SKU: HL.49007035
ISBN 9790001075374.
SKU: HL.156857
UPC: 888680608323. 8.5x11.0x0.276 inches.
Uses: Christ the Good Shepherd, General, Hymn Arrangement Scripture: Psalm 23; Psalm 79:13 Exquisite artistry is extended to this winsome Irish folk song in this elegant arrangement. The pastoral qualities of the celebrated Shepherd's Psalm are front and center in the tone painting of the lyrical piano accompaniment, while the vocals add a rich quality that make this an ideal sanctuary or concert choice for anytime. Score and Parts (fl 1-2, ob, cl 1-2, bn, perc 1-2, hp, vn 1-2, va, vc, db) available as a Printed Edition and as a digital download.
SKU: HL.365751
UPC: 840126961867. 6.75x10.5x0.029 inches. Isaiah 53:5-7, John 10:26-28, Psalm 79:13.
Bright and lively, this original anthem has the feeling of a middle-European folk song. Incorporating NOEL NOUVELET, the piano and percussion bring the vibe, adorning the catchy minor melody with colorful timbres. In troubadour style, the text tells the story of faithful shepherds looking for their lost sheep. The second verse uses an ostinato to create a rustic folk band with vocal sounds instead of instruments. Unforgettable sonic joy! Score and Parts (cl, perc 1-2) avialable as a digital download.
SKU: HL.35028318
UPC: 884088650322. 4.75x5 inches. Joseph M. Martin/Robert Sterling.
Uses: Advent, Epiphany, GeneralScripture: John 10:3This anthem is a sacred tone poem shining with the light of hope. Illuminated with the warmth of a rich harmonic syntax, this singular choral is refreshing to the ears and spiritually encouraging to the heart. The lush and colorful orchestration creates a sound track to this message of divine faithfulness. Available separately: SATB, StudioTrax CD, iPrint Orchestration (Score and parts for Piccolo, flute, oboe, Bb Clarinet, Bass Clarinet, Bassoon, Horns 1&2, Glock, Perc, Timp, Harp, Piano, Violin 1&2, Viola, Cello, Double Bass). Duration: ca. 2:49.
SKU: LO.20-1056L
UPC: 000308025347.
Westward leading, still proceeding ... following yonder star is the appropriate introduction to this lively spiritual. The setting is full sounding and should require a minimum of rehearsal time to prepare.
SKU: BT.DHP-1206220-070
ISBN 9789043158961. International.
With its simple, memorable melody and folk-song style, You Are My Sunshine is undoubtedly one of America’s most successful love songs of the 20th century. Its success in the 1940s massively boosted the popularity of the song’s original performers, Jimmie Davis and Charles Mitchell, so much so that it helped to springboard Davis’ political career, culminating in his successful election as Governor of Louisiana in 1944. This arrangement for a quartet line-up is very playable and was arranged by Mike Sheppard. This piece effectively guarantees success at your next concert.Met zijn eenvoudige, herkenbare melodie in folksongstijl is You Are My Sunshine zonder twijfel een van Amerika’s succesvolste liefdesliedjes uit de 20e eeuw. Het succes van de song in de jaren 1940 was een enorme boost voor de populariteit van de oorspronkelijke performers, Jimmie Davis en Charles Mitchell, zodanig dat Davis’ politieke carrière een zetje kreeg, met als resultaat zijn verkiezing tot gouverneur van Louisiana in 1944. Deze versie voor kwartet, gearrangeerd door Mike Sheppard, is uitstekend speelbaar en zal gegarandeerd bij het publiek in de smaak vallen.Mit seiner einfachen, einprägsamen Melodie und seinem volksliedhaften Stil ist You Are My Sunshine zweifellos eines der erfolgreichsten amerikanischen Liebeslieder des 20. Jahrhunderts. Sein Erfolg in den 1940er-Jahren steigerte enorm die Popularität der ursprünglichen Interpreten des Songs, Jimmie Davis und Charles Mitchell, was sogar Davis politische Karriere ankurbelte und schließlich zu seiner erfolgreichen Wahl zum Gouverneur von Louisiana im Jahr 1944 führte. Dieses Arrangement von Mike Sheppard für eine Quartettbesetzung ist sehr gut spielbar und garantiert ein Erfolg bei Ihrem nächsten Konzert.Écrite dans un style traditionnel et dotée d’une mélodie accrocheuse, You Are My Sunshine est certainement l’une des chansons d’amour américaines les plus populaires du XXe siècle. Dans les années 1940, sa popularité stimula énormément la réputation de ses interprètes d’origine, Jimmie Davis et Charles Mitchell au point où elle servit de tremplin la carrière politique de Davis, qui fut élu, en 1944, au poste de gouverneur de la Louisiane. Arrangée par Mike Sheppard, cette version pour quatuor est très accessible et obtiendra un beau succès lors de votre prochain concert.
