SKU: HL.422581
UPC: 196288061465. 6.75x10.5x0.029 inches. Galatians 5:16, I Timothy 2:1-15, Proverbs 18:24.
A perennial favorite is treated to new sonic clothing in this engaging arrangement. Filled with innovative choral contrasts, this fresh approach provides many moments to linger over. Audiences will thrill to its impact in both worship and concert settings.
SKU: HL.1140073
UPC: 196288115397. 6.75x10.5x0.029 inches.
Are you looking for an exciting and fully-engaging piece to get your choirs moving and excited about singing? If so, singers will love learning and performing the newest work in the Marques L. A. Garrett Choral Series, Msifuni Mungu! written by Jarrett Roseborough for SATB choir and percussion. The piece features stomping, clapping, and patting to bring even more excitement accompanying the rhythmic Swahili text featured in this setting. An English translation of the Swahili text is provided. Looking for a crowd-pleaser and well-crafted opener or closer? Look no further!
SKU: SU.80400296
This perennial favorite for SSA Chorus by Stephen Paulus has now been arranged for mixed chorus (SATB div.) by Drew Collins. The text by John Clare speaks of the beauty and power of music and nature. Makes a great opener or closer. A superb festival or honor choir selection. Final movement from the trilogy 'Songs Eternity', originally for SSA Chorus, co-commissioned in 2001 by American Boychoir and Glen Ellyn Children's Chorus.SATB Chorus & Piano (or Orchestra) Duration: 3'20 Composed: 2001/2019 Published by: Paulus Publications Minimum order quantity: 8 copies. To order quantities fewer than 8, please call customer service at (973) 857-3440. Orchestra materials available on rental only:.
SKU: SU.96010060
Instrumentation: SATB Chorus, & Piano Duration: 3:30' Composed: 2012 Published by: Subito Music Publishing Minimum order quantity: 8 copies. Perusal copies are available by contacting (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440. About T.N.TAs a matter of practicality, when I was first asked to write a piece for the New York Theatrical Community Choir in 2005 by its music director, David Wolfson, I immediately decided to write a Kyrie. After all, I thought..., the text is only about four words and eliminated the need for a lyricist. Most appealing, however, was the fact that it would bring me one step closer to finishing the Mass that I was in the process of writing. If ever there was a case to be made for divine inspiration this appeared to be it. David Wolfson liked the idea and casually mentioned that there was another Kyrie and a religious hymn on the program. He also mentioned that the choir consisted predominantly of actors that sing.Like a bolt of lightning, divine intervention interceded whereupon I instantly realized that he needed a piece to wake up the audience, not another Kyrie. I took a breath and spontaneously began to talk through and improvise the concept of a piece that became the basis for Taxi.At that moment I was clueless as to what kind of piece I would write but it appeared to be a good idea at the time. David's reaction to my presentation was something like Okay,...I have no idea what you are talking about but let's try it. After a very successful public performance, he was delighted that I decided not to write a Kyrie and remarked that writ-ing a piece like Taxi for this group was like feeding raw meat to a pack of hungry lions. At that moment, the idea of doing a trilogy of similar pieces was born. For the last two seasons of the choir's existence I was asked to write a new piece and... as a matter of practicality, I happily agreed.-- Joe GianonoNote: Taxi, Noise, and Time may be performed separately.
SKU: SU.96010061
Instrumentation: SATB Chorus, & Piano Duration: 5' Composed: 2012 Published by: Subito Music Publishing Minimum order quantity: 8 copies. Perusal copies are available by contacting (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440. About T.N.T As a matter of practicality, when I was first asked to write a piece for the New York Theatrical Community Choir in 2005 by its music director, David Wolfson, I immediately decided to write a Kyrie. After all, I thought..., the text is only about four words and eliminated the need for a lyricist. Most appealing, however, was the fact that it would bring me one step closer to finishing the Massthat I was in the process of writing. If ever there was a case to be made for divine inspiration this appeared to be it. David Wolfson liked the idea and casually mentioned that there was another Kyrie and a religious hymn on the program. He also mentioned that the choir consisted predominantly of actors that sing. Like a bolt of lightning, divine intervention interceded whereupon I instantly realized that he needed a piece to wake up the audience, not another Kyrie. I took a breath and spontaneously began to talk through and improvise the concept of a piece that became the basis for Taxi. At that moment I was clueless as to what kind of piece I would write but it appeared to be a good idea at the time. David's reaction to my presentation was something like Okay,...I have no idea what you are talking about but let's try it. After a very successful public performance, he was delighted that I decided not to write a Kyrie and remarked that writ-ing a piece like Taxi for this group was like feeding raw meat to a pack of hungry lions. At that moment, the idea of doing a trilogy of similar pieces was born. For the last two seasons of the choir's existence I was asked to write a new piece and ... as a matter of practicality, I happily agreed. -- Joe Gianono Note: Taxi, Noise, and Time may be performed separately.
SKU: SU.96010062
Instrumentation: SATB Chorus, & Piano Duration: 4' Composed: 2012 Published by: Subito Music Publishing Minimum order quantity: 8 copies. Perusal copies are available by contacting (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440. About T.N.TAs a matter of practicality, when I was first asked to write a piece for the New York Theatrical Community Choir in 2005 by its music director, David Wolfson, I immediately decided to write a Kyrie. After all, I thought..., the text is only about four words and eliminated the need for a lyricist. Most appealing, however, was the fact that it would bring me one step closer to finishing the Mass that I was in the process of writing. If ever there was a case to be made for divine inspiration this appeared to be it. David Wolfson liked the idea and casually mentioned that there was another Kyrie and a religious hymn on the program. He also mentioned that the choir consisted predominantly of actors that sing.Like a bolt of lightning, divine intervention interceded whereupon I instantly realized that he needed a piece to wake up the audience, not another Kyrie. I took a breath and spontaneously began to talk through and improvise the concept of a piece that became the basis for Taxi.At that moment I was clueless as to what kind of piece I would write but it appeared to be a good idea at the time. David's reaction to my presentation was something like Okay,...I have no idea what you are talking about but let's try it. After a very successful public performance, he was delighted that I decided not to write a Kyrie and remarked that writ-ing a piece like Taxi for this group was like feeding raw meat to a pack of hungry lions. At that moment, the idea of doing a trilogy of similar pieces was born. For the last two seasons of the choir's existence I was asked to write a new piece and... as a matter of practicality, I happily agreed.-- Joe GianonoNote: Taxi, Noise, and Time may be performed separately.
SKU: AP.50131
UPC: 038081573014. English.
Celebrate the joy of making music all life long with this powerful ode to our art. With lyrics about the many ways that music makes a difference in our lives, singers will embrace the message and be inspired to share it. Bookended by a resonant choral fanfare and including an optional flute obbligato, it's a dynamic opener or closer for all who love music!
About Alfred Choral Designs
The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.
SKU: AP.50153
UPC: 038081573236. English.
This Celtic-inspired original is an exceptional testament to music, a powerful tool for human expression. Compelling lyrics come from the unique perspective of song itself, 'I am the spark that glows in you . . . the voice that grows in you . . . the hope that springs in you . . . the truth that rings in you. A lilting 6/8 meter and sweeping choral lines garner an epic effect and create an impressive opener, closer, or concert theme.
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