response to the Eucharist. Duration: 3:00.
SKU: CA.3115403
ISBN 9790007187156. Language: German/English.
SKU: CA.3106000
ISBN 9790007043377. Key: D major / a major. Language: German/English.
The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist..
SKU: LO.10-5656L
ISBN 9780787776299.
Here is the Palm Sunday anthem you have been looking for! The accessible vocal writing, the joyously driving accompaniment, and the optional children's choir and ring and sing handbell part make this stand-out anthem an immediate winner. Quickly learned but difficult to forget, this is an anthem you will return to again and again. One of Anna Laura's best!
SKU: CA.3115407
ISBN 9790007242305. Language: German/English.
SKU: BR.CHB-4521-02
ISBN 9790004406151. 7.5 x 10.5 inches. German / English.
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