SKU: BT.DHP-1206311-215
English-German-French-Dutch.
Watermelon Sugar was the summer hit of the year 2020. It is a song by the British singer-songwriter Harry Styles, who felt inspired by the title of the American novel In Watermelon Sugar (1968) by Richard Brautigan.The melody of the chorus had already taken form during â??Live on Tourâ??, the debut tour that Styles embarked on in September 2017, finishing in July the following year. On a free day, Harry and his band went to The Cave Studio inNashville, where they created the chorus melody. It is said that the song is about Stylesâ?? ex-girlfriend Camille Rowe. Mike Sheppard arranged this catchy tune for a flexible (six-part) ensemble as a lasting memory of theextraordinary year 2020.Watermelon Sugar was ongetwijfeld dé zomerhit van 2020. Het is een nummer van de Britse singer-songwriter Harry Styles, die zich samen met enkele vrienden liet inspireren door de titel van de Amerikaanse roman InWatermelon Sugar (1968) van Richard Brautigan. De melodie van het refrein was al ontstaan tijdens Live on Tour, de tournee die Styles in september 2017 maakte. Tijdens een vrije dag gingen de jongens van de band naar The CaveStudio in Nashville, waar de refreinmelodie bedacht werd. Het nummer zou gaan over Harry Stylesâ?? ex-vriendin Camille Rowe. Mike Sheppard arrangeerde deze catchy song voor een variabele bezetting (zes partijen) als een blijvendeherinnering aan het bijzondere jaar 2020.Watermelon Sugar war der Sommerhit des Jahres 2020. Das Lied stammt von dem britischen Singer-Songwriter Harry Styles, der sich vom Titel des amerikanischen Romans In Watermelon Sugar (1968) von Richard Brautiganinspirieren lieÃ?. Die Melodie des Refrains nahm bereits während seiner Debüt-Tournee Gestalt an, die von September 2017 bis zum Juli des darauffolgenden Jahres dauerte. An einem freien Tag ging er mit seiner Band ins Cave Studioin Nashville, wo die Melodie des Refrains entstand. Das Lied soll von seiner Ex-Freundin Camille Rowe handeln. Mike Sheppard arrangierte diesen Ohrwurm für ein flexibles (sechsstimmiges) Ensemble als bleibende Erinnerung an dasauÃ?ergewöhnliche Jahr 2020.Watermelon Sugar fut le tube de lâ??année 2020. Câ??est une chanson du chanteur-compositeur britannique Harry Styles, qui sâ??est inspiré du titre du roman américain In Watermelon Sugar (Sucre de pastèque, 1968), deRichard Brautigan. La mélodie du refrain avait déj pris forme pendant « Live on Tour », la première tournée de Styles, qui avait débuté en septembre 2017 et pris fin en juillet de lâ??année suivante. Un jour de repos, Harry et songroupe sont allés au Cave Studio de Nashville, où est née la mélodie du refrain. On dit que la chanson concerne lâ??ex-petite amie de Styles, Camille Rowe. Mike Sheppard a arrangé cet air accrocheur pour un ensemble instrumentation variable (six voix) afin de marquer, de manière inoubliable, lâ??extraordinaire année 2020.
