By Dennis Armitage. For solo instrument (clarinet, tenor saxophone, horn in Eb, horn in F, bass trombone, tuba, or Eb bass) and concert band. Swiss import. Jazz; Ragtime; Dixieland. Level: 4. Score and parts. Published by Editions Marc Reift. (EMR 1900)

Alto saxophone/soprano soprano saxophone and orchestra

SKU: PR.41641482L

Concerto for Alto/Soprano Saxophone and Orchestra. Composed by Narong Prangcharoen. Contemporary. Large Score. With Standard notation. Duration 17 minutes. Theodore Presser Company #416-41482L. Published by Theodore Presser Company (PR.41641482L).

UPC: 680160615834. 11 x 17 inches.

Solo Alto/Soprano Saxophone, 3 Flutes (3rd doubling Piccolo), 3 Oboes, 3 Clarinets in Bb (3rd doubling Bass Clarinet), 2 Bassoons, Contrabassoon, 4 Horns in F, 3 Trumpets in Bb, 2 Trombones, Bass Trombone, Tuba, Timpani, 3 Percussion, Piano, Strings.

Concert band 2 Alto Saxophones in Eb, 2 Bassoons, 2 Clarinets in Bb, 2 Flutes, 2 Horns in F, 2 Oboes, 2 Trombones, 2 Trumpets in Bb, Baritone Saxophone in Eb, Bass Clarinet in Bb, Bass Trombone, Euphonium, Perc, Piccolo, Solo Oboe, Tenor Saxophone in Bb, Timpani, Tuba

SKU: PR.41541142L

Concerto No. 2 for Oboe and Wind Ensemble. Composed by Eric Ewazen. Contemporary. Large Score. With Standard notation. 92 pages. Theodore Presser Company #415-41142L. Published by Theodore Presser Company (PR.41541142L).

UPC: 680160612451. 11 x 14 inches.

Jazz Ensemble standard Jazz ensemble (Kendor Konvertible for 9-17 players) with opt. flute, clarinet, F horn, tuba and vibes - Grade 2

SKU: KN.60465S

Composed by Les Sabina. Jazz Gateway. Kendor Music Inc #60465S. Published by Kendor Music Inc (KN.60465S).

UPC: 822795604658.

Scored in a breezy bossa nova style, this chart features irresistible rhythms, a winding melody and a logical chord progression. Written or ad lib solo space is given to trombone. The rest of the band has lots of unisons, giving developing bands ample opportunity to work on intonation. A guitar chord chart by Jim Greeson comes with each set. Duration 3:25.

Jazz Ensemble standard jazz ensemble - Grade 2

SKU: KN.60410

Composed by Kris Berg. Jazz Gateway. New Orleans 2nd Line Beat. Kendor Music Inc #60410. Published by Kendor Music Inc (KN.60410).

UPC: 822795604108.

We welcome Kris Berg to the Kendor family of writers with this fun and energetic chart written in a New Orleans 2nd line groove over a C7 blues. After the band trades licks with the drummer, the chart roars to a big ending, thunderous applause, and your audience marchin' down the aisles! The written or ad lib solo section can be played by anyone. Featuring Kendor Konvertible scoring for 9-17 players, each set includes a guitar chord chart by Jim Greeson and optional flute, clarinet, horn in f, tuba and vibes parts. Duration 4:00.

Composed by Les Sabina. For jazz ensemble. Jazz Gateway. Funk/Rock. Easy. Score and parts. Published by Kendor Music Inc

Concert band - Grade 4

SKU: MH.0-931329-53-1

Composed by Gregory B.Rudgers. Suitable for high school, community, and college bands. Conductor score and set of parts. Duration 7:30. Published by Manhattan Beach Music (MH.0-931329-53-1).

ISBN 9780931329531.

