SKU: HL.48024094
ISBN 9781784541750. UPC: 888680694999. 9.0x12.0x0.128 inches.
SKU: MA.EMR-51080
1. Bienvenue a l'Edelweiss / 2. Boldrius / 3. Bonjour chez vous / 4. Ciao Paolo / 5. La chevre a Bob / 6. Fais peter Dede / 7. La complainte de Berthoudchi / 8. La Course allez Charlotte / 9. La danse des Ombrelles / 10. La Fete au Chalet.
SKU: MA.EMR-51106
1. A Ras les Paquerettes / 2. La Valse a Philou / 3. La Marche des Pions / 4. La Marche du Tambourin / 5. La Valse des Clochettes / 6. La Polka Carougeoise / 7. La Soupe aux Pois / 8. La Ballade d'Igor / 9. La Parodie du Barman / ...
SKU: MA.EMR-51132
1. La Polka du Vieux Pont / 2. La Tete dans l'Abreuvoir / 3. Le Yodel a Otto / 4. La Valse d'Alfred Ouin Ouin / 5. Le Mascotte en Folie / 6. Tangolino / 7. Par ici la Bonne Blague / 8. La Valse du Soleil / 9. Pur Sucre Tango / 10. Les Trois Echecs.
SKU: HL.48025211
UPC: 196288133391. 9.0x12.0x0.067 inches.
With his opera Hamlet, which premiered in Glyndebourne in 2017, the composer Brett Dean added a new, modern analysis to the certainly numerous artistic ones of the famous subject - with enormous success, as the press reviews and many subsequent stage productions attested. The composer's and his librettist Matthew Jocelyn's fruitful examination of Shakespeare's text material yielded both the full-length opera and several concertante “by-productsâ€: And once I played Ophelia for soprano and string quartet, From Melodious Lay, an orchestral poem with solo soprano and solo tenor, the suite Gertrude Fragments for mezzo-soprano and guitar, and Confessio for solo bass clarinet. Confessio describes an appearance by Hamlet's uncle Claudius: In the castle chapel he deliversa short monologue – rather a reflection than a prayer or confession. Claudius reveals to himself the deep fear of the consequences of his murderous deed - and a vague, though hardly justifiable, hope for mercy.
SKU: HL.48024907
UPC: 840126931600.
An alternating stream of thoughts for bass clarinet - free and restless, tender and brutal, angry, singing. This short solo piece, like an exclamation mark, is given by the interpreter * in space to struggle to shake off conventions, in short, to play. The composer - i.a. Professor of media composition (University of Music and Performing Arts Vienna) and visiting professor forexperimental composition (UdK Berlin) - encourages quasi-improvisation, a wild ride through emotional states and playing techniques. Caution, risk of explosion!
SKU: HL.48023982
Orcus, presented by the composer in a version for contraforte as well, is a virtuoso solo which gives the instrument the character of a 'bass nightingale'. Mockery and humour, however, are disregarded. This composition rather is a piece of archaic language-like character. Lamenting vocal tones are crossed dramatically by staccatos.
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