SKU: BT.DHP-1206311-015
Watermelon Sugar was the summer hit of the year 2020. It is a song by the British singer-songwriter Harry Styles, who felt inspired by the title of the American novel In Watermelon Sugar (1968) by Richard Brautigan.The melody of the chorus had already taken form during ‘Live on Tour’, the debut tour that Styles embarked on in September 2017, finishing in July the following year. On a free day, Harry and his band went to The Cave Studio inNashville, where they created the chorus melody. It is said that the song is about Styles’ ex-girlfriend Camille Rowe. Mike Sheppard arranged this catchy tune for a flexible (six-part) ensemble as a lasting memory of theextraordinary year 2020.Watermelon Sugar was ongetwijfeld dé zomerhit van 2020. Het is een nummer van de Britse singer-songwriter Harry Styles, die zich samen met enkele vrienden liet inspireren door de titel van de Amerikaanse roman InWatermelon Sugar (1968) van Richard Brautigan. De melodie van het refrein was al ontstaan tijdens Live on Tour, de tournee die Styles in september 2017 maakte. Tijdens een vrije dag gingen de jongens van de band naar The CaveStudio in Nashville, waar de refreinmelodie bedacht werd. Het nummer zou gaan over Harry Styles’ ex-vriendin Camille Rowe. Mike Sheppard arrangeerde deze catchy song voor een variabele bezetting (zes partijen) als een blijvendeherinnering aan het bijzondere jaar 2020.Watermelon Sugar war der Sommerhit des Jahres 2020. Das Lied stammt von dem britischen Singer-Songwriter Harry Styles, der sich vom Titel des amerikanischen Romans In Watermelon Sugar (1968) von Richard Brautiganinspirieren ließ. Die Melodie des Refrains nahm bereits während seiner Debüt-Tournee Gestalt an, die von September 2017 bis zum Juli des darauffolgenden Jahres dauerte. An einem freien Tag ging er mit seiner Band ins Cave Studioin Nashville, wo die Melodie des Refrains entstand. Das Lied soll von seiner Ex-Freundin Camille Rowe handeln. Mike Sheppard arrangierte diesen Ohrwurm für ein flexibles (sechsstimmiges) Ensemble als bleibende Erinnerung an dasaußergewöhnliche Jahr 2020.Watermelon Sugar fut le tube de l’année 2020. C’est une chanson du chanteur-compositeur britannique Harry Styles, qui s’est inspiré du titre du roman américain In Watermelon Sugar (Sucre de pastèque, 1968), deRichard Brautigan. La mélodie du refrain avait déj pris forme pendant « Live on Tour », la première tournée de Styles, qui avait débuté en septembre 2017 et pris fin en juillet de l’année suivante. Un jour de repos, Harry et songroupe sont allés au Cave Studio de Nashville, où est née la mélodie du refrain. On dit que la chanson concerne l’ex-petite amie de Styles, Camille Rowe. Mike Sheppard a arrangé cet air accrocheur pour un ensemble instrumentation variable (six voix) afin de marquer, de manière inoubliable, l’extraordinaire année 2020.
SKU: BT.DHP-1206216-140
In 1982, rock band Toto scored a worldwide hit with Rosanna. This song is more than five minutes long, much longer than was usual for hits at the time, though perhaps it was exactly this fact that contributed to its enormous success. The London arranger Mike Sheppard, who knows the pop and rock scene through and through, made a wonderfully colourful version of this rock standard. In 1982 scoorde rockband Toto een wereldhit met Rosanna. De song is met z’n meer dan vijf minuten lengte veel langer dan destijds gebruikelijk was, en misschien droeg dat nou juist bij tot het enorme succes. De Londense arrangeur Mike Sheppard, die de pop- en rockscene door en door kent, maakte een schitterende, kleurrijke versie van deze rockstandard. 1982 erzielte die Rockband Toto mit Rosanna einen weltweiten Hit. Das Lied dauert mehr als fünf Minuten und ist damit viel länger, als es für damalige Hits üblich war. Doch vielleicht war es genau diese Tatsache, die zum enormen Erfolg beigetragen hat. Der Londoner Arrangeur Mike Sheppard, der die Pop- und Rockszene durch und durch kennt, hat eine wunderbar farbenreiche Version dieses Rockstandards geschrieben. En 1982, le groupe rock Toto a recueilli un succès planétaire avec Rosanna. Cette chanson dure plus de cinq minutes, nettement plus que la norme pour le hit-parade l’époque mais c’est peut-être cela qui a contribué son immense popularité. L’arrangeur londonien Mike Sheppard, qui connaît fond l’univers de la pop et du rock, nous offre une version merveilleusement colorée de ce standard du rock.