Journey back to ancient Greece and view a place of long-gone legend. Follow the trail to the Kingdom of Ithaca, from the heroic palace, to a place of tranquility, to a reckless dance of abandon, to the return of Odysseus. The melodic material used in 200 B.C. is from a two thousand year old Greek hymn to Apollo. The legendary adventures of Odysseus as described by Homer in the Odyssey (ca. 700 B.C.) provide the programmatic material. The music is freely based upon the First Delphic Hymn (or Paen to Apollo), composed ca. 200 B.C. The source is a transcription appearing on pages 363 - 367 of Ancient and Oriental Music, Edited by Egon Wellesz (Oxford University Press: London, 1957). Each movement of the work depicts a key event in the epic Homeric poem, as described below. Movement I: Intrada - The first four notes of this movement, C - Bb - G - Bb, are the melodic and harmonic foundation for the entire work. These pitches, introduced in a simple and direct manner, are subsequently developed in more complex fashions throughout the suite. Following this stately introduction is a militaristic fanfare that introduces the dotted-eighth and sixteenth-note figure later reprised in the second and fourth movements. Indeed, all the musical ideas which will be central to the remaining movements first appear in the Intrada. This movement depicts the grandeur of Odysseus and his kingdom in Ithaca, and establishes the heroic mood of the entire work. Movement II: Ballad - After a brief restatement of the opening dotted-eighth-and-sixteenth fanfare, the second movement extracts the falling third (Bb to G) from the C - Bb - G - Bb motif and extends it and expands it into a haunting solo for alto saxophone. The C - Bb - G - Bb motif appears again (see measures 23 - 33 in trumpets) as counterpoint to this melody, now pulsing through the thick texture of the band. Many performers have come to view the Ballad as the emotional epicenter of the entire suite; my conception of the Ballad is to achieve a union of pathos and strength. Programmatically, this movement depicts Odysseus's son, Telemachos, as he both longs for Odysseus's return and stoically defends his father's kingdom. Movement III: Dance - It will take Odysseus twenty years to return to Ithaca. During his absence, noblemen besiege his palace, violating the sanctity of the household and seeking the hand of his wife, Penelope. This movement depicts the wanton revelries that result. The original four-note motif is chromatically altered and the meter is made irregular. The rapid tempo, driving percussion, and angular meter and melodies combine in an explosion of reckless abandon. Movement IV: March Building from a delicate woodwind ensemble accompanied by finger cymbals to a fully orchestrated statement replete with thundering percussion, this is a resounding march of victory. Odysseus has returned in triumph to restore dignity to his household and to reclaim the throne of the Kingdom of Ithaca. Ensemble instrumentation: 1 Piccolo, 8 Flute 1 - 2, 2 Oboe 1 - 2, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 1 Eb Alto Clarinet, 3 Bb Bass Clarinet, 2 Bassoon 1 - 2, 3 Eb Alto Saxophone 1, 3 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 F Horn 1-2, 2 F Horn 3-4, 2 Trombone 1, 2 Trombone 2, 2 Trombone 3, 3 Euphonium (B.C.), 2 Euphonium T.C., 4 Tuba, 1 Timpani, 2 Mallet Percussion: Bells, Xylophone, 2 Percussion 1: Snare Drum, Tambourine, 2 Percussion 2: Crash Cymbals, Suspended Cymbal, Tom-Tom, Finger Cymbals, 1 Percussion 3: Bass Drum.

SSATB choir, 2 trumpets, horn, trombone, tuba, timpani, (alternative wind version: oboe, english horn, bassoon, bass trombone), organ - Level 2

SKU: CA.2707505

Composed by Peter Schindler. Contemporary Choir Music. Sacred vocal music, Sacred vocal music - Jazz, Masses, Latin. Choral Score. 24 pages. Duration 15 minutes. Carus Verlag #CV 27.075/05. Published by Carus Verlag (CA.2707505).

ISBN 9790007161613. Text language: Latin.

With a duration of 15 minutes, the Missa secunda is suitable for concert performance or for use in church services. The scoring is flexible and structured in modules: there is a cantus firmus which can be sung by a choir, or by the congregation in unison in treble or bass range. * It is perfectly possible to achieve an expressive performance of this unison version with just organ accompaniment. * The Missa secunda can be expanded to a four-part setting. * A five-part performance can be achieved by the addition of an upper voice (children's choir or solo soprano). * In the full scoring the Missa secunda can be accompanied in ceremonial style by a wind quintet and timpani. Score available separately - see item CA.2707500.

SATB choir, organ accompaniment, trumpet 1 in B-flat, trumpet 2 in B-flat, horn in f, trombone, tuba - Beginning

SKU: GI.G-5051

Composed by Richard Proulx. Ordinary Time 29 C, Children. Choral. Sacred. Octavo. 16 pages. GIA Publications #5051. Published by GIA Publications (GI.G-5051).

English. Text Source: Psalm 121, Book of Common Prayer, 1979. Scripture: Psalm 121.

Richard Proulx’s beautifully crafted setting of Psalm 121 is an ideal choice for festive gatherings or evening liturgies. The familiar first line of the psalm “I lift my eyes up to the hills” is prefaced by an equally evocative passage for solo French horn.

By Calixa Lavallée. Arranged by Paul Sylvester. For Brass Choir (4.2.2.1.1.perc). Brass - Brass Choir; Masterworks. Eighth Note Publications. Romantic. Duration 00:01:35. Published by Eighth Note Publications

By Rudolf Mauersberger. Edited by Herrmann, Matthias. For Solo Soprano (Boy) T, high choir (4-8-part choir), Altar choir (boy choir), Fernchor (men's choir), 4-3-part Quempas-(Knaben-) Chore, Piccolo, Flute, 3 Oboe, 2 Clarinet, Bassoon, 4 Horn, 3 Trombone, Tuba, Timpani, Perc (Glockenspiel, Triangle, Tam-tam) Ce. This edition: paperbound. RMWV 7. Full score available separately - see item CA.720100. Christmas. Study score. Language: German/English. Composed 1963. 168 pages. Duration 70 min

Jazz Ensemble - Grade 1

SKU: AP.50943S

Arranged by Zachary Smith. Jazz Ensemble; MakeMusic Cloud; Performance Music Ensemble; Single Titles. First Year Charts for Jazz Ensemble. Jazz; Spiritual. Score. 16 pages. Duration 3:35. Alfred Music #00-50943S. Published by Alfred Music (AP.50943S).

ISBN 9781470669744. UPC: 038081591636. English.

The well-known classic spiritual with a funky rock feel played around 110 BPM. Brief written solo statements from various players and modest trumpet 1 range to written E top space. Optional parts include flute, clarinet, horn, baritone horn, tuba, and vibes. This is a well-crafted and effective chart everyone will love! (3:35).

By Carl Hohne. For solo and concert band (clarinet, bassoon, alto saxophone, trumpet, euphonium, Bb bass, or tuba). Grade 4 . Score and parts. Published by Editions Marc Reift