SKU: HL.14048253
8.0x11.75 inches.
Released in 2005, the album Once Around The Sun is the outcome of Joby Talbot's residency with Classic FM. During his year in residence, Talbot composed a new piece of music each month, scored for up to five instruments. The resulting twelve compositions were then premiered on Classic FM and were recorded on CD. December - Polarisation was the 12th piece to be composed and is scored here for solo Piano.
SKU: CF.P3313
ISBN 9780825850899. UPC: 798408050894. 9 X 12 inches.
This eclectic piano solo was written for the Vision Into Arts International Pianofest and was premiered in December of 2002 in New York City. The composer, son of noted jazz pianist Dave Brubeck, pays tribute to his father’s jazz legacy and mentor Darius Milhaud through this wild romp featuring a variety of styles including boogie-woogie, jazz, and improvisation. A short piece (only three minutes), this dramatic work is perfect for an unusual encore, showpiece in a piano recital or when a little dramatic contrast is in order for any program.
SKU: BR.EB-9234
ISBN 9790004185247. 9 x 12 inches.
World premiere: Berlin, December 1, 2013.
SKU: YM.GTP01100307
ISBN 9784636102147. 8.5 x 12 inches.
The matching piano music book for the CD THE BOOK 2 released in December 2021 is now available! Includes songs, such as the opening and ending themes of the popular anime BEASTARS, as well as the newest song Tsubame, all of which have tie-ins and have attracted a great attention from various fields. The front pages feature exclusive messages from YOASOBI's members -Ayase and Ikura (Lilas Ikuta) - to piano lovers, and there's more! A bonus score, YOASOBI Special Piano Duet Medley, is also included. This gorgeous and enchanting version of the piano duet arrangement is sure to become a favorite of yours!
SKU: AP.36-M142791
ISBN 9781628769739. UPC: 660355085468. English.
Written in 1916, these Six Concert Etudes (Hat Koncertetud), Op. 28 were written by Hungarian composer, conductor, and pianist Ernst von Dohnányi (1877-1960). He premiered the work himself in Szeged on December 12, 1916. The collection is published in two volumes, with both available from the publisher.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: HL.14032607
ISBN 9781846091599. 9.0x12.0x0.285 inches.
A collection of solo Piano arrangements of the pieces from Once Around The Sun, Joby Talbot's musical journey through one year. Jointly commissioned by Classic FM and The PRS Foundation For New Music, this exquisite set of mood pieces was inspired by the personal changes and experiences across the year, creating something of a diary of the composer's creativity.
SKU: LB.243
Composer Jeanie Murrow writes, My mother, Mary Helen Novak, died 3 days before Christmas in 2016; it was unexpected. My father Daniel Novak, died a year later on December 26, the day after Christmas. In this piece, the opening motif is Mom calling to Dad from Heaven, to come join her; throughout the piece she continues to prod him with that starting motif. Her Christmas song is Silent Night. He answers her with The First Noel, indicating that he would like just one more Christmas with loved ones. Finally, they both sleep in Heavenly Peace..
SKU: BR.EB-9253
World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017
Have a look into EB 9283.
ISBN 9790004185537. 9 x 12 inches.
Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020.
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