SKU: BT.DHP-1206216-030
In 1982, rock band Toto scored a worldwide hit with Rosanna. This song is more than five minutes long, much longer than was usual for hits at the time, though perhaps it was exactly this fact that contributed to its enormous success. The London arranger Mike Sheppard, who knows the pop and rock scene through and through, made a wonderfully colourful version of this rock standard. In 1982 scoorde rockband Toto een wereldhit met Rosanna. De song is met zâ??n meer dan vijf minuten lengte veel langer dan destijds gebruikelijk was, en misschien droeg dat nou juist bij tot het enorme succes. De Londense arrangeur Mike Sheppard, die de pop- en rockscene door en door kent, maakte een schitterende, kleurrijke versie van deze rockstandard. 1982 erzielte die Rockband Toto mit Rosanna einen weltweiten Hit. Das Lied dauert mehr als fünf Minuten und ist damit viel länger, als es für damalige Hits üblich war. Doch vielleicht war es genau diese Tatsache, die zum enormen Erfolg beigetragen hat. Der Londoner Arrangeur Mike Sheppard, der die Pop- und Rockszene durch und durch kennt, hat eine wunderbar farbenreiche Version dieses Rockstandards geschrieben. En 1982, le groupe rock Toto a recueilli un succès planétaire avec Rosanna. Cette chanson dure plus de cinq minutes, nettement plus que la norme pour le hit-parade lâ??époque mais câ??est peut-être cela qui a contribué son immense popularité. Lâ??arrangeur londonien Mike Sheppard, qui connaît fond lâ??univers de la pop et du rock, nous offre une version merveilleusement colorée de ce standard du rock.
SKU: BT.DHP-1206216-130
SKU: BT.DHP-1206216-010
SKU: CF.CM9624
ISBN 9781491156971. UPC: 680160915538. 6.875 x 10.5 inches. Key: G minor. English, English. Adapted from NKJV.
With a variety of musical elements reminiscent of Eastern European and Middle Eastern folk songs, Tompkins aptly utilizes the cultural background of Biblical poetry in this dance-like setting for the emerging treble chorus. Mood shifts in the piano part, chorus, and text make this an excellent piece for experimenting with a variety of timbres, vocal colors, and expression. Highly suitable for year-round programming needs.Adonai, My Shepherd (Psalm 23) is an English translation* of a song taken from the Tehillim (Psalms), an ancient Hebrew text which is also part of a larger collection of sacred writings, called the Ketuvim. The book of Psalms can also be found in the Bible's Old Testament. Designed to recognize the cultural background of the poetry, the musical elements of this piece are reminiscent of Eastern European and Middle Eastern folk songs. The tambourine has been added as a rhythmic device, appropriate to some types of Middle Eastern folk music, and to suggest a dance-like atmosphere. Mood shifts in the piano, chorus and text make this an excellent piece for experimenting with a variety of timbres, vocal colors and expression. For ensembles looking to incorporate added artistic dimension to performances, choirs are encouraged to make use of the performance space through creative blocking and/or movement appropriate to the style of each section. *English translation is adapted from The Complete Jewish Bible, (tr. Stern, used with permission) and The New King James Version (ed. Farstad). https://www.britannica.com/art/tambourine.Adonai, My Shepherd (Psalm 23) is an English translation* of a song taken from the Tehillim (Psalms), an ancient Hebrew text which is also part of a larger collection of sacred writings, called the Ketuvim. The book of Psalms can also be found in the Bible’s Old Testament.Designed to recognize the cultural background of the poetry, the musical elements of this piece are reminiscent of Eastern European and Middle Eastern folk songs. The tambourine has been added as a rhythmic device, appropriate to some types of Middle Eastern folk music, and to suggest a dance-like atmosphere.Mood shifts in the piano, chorus and text make this an excellent piece for experimenting with a variety of timbres, vocal colors and expression. For ensembles looking to incorporate added artistic dimension to performances, choirs are encouraged to make use of the performance space through creative blocking and/or movement appropriate to the style of each section.*English translation is adapted from The Complete Jewish Bible, (tr. Stern, used with permission) and The New King James Version (ed. Farstad).https://www.britannica.com/art/tambourine.
SKU: CF.CM9634
ISBN 9781491157060. UPC: 680160915620. 6.875 x 10.5 inches. Key: G major. English, English. Traditional Christmas Spiritual.
Berg's fantastic setting of this beloved American Christmas spiritual for advanced tenor-bass choirs tells a story of hope and meaning. The various textures throughout the a cappella arrangement with solos add much variety and musical interest. A holiday programming must!.This beloved American Christmas Spiritual, like all spirituals and/or folk songs, tells a story. This is a story of hope and meaning. The introductory solo call and response (mm. 1-7) is hymnic in nature, just to get us started. (Think of it as an effective head fake!) The entrance at m. 8 from the upper three voices (we'll call them the trio part henceforth) is pivotal. They set the stage for the conversation between the singers and the soloist for the rest of the song. From this point, the song is basically a Jazz Trio in vocal form. The bass singers take on the role of the cool dude in the back wearing dark glasses and a beret playing the string bass. They provide the driving force for the forward movement of the entire song. The trio part, basically tenors 1 & 2 and baritones, take on the role of the keyboard providing chordal structure and syncopation. Their job is to fill the listener's ear with sound and rhythm. The soloist tells the story using the known melody and text with appropriate improv opportunities to keep the listeners focused on the message of the song. There is enough repetition to make for easy learning, but this also means that the chords need to snap into position cleanly every time. The Verses are easily identified (there are three) and presented with some small variations in Verse 3 (see mm. 56-58...this only happens once). The Refrain (mm. 30-37) is the part of the song where the singers switch from the Jazz Trio role and actually become a Men's Choral Ensemble. This Refrain is repeated after Verse 3 at mm. 66-71. Between verses 2 & 3, there is not a refrain. Instead, there is a bridge repeated from the introductory material, but used this time to move us into a new key signature. This can be a very exciting moment for the singers as well as the listeners! Measures 72-75 is known in the business as a vamp. It can be repeated once and then move on, OR it can be repeated multiple times, depending on the comfort level of the soloist and the response of the audience. It is important that there be a clear signal from the conductor as to how to end the vamp and move effectively to the actual coda of the song. The ending should be sung with tight control that only looks like reckless abandon! Faces bright; words clean; melody clear; rhythms precise! Enjoy.This beloved American Christmas Spiritual, like all spirituals and/or folk songs, tells a story. This is a story of hope and meaning. The introductory solo call and response (mm. 1-7) is hymnic in nature, just to get us started. (Think of it as an effective head fake!)The entrance at m. 8 from the upper three voices (we’ll call them the “trio part†henceforth) is pivotal. They set the stage for the conversation between the singers and the soloist for the rest of the song. From this point, the song is basically a Jazz Trio in vocal form. The bass singers take on the role of the cool dude in the back wearing dark glasses and a beret playing the string bass. They provide the driving force for the forward movement of the entire song.The “trio partâ€, basically tenors 1 & 2 and baritones, take on the role of the keyboard providing chordal structure and syncopation. Their job is to fill the listener’s ear with sound and rhythm.The soloist tells the story using the known melody and text with appropriate improv opportunities to keep the listeners focused on the message of the song.There is enough repetition to make for easy learning, but this also means that the chords need to “snap into position†cleanly every time. The Verses are easily identified (there are three) and presented with some small variations in Verse 3 (see mm. 56-58…this only happens once).The Refrain (mm. 30-37) is the part of the song where the singers switch from the “Jazz Trio†role and actually become a “Men’s Choral Ensembleâ€. This Refrain is repeated after Verse 3 at mm. 66-71. Between verses 2 & 3, there is not a refrain. Instead, there is a bridge repeated from the introductory material, but used this time to move us into a new key signature. This can be a very exciting moment for the singers as well as the listeners!Measures 72-75 is known in the business as a “vampâ€. It can be repeated once and then move on, OR it can be repeated multiple times, depending on the comfort level of the soloist and the response of the audience.It is important that there be a clear signal from the conductor as to how to end the “vamp†and move effectively to the actual coda of the song. The ending should be sung with tight control that only looks like reckless abandon!Faces bright; words clean; melody clear; rhythms precise! Enjoy.
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